This chapter considers the role of Shakespearean theater in fostering the cardinal virtues: prudence, justice, temperance, and courage. Shakespeare offers an especially compelling site for investigating this topic in act 3.2 of Julius Caesar. Here, Mark Antony addresses the plebeians in the wake of Caesar’s assassination using the latter’s bloody mantle (i.e. cloak) as an object lesson in civic and moral failure. This scene, the chapter argues, has something important to teach us about the theatricality of the cardinal virtues, including, especially, the object-specific way in which particular things enable general moral insights. As this suggests, the cardinal virtues do not so much offer scripts for the cultivation of inner qualities as they do a community-oriented set of practices grounded in the capacity of humans to think, feel, and discern together. Put another way, the cardinal virtues are a social logic or dynamic, rather than personality traits or individual moral attributes. Like theater itself, they provide a linked set of frameworks for physical, emotional, and ethical participation in the world.