Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-tf8b9 Total loading time: 0 Render date: 2024-11-25T07:15:31.310Z Has data issue: false hasContentIssue false

Chapter 11 - Romeo and Juliet, Again and Again: Star-Crossed Lovers Adapted to Serial Television

from Part III - Serial and Queer Romeo and Juliets

Published online by Cambridge University Press:  10 October 2023

Victoria Bladen
Affiliation:
University of Queensland
Sarah Hatchuel
Affiliation:
University Paul-Valéry Montpellier
Nathalie Vienne-Guerrin
Affiliation:
University Paul-Valéry Montpellier
Get access

Summary

The structure of Shakespearean drama does not fit easily into the novel-like episodic sequence of the television series. It is therefore no wonder that none of the serialized adaptations of Romeo and Juliet seem to have survived the first season of their broadcast. Nonetheless, the two series examined here, Star-Crossed (created by Meredith Averill for CW, 2014) and Still Star-Crossed (created by Heather Mitchell for ABC, 2017) are worthy of critical attention for a number of reasons. They appear to take radically different paths in appropriating the famously ill-fated romance to contemporary television screens, both in terms of genre and setting, language and style, and also in the way they intend to open up the play’s dramatic structure into a potentially endless sequence of episodes.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Allrath, G., Gymnich, M. and Surkamp, C., ‘Introduction: towards a narratology of TV series’, in Allrath, G. and Gymnich, M. (eds.), Narrative Strategies in Television Series (Basingstoke: Palgrave Macmillan, 2005), 143.Google Scholar
Hibberd, J., ‘CW orders 3 new sci-fi shows’, Entertainment Weekly (9 May 2013), https://ew.com/article/2013/05/09/cw-sci-fi-shows.Google Scholar
Jensen, M., ‘“From the mind of David Simon”: a case for the showrunner approach’, Series 3.2 (2017): 3142.Google Scholar
Joseph, C., ‘The CW Arrowverse and mythmaking, or the commodification of transmedia franchising’, Series 4.2 (2018): 2746.Google Scholar
Lanier, D. M., Shakespeare and Modern Popular Culture (Oxford: Oxford University Press, 2002).Google Scholar
Lauzen, M. M., ‘Boxed in: women on screen and behind the scenes on broadcast and streaming television in 2020‒21’, Center for the Study of Women in Television and Film (14 September 2021), https://womenintvfilm.sdsu.edu/wp-content/uploads/2021/09/2020-21_Boxed_In_Report.pdf.Google Scholar
Le Fèvre-Berthelot, A., ‘Gossip Girl and the CW: defining a new network (You’re nobody until you’re talked about)’, Series 4.2 (2018): 918.Google Scholar
Pfister, M., ‘Juliet’s balcony: the balcony scenes from Shakespeare’s Romeo and Juliet across cultures and media’, in Cerdá, J. F., Delabastita, D. and Gregor, K. (eds.), Romeo and Juliet in European Culture (Amsterdam, Philadelphia: John Benjamins, 2017), 3759.Google Scholar
Taub, M., Still Star-Crossed (New York: Delacorte Press, 2013).Google Scholar
Vogt, T., ‘RIP Star-Crossed: creator Meredith Averill shares her thoughts on life after cancellation’, The TV Addict (24 May 2014), www.thetvaddict.com/2014/05/24/rip-star-crossed-creator-meredith-averill-shares-her-thoughts-on-life-after-cancellation.Google Scholar
Wells-Lassagne, S., Television and Serial Adaptation (New York and London: Routledge, 2017).CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×