Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- Shakespeare’s Transcolonial Solidarities in the Global South
- Shakespeare’s Creolized Voices
- ‘Accents Yet Unknown’: Haider and Hamlet in Kashmir
- The Forests of Silence: Global Shakespeare in the Philippines, the Philippines in Global Shakespeare
- Arab Shakespeares at the World Shakespeare Congress
- The Dual Tradition of Bardolatry in China
- A Catalyst for Theatrical Reinvention: Contemporary Travelling Companies at the Tokyo Globe Theatre
- ‘Both Alike in Dignity’: Havana and Mexico City Play Romeo and Juliet
- Cuban Improvisations: Reverse Colonization via Shakespeare
- Mixing Memory with Desire: Staging Hamlet Q1
- Shakespeare, Race and ‘Other’ Englishes: The Q Brothers’ Othello: The Remix
- ‘Mingled Yarn’: The Merchant of Venice East of Berlin and the Legacy of ‘Eastern Europe’
- Ariel’s Groans, or, Performing Protean Gender on the Bulgarian Post-Communist Stage
- Dressing the History ‘Boys’: Harry’s Masks, Falstaff’s Underpants
- Shopping for the Archives: Fashioning a Costume Collection
- Pastiche or Archetype? The Sam Wanamaker Playhouse and the Project of Theatrical Reconstruction
- Evolutionary Naturalism and Embodied Ecology in Shakespearian Performance (with a Scene from King John)
- Of Dance and Disarticulation: Juliet Dead and Alive
- Titania’s Dream: Three Choreographic Midsummer Night’s Dreams of the Twentieth Century
- Shakespeare on Screens: Close Watching, Close Listening
- From Table Books to Tumblr: Recollecting the Microgenres of the Early Modern Stage in Social Media
- Unlearning Shakespeare Studies: Speculative Criticism and the Place of Fan Activism
- Titus Andronicus and Trapdoors at the Rose and Newington Butts
- Shakespeare’s Bewitching Line
- At the Sign of the Angel: The Influence of Andrew Wise on Shakespeare in Print
- Shakespeare and Hardy: The Tragi-comic Nexus
- Queer Iago: A Brief History
- Global Shakespeare and the Censor: Adaptation, Context and Shakespeare Must Die, a Thai Film Adaptation of Macbeth
- Hathaway Farm: Commemorating Warwickshire Will Between the Wars
- Shakespeare Performances in England, 2017
- Professional Shakespeare Productions in the British Isles, January–December 2016
- The Year’s Contribution to Shakespeare Studies
- Abstracts of Articles in Shakespeare Survey 71
- Index
- References
Shakespeare Survey
Published online by Cambridge University Press: 28 November 2018
Edited by
Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- Shakespeare’s Transcolonial Solidarities in the Global South
- Shakespeare’s Creolized Voices
- ‘Accents Yet Unknown’: Haider and Hamlet in Kashmir
- The Forests of Silence: Global Shakespeare in the Philippines, the Philippines in Global Shakespeare
- Arab Shakespeares at the World Shakespeare Congress
- The Dual Tradition of Bardolatry in China
- A Catalyst for Theatrical Reinvention: Contemporary Travelling Companies at the Tokyo Globe Theatre
- ‘Both Alike in Dignity’: Havana and Mexico City Play Romeo and Juliet
- Cuban Improvisations: Reverse Colonization via Shakespeare
- Mixing Memory with Desire: Staging Hamlet Q1
- Shakespeare, Race and ‘Other’ Englishes: The Q Brothers’ Othello: The Remix
- ‘Mingled Yarn’: The Merchant of Venice East of Berlin and the Legacy of ‘Eastern Europe’
- Ariel’s Groans, or, Performing Protean Gender on the Bulgarian Post-Communist Stage
- Dressing the History ‘Boys’: Harry’s Masks, Falstaff’s Underpants
- Shopping for the Archives: Fashioning a Costume Collection
- Pastiche or Archetype? The Sam Wanamaker Playhouse and the Project of Theatrical Reconstruction
- Evolutionary Naturalism and Embodied Ecology in Shakespearian Performance (with a Scene from King John)
- Of Dance and Disarticulation: Juliet Dead and Alive
- Titania’s Dream: Three Choreographic Midsummer Night’s Dreams of the Twentieth Century
- Shakespeare on Screens: Close Watching, Close Listening
- From Table Books to Tumblr: Recollecting the Microgenres of the Early Modern Stage in Social Media
- Unlearning Shakespeare Studies: Speculative Criticism and the Place of Fan Activism
- Titus Andronicus and Trapdoors at the Rose and Newington Butts
- Shakespeare’s Bewitching Line
- At the Sign of the Angel: The Influence of Andrew Wise on Shakespeare in Print
- Shakespeare and Hardy: The Tragi-comic Nexus
- Queer Iago: A Brief History
- Global Shakespeare and the Censor: Adaptation, Context and Shakespeare Must Die, a Thai Film Adaptation of Macbeth
- Hathaway Farm: Commemorating Warwickshire Will Between the Wars
- Shakespeare Performances in England, 2017
- Professional Shakespeare Productions in the British Isles, January–December 2016
- The Year’s Contribution to Shakespeare Studies
- Abstracts of Articles in Shakespeare Survey 71
- Index
- References
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- Shakespeare Survey 71Re-Creating Shakespeare, pp. iiPublisher: Cambridge University PressPrint publication year: 2018
References
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InterpretationGoogle Scholar
Textual CriticismGoogle Scholar
The HistoriesGoogle Scholar
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The ComediesGoogle Scholar
HamletGoogle Scholar
The Roman PlaysGoogle Scholar
The Last Plays (with an index to Surveys 1–10)Google Scholar
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King LearGoogle Scholar
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The Poems and MusicGoogle Scholar
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Shakespeare in his Own AgeGoogle Scholar
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MacbethGoogle Scholar
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