Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- Past the Size of Dreaming? Shakespeare’s Rome
- Puns and Prose: Reflections on Shakespeare’s Usage
- ‘Away with him! He speaks Latin’: 2 Henry VI and the uses of Roman Antiquity
- Shakespeare and the other Virgil: Pity and Imperium in Titus Andronicus
- ‘Though this be method, yet there is madness in’t’: Cutting Ovid’s Tongue in Recent Stage and Film Performances of Titus Andronicus
- The Noble Romans: When Julius Caesar and Antony and Cleopatra were Made Sequels
- Shakespeare’s Poems in Pieces: Venus and Adonis and The Rape of Lucrece Unanthologized
- The Ovidian Girlhood of Shakespeare’s Boy Actors: Q2 Juliet
- ‘Lend me your ears’: Listening Rhetoric and Political Ideology in Julius Caesar
- Plutarch’s Porcia and Shakespeare’s Portia: Two of a Kind?
- Shakespeare’s Unholy Martyrs: Lessons in Politics
- ‘A lean and hungry look’: Sight, Ekphrasis, Irony in Julius Caesar and Henry V
- ‘Her strong toil of grace’: Charismatic Performance from Queens to Quakers
- Coriolanus and the ‘Common Part’
- Coriolanus and the Poetics of Disgust
- The Household of Heroism: Metaphor, Economy and Coriolanus
- ‘Those Organnons by which it Mooves’: Shakespearian Theatre and the Romish Cult of the Dead
- ‘Another Part of the Forest’: Editors and Locations in Shakespeare
- Unmanning Juliet
- The Second Tetralogy’s move from Achievements to Badges
- ‘Let me not to the Marriage of True Minds’: Shakespeare’s sonnet for Lady Mary Wroth
- Voluptuous Language and Ambivalence in Shakespeare’s Sonnets
- Sympathetic Sonnets
- Authenticating the Inauthentic: Edmond Malone as Editor of the Apocryphal Shakespeare
- Paper Worlds: A Story of Things left Behind
- An Intimate and Intermedial Form: Early Television Shakespeare from the BBC, 1937–1939
- Tagging the Bard: Shakespeare Graffiti on and off the Stage
- William Dugdale’s Monumental Inaccuracies and Shakespeare’s Stratford Monument
- Shakespeare Performances in England (and Wales), 2015
- Professional Shakespeare Productions in the British Isles, January–December 2014
- The Year’s Contribution to Shakespeare Studies
- 1. Critical Studies
- 2. Shakespeare in Performance
- 3. Editions and Textual Studies
- Abstracts of Articles in Shakespeare Survey 69
- Index
- References
3. - Editions and Textual Studies
from The Year’s Contribution to Shakespeare Studies
Published online by Cambridge University Press: 13 October 2016
By
Edited by
Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- Past the Size of Dreaming? Shakespeare’s Rome
- Puns and Prose: Reflections on Shakespeare’s Usage
- ‘Away with him! He speaks Latin’: 2 Henry VI and the uses of Roman Antiquity
- Shakespeare and the other Virgil: Pity and Imperium in Titus Andronicus
- ‘Though this be method, yet there is madness in’t’: Cutting Ovid’s Tongue in Recent Stage and Film Performances of Titus Andronicus
- The Noble Romans: When Julius Caesar and Antony and Cleopatra were Made Sequels
- Shakespeare’s Poems in Pieces: Venus and Adonis and The Rape of Lucrece Unanthologized
- The Ovidian Girlhood of Shakespeare’s Boy Actors: Q2 Juliet
- ‘Lend me your ears’: Listening Rhetoric and Political Ideology in Julius Caesar
- Plutarch’s Porcia and Shakespeare’s Portia: Two of a Kind?
- Shakespeare’s Unholy Martyrs: Lessons in Politics
- ‘A lean and hungry look’: Sight, Ekphrasis, Irony in Julius Caesar and Henry V
- ‘Her strong toil of grace’: Charismatic Performance from Queens to Quakers
- Coriolanus and the ‘Common Part’
- Coriolanus and the Poetics of Disgust
- The Household of Heroism: Metaphor, Economy and Coriolanus
- ‘Those Organnons by which it Mooves’: Shakespearian Theatre and the Romish Cult of the Dead
- ‘Another Part of the Forest’: Editors and Locations in Shakespeare
- Unmanning Juliet
- The Second Tetralogy’s move from Achievements to Badges
- ‘Let me not to the Marriage of True Minds’: Shakespeare’s sonnet for Lady Mary Wroth
- Voluptuous Language and Ambivalence in Shakespeare’s Sonnets
- Sympathetic Sonnets
- Authenticating the Inauthentic: Edmond Malone as Editor of the Apocryphal Shakespeare
- Paper Worlds: A Story of Things left Behind
- An Intimate and Intermedial Form: Early Television Shakespeare from the BBC, 1937–1939
- Tagging the Bard: Shakespeare Graffiti on and off the Stage
- William Dugdale’s Monumental Inaccuracies and Shakespeare’s Stratford Monument
- Shakespeare Performances in England (and Wales), 2015
- Professional Shakespeare Productions in the British Isles, January–December 2014
- The Year’s Contribution to Shakespeare Studies
- 1. Critical Studies
- 2. Shakespeare in Performance
- 3. Editions and Textual Studies
- Abstracts of Articles in Shakespeare Survey 69
- Index
- References
- Type
- Chapter
- Information
- Shakespeare Survey , pp. 475 - 486Publisher: Cambridge University PressPrint publication year: 2016
References
Works reviewed
Bourus, Terri, Young Shakespeare’s Young Hamlet: Print, Piracy, and Performance (New York, 2014)CrossRefGoogle Scholar
Bruster, Douglas, ‘Shakespeare’s Lady 8’, Shakespeare Quarterly, 66 (2015), 47–88.CrossRefGoogle Scholar
Cross, Lezlie C. ‘Acting in the Paratext: Theatrical Material in Horace Howard Furness’s New Variorum Shakespeare’, Shakespeare Bulletin, 33.2 (2015), 191–213CrossRefGoogle Scholar
Erne, Lukas, ‘“I have forgot why I did call thee back”: Editing Romeo and Juliet’s Leave-Taking in the Balcony Scene’, Notes & Queries, 62 (2015), 93–5CrossRefGoogle Scholar
Galey, Alan, The Shakespearean Archive: Experiments in New Media from the Renaissance to Postmodernity (Cambridge, 2015)Google Scholar
Hirsch, Brett D., and Craig, Hugh, eds., The Shakespearean International Yearbook 14: Special Section, Digital Shakespeares (Farnham, 2014)Google Scholar
Lesser, Zachary, Hamlet after Q1: An Uncanny History of the Shakespearean Text (Philadelphia, 2015)Google Scholar
McDonald, Russ, and Orlin, Lena Cowen, eds., The Bedford Shakespeare (Boston, MA, 2015)Google Scholar
Taylor, Gary, ‘Empirical Middleton: Macbeth, Adaptation, and Microauthorship’, Shakespeare Quarterly, 65.3 (2014): 239–72CrossRefGoogle Scholar