Set in a fictional Shakespeare festival, Slings and Arrows, a short-lived Canadian series produced on a constrained budget, is often cited by US and Canadian critics and fans as one of the best television series of recent decades. The three seasons revolve around a main-stage production of a Shakespearean tragedy (Hamlet, Macbeth and King Lear, respectively), the themes of which infuse hilarious and heartbreaking backstage plots interweaving the festival’s actors, directors, stage crew and business staff. The main arc of the show involves the festival’s struggle to stay culturally relevant and financially solvent, resulting in a paean to the power and importance of live theatre. Even as it knowingly winks at its own status as a television series, Slings and Arrows – which, in the decade since it originally aired, has garnered far more viewers and far greater critical acclaim through rebroadcasts, DVD releases and streaming digital availability – embodies the tension between the ephemeral nature of live theatre and the lasting media of film and television. This chapter conjoins an examination of the tension between television and live theatre with the exploration of culture; ‘culture’ both in terms of ‘high culture’ artistic productions such as Shakespearean theatre, and national culture.