Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-8ctnn Total loading time: 0 Render date: 2024-12-22T20:54:39.355Z Has data issue: false hasContentIssue false

Chapter 15 - Ghost Towns and Alien Planets

Variations on Prospero's Island

Published online by Cambridge University Press:  16 June 2017

Sarah Hatchuel
Affiliation:
Université du Havre, France
Nathalie Vienne-Guerrin
Affiliation:
Université Paul Valéry, Montpellier
Get access
Type
Chapter
Information
Shakespeare on Screen
<I>The Tempest</I> and Late Romances
, pp. 251 - 268
Publisher: Cambridge University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Borlik, T. A., ‘Caliban and the Fen Demons of Lincolnshire: the Englishness of Shakespeare's Tempest’, Shakespeare 9:1 (2012), 2151.CrossRefGoogle Scholar
Brode, D., Shakespeare in the Movies: From the Silent Era to Shakespeare in Love (Oxford: Oxford University Press, 2000).Google Scholar
Bruster, D., ‘The Postmodern Theatre of Paul Mazursky's Tempest’, in Burnett, M. T. and Wray, R. (eds.), Shakespeare, Film, Fin de Siècle (Basingstoke: Macmillan, 2000), 2639.Google Scholar
Buchanan, J., ‘Forbidden Planet and the Retrospective Attribution of Intentions’, in Cartmell, D., Hunter, I. Q. and Whelehan, I. (eds.), Retrovisions: Reinventing the Past in Film and Fiction (London & Sterling, VA: Pluto Press, 2001), 148–62.Google Scholar
Buchanan, J., Shakespeare on Film (Harlow: Pearson Longman, 2005).Google Scholar
Cirlot, J. E., Dictionary of Symbols, trans. Sage, Jack (London: Routledge, 2001).Google Scholar
Fagen, H., The Encyclopedia of Westerns (New York: Facts on File, 2003).Google Scholar
Ferber, M., A Dictionary of Literary Symbols (Cambridge: Cambridge University Press, 2007).CrossRefGoogle Scholar
Hardin, M., ‘Mapping Post-War Anxieties onto Space: Invasion of the Body Snatchers and Invaders from Mars’, Enculturation 1:1 (1997).Google Scholar
Hoenselaars, T., ‘Gone with The Tempest’, Shakespeare Society of the Low Countries 8:1 (2001), 46–8, http://shakespeare.let.uu.nl/bayou.htm.Google Scholar
Haspel, P., ‘Ariel and Prospero's Modern English Adventure: Language, Social Criticism, and Adaptation in Paul Mazursky's Tempest’, Literature/Film Quarterly 34:2 (2006), 130–40.Google Scholar
Hopkins, L., Screen Adaptations: Shakespeare's The Tempest: The Relationship between Text and Film (London: Methuen, 2008).Google Scholar
Johnston, T., ‘Exclusive: An Unpublished Interview with Michael Powell’, TimeOut London. n.d. www.timeout.com/london/film/exclusive-an-unpublished-interview-with-michael-powell-1.Google Scholar
Kermode, F., ‘Introduction’, in Kermode, F. (ed.), The Tempest, The Arden Shakespeare second series (London: Methuen, 1994 [1954]), xixcii.Google Scholar
Lanier, D. M., ‘Film Spin-offs and Citations’, in Burt, R. (ed.), Shakespeares after Shakespeare: An Encyclopedia of the Bard in Mass Media and Popular Culture. (Westport, CT & London: Greenwood Press, 2007), vol. 1, 132365.Google Scholar
Martin, S., ‘Classic Shakespeare for All: Forbidden Planet and Prospero's Books, Two Screen Adaptations of The Tempest’, in Cartmell, D., Hunter, I. Q., Kaye, H. and Whelehan, I. (eds.), Classics in Film and Fiction (London & Sterling, VA: Pluto Press, 2000), 3453.Google Scholar
Moor, A., Powell and Pressburger: A Cinema of Magic Spaces (London: I. B. Tauris, 2005).CrossRefGoogle Scholar
Morse, R., ‘Monsters, Magicians, Movies: The Tempest and the Final Frontier’. Shakespeare Survey 53 (2000), 164–74.CrossRefGoogle Scholar
Sandbrook, D., ‘Introduction’, Sixties Britain. A Social and Cultural Revolution? The National Archives. n.d. www.nationalarchives.gov.uk/education/resources/sixties-britain/#introduction.Google Scholar
Schneider, D., ‘Forbidden Planet Review – Anne Francis, Leslie Nielsen, Fred M. Wilcox’, Alt Film Guide, n.d. www.altfg.com/blog/classics/forbidden-planet-anne-francis-leslie-nielsen/.Google Scholar
Shail, R., British Film Directors: A Critical Guide (Edinburgh: Edinburgh University Press, 2007).Google Scholar
Stewart, K., ‘Real American Dreams (Can Be Nightmares)’, in Dean, J. (ed.), Cultural Studies and Political Theory (Ithaca: Cornell University Press, 2000), 243–57.Google Scholar
Vaughan, A. T. and Vaughan, V. M., ‘Introduction’, in Vaughan, A. T. and Vaughan, V. M. (eds.), The Tempest. The Arden Shakespeare third series (London: Thomas Nelson, 1999), 1138.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×