Book contents
- Frontmatter
- CONTENTS
- ILLUSTRATIONS
- The Commercial Bard: Business Models for the Twenty-First Century
- International Innovation? Shakespeare as Intercultural Catalyst
- Brand Shakespeare?
- Global Shakespeare 2.0 and the Task of the Performance Archive
- An International Database of Shakespeare on Film, Television and Radio
- ‘Sounds and Sweet Airs’: Music in Shakespearian Performance History
- Using Shakespeare with Memes, Remixes and Fanfic
- ‘Pretty Much how the Internet Works’; or, Aiding and Abetting the Deprofessionalization of Shakespeare Studies
- Catalysing What? Historical Remediation, the Musical, and What of Love's Labour's Lasts
- Kabuki Twelfth Night and Kyogen Richard III: Shakespeare as a Cultural Catalyst
- The Sonnets as an Open-Source Initiative
- ‘A Stage of the Mind’: Hamlet on Post-War British Radio
- Post-Textual Shakespeare
- I am What I am Not: Identifying with the Other in Othello
- Desdemona's Book, Lost and Found
- Non-Catalyst and Marginal Shakespeares in the Nineteenth-Century Revival of Catalan-Speaking Cultures
- Shakespeare, Mácha and Czech Romantic Historicism
- An Irish Catalysis: W. B. Yeats and the Uses of Shakespeare
- François-Victor Hugo and the Limits of Cultural Catalysis
- ‘You Taught me Language’: Shakespeare in India
- There is Some Soul of Good: An Action-Centred Approach to Teaching Shakespeare in Schools
- The Royal Shakespeare Company as ‘Cultural Chemist’
- Shakespeare at the White Greyhound
- Dark Matter: Shakespeare’s Foul Dens and Forests
- What We Hear; What we see: Theatre for a New Audience's 2009 Hamlet
- Narrative of Negativity: Whig Historiography and the Spectre of King James in Measure for Measure
- Québécois Shakespeare goes Global: Robert Lepage's Coriolan
- Endless Mornings on Endless Faces: Shakespeare and Philip Larkin
- Shakespeare Performances in England 2010
- Professional Shakespeare Productions in the British Isles, January–December 2009
- The Year’s Contribution to Shakespeare Studies
- INDEX
CONTENTS
Published online by Cambridge University Press: 28 November 2011
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Book contents
- Frontmatter
- CONTENTS
- ILLUSTRATIONS
- The Commercial Bard: Business Models for the Twenty-First Century
- International Innovation? Shakespeare as Intercultural Catalyst
- Brand Shakespeare?
- Global Shakespeare 2.0 and the Task of the Performance Archive
- An International Database of Shakespeare on Film, Television and Radio
- ‘Sounds and Sweet Airs’: Music in Shakespearian Performance History
- Using Shakespeare with Memes, Remixes and Fanfic
- ‘Pretty Much how the Internet Works’; or, Aiding and Abetting the Deprofessionalization of Shakespeare Studies
- Catalysing What? Historical Remediation, the Musical, and What of Love's Labour's Lasts
- Kabuki Twelfth Night and Kyogen Richard III: Shakespeare as a Cultural Catalyst
- The Sonnets as an Open-Source Initiative
- ‘A Stage of the Mind’: Hamlet on Post-War British Radio
- Post-Textual Shakespeare
- I am What I am Not: Identifying with the Other in Othello
- Desdemona's Book, Lost and Found
- Non-Catalyst and Marginal Shakespeares in the Nineteenth-Century Revival of Catalan-Speaking Cultures
- Shakespeare, Mácha and Czech Romantic Historicism
- An Irish Catalysis: W. B. Yeats and the Uses of Shakespeare
- François-Victor Hugo and the Limits of Cultural Catalysis
- ‘You Taught me Language’: Shakespeare in India
- There is Some Soul of Good: An Action-Centred Approach to Teaching Shakespeare in Schools
- The Royal Shakespeare Company as ‘Cultural Chemist’
- Shakespeare at the White Greyhound
- Dark Matter: Shakespeare’s Foul Dens and Forests
- What We Hear; What we see: Theatre for a New Audience's 2009 Hamlet
- Narrative of Negativity: Whig Historiography and the Spectre of King James in Measure for Measure
- Québécois Shakespeare goes Global: Robert Lepage's Coriolan
- Endless Mornings on Endless Faces: Shakespeare and Philip Larkin
- Shakespeare Performances in England 2010
- Professional Shakespeare Productions in the British Isles, January–December 2009
- The Year’s Contribution to Shakespeare Studies
- INDEX
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- Shakespeare Survey , pp. vii - viiiPublisher: Cambridge University PressPrint publication year: 2011