Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-lnqnp Total loading time: 0 Render date: 2024-12-31T18:49:37.769Z Has data issue: false hasContentIssue false

Chapter 8 - Shakespeare's Puppets

The Tempest and The Winter's Tale in the Animated Tales

Published online by Cambridge University Press:  16 June 2017

By
Maddalena Pennacchia
Edited by
Sarah Hatchuel  and
Nathalie Vienne-Guerrin
Sarah Hatchuel
Affiliation:
Université du Havre, France
Nathalie Vienne-Guerrin
Affiliation:
Université Paul Valéry, Montpellier
Get access
Type
Chapter
Information
Shakespeare on Screen
<I>The Tempest</I> and Late Romances
 , pp. 133 - 146
Publisher: Cambridge University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Barasch, F. K., ‘Shakespeare and the Puppet Sphere’, English Literary Renaissance 34 (2004), 157–75.CrossRefGoogle Scholar
Beumers, B., Pop Culture Russia! Media, Arts and Lifestyle (Santa Barbara, CA: ABC Clio, 2005).CrossRefGoogle Scholar
Bigliazzi, S. and Calvi, L. (eds.), Revisiting ‘The Tempest’: The Capacity to Signify (Houndmills, Basingstoke and New York: Palgrave Macmillan, 2014).CrossRefGoogle Scholar
Burt, R. and Boose, L. E. (eds.), Shakespeare the Movie, II: Popularizing the Plays on Film, TV, Video, and DVD (London and New York: Routledge, 2003).Google Scholar
Bogatyrev, P., Minnick, M., ‘Czech Puppet Theatre and Russian Folk Theatre’, TDR 43.3 (1999), 97–114.CrossRefGoogle Scholar
Bottoms, J., ‘Speech, Image, Action: Animating Tales from Shakespeare’, Children's Literature in Education 32.1 (2001), 3–15.CrossRefGoogle Scholar
de Filippis, S. ‘Shakespeare ed Eduardo: scrittura e riscrittura della Tempesta’, in Lombardo, A. (ed.), Shakespeare e il Novecento (Roma: Bulzoni, 2002), 187–206.Google Scholar
Del Sapio Garbero, M., ‘A Spider in the Eye/I: The Hallucinatory Staging of the Self in Shakespeare's The Winter's Tale’, in Berns, U. (ed.), Solo Performances: Staging the Early Modern Self in England (Amsterdam and New York: Rodopi, 2010), 133–55.Google Scholar
Del Sapio Garbero, M.. Il bene ritrovato. Le figlie di Shakespeare dal King Lear ai Romances (Roma: Bulzoni, 2005).Google Scholar
Frye, N., ‘Shakespeare's Romances: The Winter's Tale’, in Sandler, R. (ed.), Northrop Frye on Shakespeare (New Haven and London: Yale University Press, 1986), 154–70.Google Scholar
Garfield, L., Shakespeare Stories (London: Puffin, 1997 [1985]).Google Scholar
Garfield, L.. Shakespeare Stories II (London: Puffin, 1998 [1994]).Google Scholar
Garfield, L.. Shakespeare: The Animated Tales (London: Egmont Books, 2002).Google Scholar
Greenblatt, S., Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England (Berkeley and Los Angeles: University of California Press, 1988).CrossRefGoogle Scholar
Honigmann, E. A. J., The Stability of Shakespeare's Text (London: Edward Arnold, 1965).Google Scholar
Lombardo, A., Eduardo e Shakespeare (Roma: Bulzoni, 2004).Google Scholar
Massai, S. ‘Subjection and Redemption in Pasolini's Othello’, in Massai, S. (ed.), Worldwide Shakespeares. Local Appropriations in Film and Performance (London and New York: Routledge, 2005), 95–103.Google Scholar
Neil, R. and Sawday, J. (eds.), The Renaissance Computer: Knowledge Technology in the First Age of Print (London and New York: Routledge, 2000).Google Scholar
Osborne, L., ‘Mixing Media and Animating Shakespeare Tales’, in Burt, R. and Boose, L. E. (eds.), Shakespeare, the Movie, II: Popularizing the Plays on Film, TV, Video, and DVD (London and New York: Routledge, 2003), 140–53.Google Scholar
Palmer, D. W., ‘Jacobean Muscovites: Winter, Tyranny, and Knowledge in The Winter's Tale’, Shakespeare Quarterly 46.3 (1995), 323–39.CrossRefGoogle Scholar
Pennacchia, M., ‘Shakespeare for Beginners: The Animated Tales from Shakespeare and the Case Study of Julius Caesar’, in Müller, A. (ed.), Adapting Canonical Texts in Children's Literature (London and New York: Bloomsbury, 2013), 59–75.Google Scholar
Pennacchia, M. Shakespeare Intermediale. I Drammi Romani (Spoleto: Editoria e spettacolo, 2012).Google Scholar
Purves, B. J. C., Stop Motion: Passion, Process and Performance (Amsterdam: Focal Press, 2008).Google Scholar
Young, S., Shakespeare Manipulated: The Use of the Dramatic Works of Shakespeare in Teatro di Figura in Italy (Cranbury, NJ and London: Associated University Press, 1996.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×