Book contents
- Shakespeare on Screen: King Lear
- Series page
- Shakespeare on Screen: King Lear
- Copyright page
- Dedication
- Contents
- Illustrations
- Notes on Contributors
- Series Editors’ Preface
- Acknowledgements
- Chapter 1 Introduction: Dis-locating King Lear on Screen
- Part I Surviving Lear: Revisiting the Canon
- Part II Lear en Abyme: Metatheatre and the Screen
- Part III The Genres of Lear
- Part IV Lear on the Loose: Migrations and Appropriations of Lear
- Index
- References
Part IV - Lear on the Loose: Migrations and Appropriations of Lear
Published online by Cambridge University Press: 10 September 2019
Book contents
- Shakespeare on Screen: King Lear
- Series page
- Shakespeare on Screen: King Lear
- Copyright page
- Dedication
- Contents
- Illustrations
- Notes on Contributors
- Series Editors’ Preface
- Acknowledgements
- Chapter 1 Introduction: Dis-locating King Lear on Screen
- Part I Surviving Lear: Revisiting the Canon
- Part II Lear en Abyme: Metatheatre and the Screen
- Part III The Genres of Lear
- Part IV Lear on the Loose: Migrations and Appropriations of Lear
- Index
- References
Summary
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Keywords
Yiddish King LearadaptationappropriationPolandHarry TomashefskyJacob GordinKing LearracismideologyspinoffDonald TrumpgenderviolenceThe Eye of the StormfilmAustraliagenderpostcolonialityLearnesssufferingBossEmpireKing LearTV seriesappropriationfamilypowerracegenderJean-Luc GodardKing LearScreenfilmcommentmetafilmic
- Type
- Chapter
- Information
- Shakespeare on Screen: King Lear , pp. 155 - 247Publisher: Cambridge University PressPrint publication year: 2019
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