Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-4rdpn Total loading time: 0 Render date: 2024-11-05T15:39:48.192Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  01 October 2020

Katharine A. Craik
Affiliation:
Oxford Brookes University
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

[Allott, Robert], Englands Parnassus (London, 1600)Google Scholar
St Anselm of Canterbury, The Major Works, eds. Davies, Brian and Evans, G. R. (Oxford University Press, 1998)Google Scholar
Aquinas, Thomas, Summa Theologiae, ed. and trans. Gilby, Thomas et al., 61 vols. (London: Blackfriars, 1964–81)Google Scholar
Aquinas, Thomas, Summa Theologica: Treatise on the Passions (London, 1932)Google Scholar
Aristotle, , The Art of Rhetoric, trans. Lawson-Tancred, Hugh (London: Penguin, 2004)Google Scholar
Aristotle, , The Complete Works of Aristotle: The Revised Oxford Translation, trans., rev. and ed. Barnes, Jonathan (Princeton University Press, 1984)Google Scholar
Aristotle, , Metaphysics, trans. Tredennick, Hugh (London: William Heinemann Ltd., 1933)Google Scholar
Aristotle, , Nicomachean Ethics, trans. Rackham, H. (Cambridge, MA: Harvard University Press, 1934)Google Scholar
Aristotle, , Nicomachean Ethics, trans. Ostwald, Martin (Indianapolis, IN: Bobs-Merrill, 1962)Google Scholar
Aristotle, , Nicomachean Ethics, trans. Irwin, Terence, 2nd edn. (Indianapolis, IN: Hackett Publishing Co., 1999)Google Scholar
Aristotle, , The Nicomachean Ethics, trans. Ross, David (Oxford University Press, 2009)Google Scholar
Aristotle, , Poetics, trans. Heath, Malcolm (London: Penguin, 1996)Google Scholar
Aristotle, , Rhetoric, ed. Yunis, Harvey, trans. Waterfield, Robin (Oxford University Press, 2018)Google Scholar
Aristotle, , On the Soul, Parva Naturalia, On Breath, trans. Hett, W. S. (1936; Cambridge, MA: Harvard University Press, 1995)Google Scholar
St Augustine, , City of God, trans. McCracken, George E. et al., 7 vols. (Cambridge, MA: Harvard University Press, 1957–72)Google Scholar
St Augustine, , On the Trinity Books 8 to 15, ed. Matthews, Gareth B., trans. Stephen McKenna (Cambridge University Press, 2002)Google Scholar
Bacon, Francis, The Letters and Life of Sir Francis Bacon, 4 vols. (London: Longmans, Green & Co., 1890)Google Scholar
Bacon, Francis, The Major Works, ed. Vickers, Brian (Oxford University Press, 1996)Google Scholar
Blount, Thomas, Glossographia (London, 1656)Google Scholar
Brecht, Bertolt, Collected Plays, trans. Mannheim, Ralph and Willett, John (New York: Vintage Books, 1985)Google Scholar
Breton, Nicholas, Characters upon Essaies Moral (London, 1615)Google Scholar
Bright, Timothy, A Treatise of Melancholie (London, 1586)Google Scholar
Bullokar, John, An English Expositor (London, 1616)Google Scholar
Bulwer, John, Pathomyotomia (London, 1649)Google Scholar
Cajetan, Thomas, Prima Secundae Partis Summae Totius Theologiae (Lyon, 1580)Google Scholar
Calvin, John, The Institution of Christian Religion (London, 1561)Google Scholar
Cavendish, Margaret, Sociable Letters (1664), in Shakespeare: The Critical Heritage, ed. Vickers, Brian (London: Routledge & Kegan Paul, 1974)Google Scholar
de la Chambre, Marin Cureau, The Characters of the Passions (London, 1649)Google Scholar
Chaucer, Geoffrey, The Riverside Chaucer, ed. Benson, Larry D., 3rd edn. (Boston: Houghton Mifflin, 1987)Google Scholar
Cicero, , De Inventione, trans. Hubbell, H. M. (Cambridge, MA: Harvard University Press, 1949)Google Scholar
Cicero, , On Obligations, trans. Walsh, P. G. (Oxford University Press, 2000)Google Scholar
Cicero, , De Officiis, trans. Miller, Walter (London: William Heinemann, 1961)Google Scholar
Cicero, , De Oratore, trans. Sutton, E. W. and Rackham, H. (London: William Heinemann, 1942)CrossRefGoogle Scholar
Cockeram, Henry, English Dictionary (London, 1623)Google Scholar
Coleridge, Samuel Taylor, Biographia Literaria, ed. Roberts, Adam (Edinburgh University Press, 2014)Google Scholar
Crooke, Helkiah, Microcosmographia (London, 1615)Google Scholar
Darwin, Charles, The Works (1890), eds. Darwin, Francis et al. (1992; Milton Park: Routledge, 2016)Google Scholar
Descartes, René, The Philosophical Writings, eds. Cottingham, John, Stoothoff, Robert and Murdoch, Dugald, 3 vols. (Cambridge University Press, 1985)Google Scholar
Donne, John, The Complete Poems, ed. Patrides, C. A. (London: J. M. Dent & Sons, 1985)Google Scholar
Dryden, John, Troilus and Cressida (London, 1679)Google Scholar
Edwards, Richard, The Paradyse of Daynty Devises, Aptly Furnished, with Sundry Pithie and Learned Inventions (London, 1576)Google Scholar
Elyot, Thomas, The Book Named the Governor, ed. Lehmberg, Stanford E. (1531; London: Dent, 1962)Google Scholar
Elyot, Thomas, The Castell of Health (London, 1595)Google Scholar
Enfield, William, The Speaker, rev. edn. (London, 1792)Google Scholar
Ficino, Marsilio, Commentary on Plato’s Symposium on Love, trans. Jayne, Sears (Dallas, TX: Spring Publications, 1985)Google Scholar
Florio, John, A Worlde of Wordes, or Most Copious, and Exact Dictionarie in Italian and English (London, 1598)Google Scholar
Galen, , On the Passions and Errors of the Soul, trans. Harkins, Paul W. (Ohio State University Press, 1963)Google Scholar
Gosson, Stephen, The School of Abuse (London, 1579)Google Scholar
Greenham, Richard, A Most Sweete and Assured Comfort for all Those that are Afflicted in Consciscience [sic.], or Troubled in Minde (London, 1595)Google Scholar
Hall, John, Select Observations on English Bodies (London, 1657)Google Scholar
Hazlitt, William, Characters of Shakespeare’s Plays (1817; London: Dent, 1912)Google Scholar
Heywood, Thomas, An Apology for Actors Containing Three Briefe Treatises (London, 1612)Google Scholar
Home, Henry (Lord Kames), Elements (Honolulu, HI: University Press of the Pacific, 2002)Google Scholar
Home, Henry (Lord Kames), The Elements of Criticism (Edinburgh, 1762)Google Scholar
Horace, , Satires, Epistles and Ars Poetica, ed. Fairclough, H. Rushton (Cambridge, MA: Harvard University Press, 1991)Google Scholar
James, William, A Sermon Preached at Paules Crosse the IX. of November, 1589 (London, 1590)Google Scholar
Johnson, Samuel, Works, ed. Sherbo, Arthur (New Haven, CT: Yale University Press, 1968)Google Scholar
Jonson, Ben, The Cambridge Edition of the Works of Ben Jonson, eds. Butler, Martin, Bevington, David and Donaldson, Ian, 7 vols. (Cambridge University Press, 2012)Google Scholar
Jonson, Ben, Every Man Out of His Humour, ed. Ostovich, Helen (Manchester University Press, 2008)Google Scholar
Josephus, Flavius, The Famous and Memorable Workes of Josephus, trans. Lodge, Thomas (London, 1602)Google Scholar
Joyce, James, Ulysses: The 1922 Text, ed. Johnson, Jeri (Oxford University Press, 1993)Google Scholar
Keats, John, Letters, ed. Gittings, Robert (1970; Oxford University Press, 1992)Google Scholar
Keats, John, Letters, 1814–1821, ed. Rollins, Hyder Edward (Cambridge, MA: Harvard University Press, 1976)Google Scholar
Kersey, John, New English Dictionary (London, 1702)Google Scholar
Kyd, Thomas, The Spanish Tragedy, ed. Edwards, Philip (Manchester University Press, 1959)Google Scholar
Kyd, Thomas, The Spanish Tragedy, eds. Calvo, Clara and Tronch, Jesús (London: Arden, 2013)Google Scholar
Locke, John, An Essay Concerning Human Understanding, ed. Niddich, Peter H. (Oxford: Clarendon Press, 1975)Google Scholar
Lodge, Thomas, Rosalynde (London, 1592)Google Scholar
Lodge, Thomas, Wit’s Misery (London, 1596)Google Scholar
Marlowe, Christopher, The Jew of Malta, ed. Lynch, Stephen J. (Indianapolis, IN: Hackett, 2009)Google Scholar
Marx, Karl, The German Ideology in The Marx-Engels Reader, ed. Tucker, Robert (New York: Norton, 1978)Google Scholar
Marx, Karl, Grundrisse: Foundations of the Critique of Political Economy, trans. Nicolaus, Martin (New York: Penguin Books, 1993)Google Scholar
Marx, Karl, Selected Writings, ed. McLellan, David (Oxford University Press, 2000)Google Scholar
Massinger, Philip, The Roman Actor, ed. White, Martin (Manchester University Press, 2007)Google Scholar
May, Thomas, The Heire (London, 1622)Google Scholar
Meres, Francis, Palladis Tamia (London, 1598)Google Scholar
Middleton, Thomas, A Mad World, My Masters, ed. Henning, Standish (University of Nebraska Press, 1965)Google Scholar
Mirandola, Pico Della, On the Dignity of Man / On Being and the One, trans. Miller, Paul J. W., Heptaplus, trans. Carmichael, Douglas (New York and London: Macmillan, 1985)Google Scholar
Montagu, Elizabeth Robinson, An Essay on the Writings and Genius of Shakespeare (London, 1769)Google Scholar
Montaigne, Michel de, The Complete Essays, trans. Screech, M. A. (London and New York: Penguin, 1993)Google Scholar
Montaigne, Michel de, The Complete Essays, trans. Frame, Donald (Stanford University Press, 1957)Google Scholar
Montaigne, Michel de, The Essayes, trans. Florio, John (London, 1603)Google Scholar
More, Thomas, The Complete Works, eds. Sylvester, Richard S. et al., 15 vols. (New Haven, CT: Yale University Press, 1963–97)Google Scholar
More, Thomas, Utopia, in The Norton Anthology of English Literature, eds. Greenblatt, Stephen et al., 8th edn. (New York: Norton, 2006), vol. 1, pp. 521–90Google Scholar
Morgann, Maurice, An Essay on the Dramatic Character of Sir John Falstaff (London, 1777)Google Scholar
Musa, Mark, Petrarch: The Canzoniere, or Rerum Vulgarium Fragmenta (Indiana University Press, 1999)Google Scholar
Nashe, Thomas, Pierce Penilesse his Supplication to the Diuell (London, 1592)Google Scholar
Paracelsus, , ‘The Diseases that Deprive Man of His Reason’, trans. Zilboorg, Gregory in Four Treatises, ed. Sigerist, Henry E. (Baltimore: Johns Hopkins University Press, 1941), pp. 127212Google Scholar
Paracelsus, , ‘On the Miners’ Sickness and Other Miners’ Diseases’, trans. Rosen, George in Four Treatises, ed. Sigerist, Henry E. (Baltimore: Johns Hopkins University Press, 1941)Google Scholar
Paracelsus, , Paragranum, Essential Theoretical Writings, ed. and trans. Weeks, Andrew (Leiden and Boston: Brill, 2008)Google Scholar
Paracelsus, , Selected Writings, ed. Jacobi, Jolande, trans. Guterman, Norbert (Princeton University Press, 1979)Google Scholar
Perkins, William, The Arte of Prophecying, or, A Treatise Concerning the Sacred and Onely True Manner and Methode of Preaching, trans. Tuke, Thomas (London, 1607)Google Scholar
Perkins, William, Commentarie on Galatians (London, 1604)Google Scholar
Plato, , Six Great Dialogues: Apology, Crito, Phaedo, Phaedrus, Symposium, The Republic, trans. Jowett, Benjamin (New York: Dover Publications, 2007)Google Scholar
Plato, , Timaeus, trans. Jowett, Benjamin, in Collected Dialogues of Plato: Including the Letters, eds. Hamilton, Edith and Cairns, Huntington (Princeton University Press, 1961)Google Scholar
Pope, Alexander, Poetical Works, ed. Davis, Herbert (Oxford University Press, 1966)Google Scholar
de la Primaudaye, Peter, The French Academie (London, 1618)Google Scholar
Puttenham, George, The Arte of English Poesie (Kent State University Press, 1988)Google Scholar
Puttenham, George, The Art of English Poesy: A Critical Edition, eds. Whigham, Frank and Rebhorn, Wayne A. (Ithaca, NY and London: Cornell University Press, 2007)Google Scholar
Puttenham, George, The Arte of English Poesy, eds. Willock, Gladys Doidge and Walker, Alice (Cambridge University Press, 1936)Google Scholar
Quintilian, , The Orator’s Education, ed. and trans. Russell, Donald A. (Cambridge, MA: Harvard University Press, 2001)Google Scholar
Rainolds, John, The Overthrow of Stage Plays (London, 1599)Google Scholar
Rainolds, John, Oxford Lectures on Aristotle’s Rhetoric, ed. and trans. Green, Lawrence D. (University of Delaware Press, 1986)Google Scholar
La Rochefoucauld, François Duc de, Reflections: Or, Sentences and Moral Maxims (New York: Open Road Media, 2017)Google Scholar
Seneca, , Tenne Tragedies, trans. Heywood, Jasper et al. (London, 1581)Google Scholar
Seneca, , The Workes of Lucius Annaeus Seneca, Both Morall and Naturall, trans. Lodge, Thomas (London, 1614)Google Scholar
Shakespeare, William, All’s Well That Ends Well, ed. Fraser, Russell (Cambridge University Press, 2003)CrossRefGoogle Scholar
Shakespeare, William, As You Like It, ed. Hattaway, Michael (Cambridge University Press, 2009)Google Scholar
Shakespeare, William, The Complete Pelican Shakespeare, eds. Orgel, Stephen and Braunmuller, A. R. (London: Penguin, 2002)Google Scholar
Shakespeare, William, The Complete Works, eds. Orgel, Stephen and Braunmuller, A. R. (New York: Penguin, 2002)Google Scholar
Shakespeare, William, Coriolanus, ed. Bliss, Lee (Cambridge University Press, 2010)Google Scholar
Shakespeare, William, Cymbeline, ed. Warren, Roger (Oxford University Press, 1998)Google Scholar
Shakespeare, William, Hamlet, ed. Edwards, Philip (Cambridge University Press, 2003)Google Scholar
Shakespeare, William, Hamlet, ed. Hibbard, G.R. (Oxford University Press, 1987)Google Scholar
Shakespeare, William, Hamlet, eds. Ann Thompson and Neil Taylor (London: Arden, 2006)Google Scholar
Shakespeare, William, The First Part of King Henry IV, eds. Herbert Weil and Judith Weil (Cambridge University Press, 2007)CrossRefGoogle Scholar
Shakespeare, William, Henry, IV, Part 1, ed. David Bevington (Oxford and New York: Oxford University Press, 1987)Google Scholar
Shakespeare, William, Henry, IV, Part 1, ed. Kastan, David (London: Arden, 2002)Google Scholar
Shakespeare, William, The Second Part of King Henry IV, ed. Melchiori, Giorgio (Cambridge University Press, 2007)CrossRefGoogle Scholar
Shakespeare, William, Henry V, ed. Gurr, Andrew (Cambridge University Press, 2005)Google Scholar
Shakespeare, William, Henry V, ed. Taylor, Gary (Oxford University Press, 2008)Google Scholar
Shakespeare, William, Henry VI, Part 1, ed. Hattaway, Michael (Cambridge University Press, 1990)Google Scholar
Shakespeare, William, Henry VI, Part 3, ed. Hattaway, Michael (Cambridge University Press, 1993)Google Scholar
Shakespeare, William, Caesar, Julius, ed. David Daniell (London: Thomas Nelson, 1998)Google Scholar
Shakespeare, William, Julius Caesar, ed. Spevack, Marvin (Cambridge University Press, 2003)Google Scholar
Shakespeare, William, King John, ed. Beaurline, L.A. (Cambridge University Press, 1990)CrossRefGoogle Scholar
Shakespeare, William, Love’s Labour’s Lost, ed. William C. Carroll (Cambridge University Press, 2009)Google Scholar
Shakespeare, William, Measure for Measure, ed. Gibbons, Brian (Cambridge University Press, 2006)CrossRefGoogle Scholar
Shakespeare, William, The Merchant of Venice, ed. Mahood, M.M., rev. Lockwood, Tom (Cambridge University Press, 2018)CrossRefGoogle Scholar
Shakespeare, William, A Midsummer Night’s Dream, ed. Foakes, R.A. (Cambridge University Press, 2003)Google Scholar
Shakespeare, William, Much Ado About Nothing, ed. Mares, F.H. (Cambridge University Press, 2018)CrossRefGoogle Scholar
Shakespeare, William, Othello, ed. Sanders, Norman, rev. Luckyj, Christina (Cambridge University Press, 2018)CrossRefGoogle Scholar
Shakespeare, William, Pericles, ed. DelVecchio, Doreen and Hammond, Antony (Cambridge University Press, 1998)Google Scholar
Shakespeare, William, The Poems, ed. Roe, John (Cambridge University Press, 2006)Google Scholar
Shakespeare, William, Richard III, ed. Lull, Janis, 2nd edn. (Cambridge University Press, 2009)CrossRefGoogle Scholar
Shakespeare, William, Romeo and Juliet, ed. Blakemore Evans, G. (Cambridge University Press, 1984)Google Scholar
Shakespeare, William, Romeo and Juliet, ed. Levenson, Jill (Oxford University Press, 2000)Google Scholar
Shakespeare, William, The Tempest (London: Routledge, 1992)Google Scholar
Shakespeare, William, and Thomas Middleton, Timon of Athens, ed. Klein, Karl (Cambridge University Press, 2001)Google Scholar
Shakespeare, William, Titus Andronicus, ed. Hughes, Alan (Cambridge University Press, 2006)CrossRefGoogle Scholar
Shakespeare, William, The Tragedy of Antony and Cleopatra, ed. Neill, Michael (Oxford University Press, 2004)Google Scholar
Shakespeare, William, Twelfth Night, ed. Donno, Elizabeth, rev. Penny Gay (Cambridge University Press, 2017)Google Scholar
Shakespeare, William, The Winter’s Tale, eds. Snyder, Susan and Curren-Aquino, Deborah T. (Cambridge University Press, 2007)CrossRefGoogle Scholar
Shakespeare, William, The Works, ed. Pope, Alexander, 6 vols. (London, 1723–5)Google Scholar
Sidney, Philip, The Defence of Poesy and Selected Renaissance Literary Criticism, ed. Alexander, Gavin (London: Penguin, 2004)Google Scholar
Spenser, Edmund, The Faerie Queene, ed. Hamilton, A. C., rev. 2nd edn., ed. Yamashita, Hiroshi and Suzuki, Toshiyuki (Harlow: Pearson Longman, 2007)Google Scholar
Spenser, Edmund, The Shorter Poems, ed. McCabe, Richard A. (Harmondsworth: Penguin, 1999)Google Scholar
de Spinoza, Benedictus, The Collected Works, ed. and trans. Curley, Edwin, 2 vols. (Princeton University Press, 1985)Google Scholar
Strand, Mark, Collected Poems (New York: Knopf, 2014)Google Scholar
Topsell, Edward, The Historie of Serpents (London, 1608)Google Scholar
The Towneley Plays, ed. England, George (Oxford University Press, 1966)Google Scholar
Vives, Juan Luis, The Passions of the Soul: The Third Book of De Anima et Vita, trans. Noreňa, Carlos G. (Lewiston, NY: Mellen, 1990)Google Scholar
Wilson, Thomas, The Art of Rhetoric, ed. Medine, Peter E. (Pennsylvania State University Press, 1994)Google Scholar
Wright, Thomas, The Passions of the Mind in General, ed. Newbold, William Webster (New York and London: Garland, 1986)Google Scholar
Wright, Thomas, The Passions of the Minde in Generall. In Six Bookes. Corrected, Enlarged, and with Sundry New Discourses Augmented (1604; London, 1621)Google Scholar
York Mystery Plays: A Selection in Modern Spelling, eds. Beadle, Richard and King, Pamela (Oxford: Clarendon Press, 1984)Google Scholar

Secondary Sources

Abbott, E. A., A Shakespearian Grammar (New York: Dover, 1966)Google Scholar
Adelman, Janet, Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, ‘Hamlet’ to ‘The Tempest’ (New York: Routledge, 1992)Google Scholar
Ahern, Stephen, ed., Affect Theory and Literary Critical Practice: A Feel for the Text (Basingstoke: Palgrave, 2019)Google Scholar
Ahmed, Sara, ‘Affective Economies’, Social Text, 79 (2004), 117–39Google Scholar
Ahmed, Sara, The Cultural Politics of Emotion (Edinburgh University Press, 2014)Google Scholar
Alexander, Gavin, ‘Prosopopoeia: The Speaking Figure’ in Renaissance Figures of Speech, eds. Adamson, Sylvia, Alexander, Gavin and Ettenhuber, Katrin (Cambridge University Press, 2007), pp. 95112Google Scholar
Anderson, Miranda, ‘Fission-Fusion Cognition in Shakespearean Drama: The Case for Julius Caesar’, Narrative, 23 (2015), 154–68Google Scholar
Andrews, Walter, ‘Ottoman Love: Preface to a Theory of Emotional Ecology’ in A History of Emotions, 1200–1800, ed. Liliequist, Jonas (London: Pickering & Chatto, 2012), pp. 2147Google Scholar
Arendt, Hannah, The Human Condition (University of Chicago Press, 1998)Google Scholar
Astell, Ann, Political Allegory in Late Medieval England (Ithaca, NY: Cornell University Press, 1999)Google Scholar
Auden, W. H., The Dyer’s Hand and Other Essays (New York: Random House, 1948)Google Scholar
Babington, Thomas (Lord Macaulay), ‘Milton’, Edinburgh Review (1825)Google Scholar
Bailey, Amanda and DiGangi, Mario, Affect Theory and Early Modern Texts: Politics, Ecologies and Form (New York: Palgrave, 2017)Google Scholar
Bailey, Amanda, Of Bondage: Debt, Property, and Personhood in Early Modern England (University of Pennsylvania Press, 2013)Google Scholar
Baines, Barbara J., ‘“That every like is not the same”: The Vicissitudes of Language in Julius Caesar’, in Julius Caesar: New Critical Essays, ed. Zander, Horst (London and New York: Routledge, 2005), pp. 139–53Google Scholar
Baker, Herschel, The Image of Man (New York: Harper, 1947)Google Scholar
Baldo, Jonathan, Memory in Shakespeare’s Histories: Stages of Forgetting in Early Modern England (London and New York: Routledge, 2012)Google Scholar
Banks, Kathryn and Chesters, Timothy, Movement in Renaissance Literature: Exploring Kinesic Intelligence (Basingstoke: Palgrave, 2018)Google Scholar
Barber, C. L., Shakespeare’s Festive Comedy: A Study of Dramatic Form and Its Relation to Social Customs (Princeton University Press, 1972)Google Scholar
Barkan, Leonard, ‘What Did Shakespeare Read’ in The Cambridge Companion to Shakespeare, eds. de Grazia, Margreta and Wells, Stanley (Cambridge University Press, 2001), pp. 3148Google Scholar
Barlingay, S. S., ‘What Did Bharata Mean by Rasa?’, Indian Philosophical Quarterly, 8.4 (1981) 433–56Google Scholar
Barrett, Andrew, and Harrison, C. J., eds., Crime and Punishment in England: A Sourcebook (Abingdon: Routledge, 1999)Google Scholar
Barton, Anne, The Names of Comedy (Oxford: Clarendon Press, 1990)Google Scholar
Barton, John, Playing Shakespeare (London: Methuen, 1984)CrossRefGoogle Scholar
Bate, Jonathan, ed., The Romantics on Shakespeare (Harmondsworth: Penguin, 1992)Google Scholar
Bayley, John, The Characters of Love: A Study in the Literature of Personality (London: Chatto & Windus, 1960)Google Scholar
Bazan, Ariane, ‘Phantoms in the Voice: A Neuropsychoanalytic Hypothesis on the Structure of the Unconscious’, Neuropsychoanalysis, 13 (2011), 256–72Google Scholar
Bell, Ilona, ‘Shakespeare’s Exculpatory Complaint’ in Critical Essays on Shakespeare’s ‘A Lover’s Complaint’: Suffering Ecstasy, ed. Sharon-Zisser, Shirley (2006; London and New York: Routledge, 2017), pp. 91107CrossRefGoogle Scholar
Bell, Millicent, ‘Othello’s Jealousy’, The Yale Review, 85.2 (1997), 120–36Google Scholar
Belsey, Catherine, ‘Disrupting Sexual Difference: Meaning and Gender in the Comedies’ in Alternative Shakespeares, ed. Drakakis, John (London: Methuen, 1985), pp. 166–90Google Scholar
Belsey, Catherine, Why Shakespeare? (London: Palgrave, 2007)Google Scholar
Benedict, Ruth, The Chrysanthemum and the Sword: Patterns of Japanese Culture (1946; repr. Boston and New York: Houghton Mifflin Harcourt, 2006)Google Scholar
Bennett, Alexandra G., ‘Female Performativity in The Tragedy of Mariam’, Studies in English Literature 1500–1900, 40.2 (2000), 293309Google Scholar
Bennett, Jack A. W., Poetry of the Passion: Studies in Twelve Centuries of English Verse (Oxford: Clarendon Press, 1982)Google Scholar
Bennett, Jane, Vibrant Matter: A Political Ecology of Things (Durham, NC and London: Duke University Press, 2010)Google Scholar
Berry, Edward, ‘Othello’s Alienation’, Studies in English Literature 1500–1900, 30.2 (1990), 315–33Google Scholar
Berry, Ralph, On Directing Shakespeare (London: Penguin, 1989)Google Scholar
Bersani, Leo, and Phillips, Adam, Intimacies (University of Chicago Press, 2008)CrossRefGoogle Scholar
Bersani, Leo, ‘Shame on You’, in After Sex?: On Writing since Queer Theory, eds. Halley, Janet E. and Parker, Andrew (Durham, NC and London: Duke University Press, 2011), pp. 91109Google Scholar
Bevington, David, ed., Medieval Drama (Boston: Houghton Mifflin, 1975)Google Scholar
Bevington, David, ‘Othello: Portrait of a Marriage’, in Othello: New Critical Essays, ed. Koln, P. C. (New York: Routledge, 2002), pp. 221–32Google Scholar
Biester, James, Lyric Wonder: Rhetoric and Wit in Renaissance English Poetry (Ithaca, NY: Cornell University Press, 1997)Google Scholar
Bion, W. R., The Tavistock Seminars (London and New York: Karnac, 2005)Google Scholar
Bishop, T. G., Shakespeare and the Theatre of Wonder (Cambridge University Press, 1996)CrossRefGoogle Scholar
Blair, Hugh, Lectures on Rhetoric and Belles Lettres, 2nd edn. (Edinburgh, 1785)Google Scholar
Bloom, Harold, Ruin the Sacred Truths: Poetry and Belief from the Bible to the Present (Cambridge, MA: Harvard University Press, 1989)Google Scholar
Bloom, Harold, Shakespeare: The Invention of the Human (New York: Riverhead Books, 1998)Google Scholar
Bonansea, Bernardino M., Tommaso Campanella: Renaissance Pioneer of Modern Thought (Washington, WA: The Catholic University of America Press, 1969)Google Scholar
Bouwsma, William J., ‘The Two Faces of Humanism: Stoicism and Augustinianism in Renaissance Thought’, in A Usable Past: Essays in European Cultural History (1975; University of California Press, 1990), pp. 1973Google Scholar
Bradley, A. C., Oxford Lectures on Poetry (1909; London: Macmillan, 1965)Google Scholar
Bradley, A. C., Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear and Macbeth (1904; Harmondsworth: Penguin Books, 1991)Google Scholar
Breitenberg, Mark, ‘Anxious Masculinity: Sexual Jealousy in Early Modern England’, Feminist Studies, 19.2 (1993), 377–98Google Scholar
Breitenberg, Mark, Anxious Masculinity in Early Modern England (Cambridge University Press, 1996)CrossRefGoogle Scholar
Brinkema, Eugenie, The Forms of the Affects (Durham, NC: Duke University Press, 2014)Google Scholar
Brooks, Harold F., ‘Richard III, Unhistorical Amplifications: The Women’s Scenes and Seneca’, The Modern Language Review, 75 (1980), 721–37CrossRefGoogle Scholar
Broomhall, Susan, ed., Early Modern Emotions: An Introduction (London and New York: Routledge, 2017)Google Scholar
Brown, Mark, ‘New Shakespeare’s Globe Chief Promises Far More Diverse Casting’, Guardian (18 August 2017) www.theguardian.com/stage/2017/aug/18/new-shakespeares-globe-chief-promises-far-more-diverse-casting-michelle-terry [accessed 4 December 2019]Google Scholar
Browning, Douglas, ed., Philosophers of Process (London: Random House, 1965)Google Scholar
Bullough, Geoffrey, ed., Narrative and Dramatic Sources of Shakespeare, 8 vols. (London: Routledge & Kegan Paul, 1957–75)Google Scholar
Burrow, Colin, Shakespeare and Classical Antiquity (Oxford University Press, 2013)Google Scholar
Burrows, John, and Craig, Hugh, ‘The Joker in the Pack? Marlowe, Kyd, and the Co-authorship of Henry VI, Part 3’ in The New Oxford Shakespeare Authorship Companion, eds. Taylor, Gary and Egan, Gabriel (Oxford University Press, 2017), pp. 194217Google Scholar
Butler, Judith, Giving an Account of Oneself (New York: Fordham University Press, 2005)CrossRefGoogle Scholar
Bynum, W. F. and Neve, Michael, ‘Hamlet on the Couch’, American Scientist, 74 (1986), 390–6Google Scholar
Cairns, Douglas L., Aidōs: The Psychology and Ethics of Honour and Shame in Ancient Greek Literature (Oxford: Clarendon Press, 1993)Google Scholar
Calderwood, James L., The Properties of ‘Othello (University of Massachusetts Press, 1989)Google Scholar
Campbell, Lily B., Shakespeare’s Tragic Heroes: Slaves of Passion (Cambridge University Press, 1930)Google Scholar
Capellanus, Andreas, The Art of Courtly Love (New York: Columbia University Press, 1990)Google Scholar
Carey, Vincent, ‘“As life to the gallows as go to the Irish wars”: Human Rights and the Abuse of the Elizabethan Soldier in Ireland, 1600–1603’, History, 99 (2014), 468–86CrossRefGoogle Scholar
Carpendale, Jeremy I. M., and Lewis, Charlie, ‘Reaching, Requesting and Reflecting: From Interpersonal Engagement to Thinking’ in Moving Ourselves, Moving Others: Motion and Emotion in Intersubjectivity, Consciousness and Language, ed. Foolen, Ad (Amsterdam and Philadelphia: John Benjamins, 2012), pp. 243–59Google Scholar
Carson, Christie, and Karim-Cooper, Farah, eds., Shakespeare’s Globe: A Theatrical Experiment (Cambridge University Press, 2008)Google Scholar
Cartwright, Kent, Shakespearean Tragedy and Its Double: The Rhythms of Audience Response (Pennsylvania State University Press, 1991)Google Scholar
Cassirer, Ernst, The Philosophy of Symbolic Forms, trans. Manheim, Ralph, 4 vols. (New Haven, CT: Yale University Press, 1955)Google Scholar
Cavell, Stanley, Disowning Knowledge in Seven Plays of Shakespeare, 2nd edn. (Cambridge University Press, 2003)Google Scholar
Chapman, Alison, ‘Whose Saint Crispin’s Day Is It? Shoemaking, Holiday Making, and the Politics of Memory in Early Modern England’, Renaissance Quarterly, 54 (2001), 1467–94Google Scholar
Charnes, Linda, ‘Anticipating Nostalgia: Finding Temporal Logic in a Textual Anomaly’, Textual Cultures, 4 (2009), 7283CrossRefGoogle Scholar
Chorost, Michael, ‘Biological Finance in Shakespeare’s Timon of Athens’, English Literary Renaissance, 21 (1991), 349–70CrossRefGoogle Scholar
Cioran, E. M., All Gall Is Divided, trans. Howard, Richard (New York: Arcade, 2012)Google Scholar
Cioran, E. M., Anathemas and Admirations, trans. Howard, Richard (London: Quartet, 1992)Google Scholar
Cioran, E. M., On the Heights of Despair, trans. Zarifopol-Johnston, Ilinca (1934; University of Chicago Press, 1992)Google Scholar
Cioran, E. M., A Short History of Decay, trans. Howard, Richard (1949; New York: Arcade, 1998)Google Scholar
Cioran, E. M., Tears and Saints, trans. Zarifopol-Johnston, Ilinca (1937; University of Chicago Press, 1995)Google Scholar
Cioran, E. M., The Temptation to Exist, trans. Howard, Richard (1956; University of Chicago Press, 1998)Google Scholar
Cioran, E. M., The Trouble with Being Born, trans. Howard, Richard (1973; New York: Arcade, 1998)Google Scholar
Clough, Patricia T., ‘The Affective Turn: Political Economy, Biomedia, and Bodies’ in The Affect Theory Reader, eds. Gregg, Melissa and Seigworth, Gregory J. (Durham, NC and London: Duke University Press, 2010), pp. 206–25Google Scholar
Cockcroft, Robert, Rhetorical Affect in Early Modern Writing (Basingstoke: Palgrave, 2003)CrossRefGoogle Scholar
Cohen, Derek, ‘History and the Nation in Richard II and Henry IV’, Studies in English Literature 1500–1900, 42 (2002), 293315CrossRefGoogle Scholar
Colie, Rosalie, Paradoxia Epidemica: The Renaissance Tradition of Paradox (Princeton University Press, 1966)Google Scholar
Comensoli, Viviana, ‘Identifying Othello: Race and the Colonial (Non) Subject’, Early Theatre, 7.2 (2004), 90–6Google Scholar
Cook, Amy, ‘Interplay: The Method and Potential of a Cognitive Scientific Approach to Theatre’, Theatre Journal, 59.4 (2007), 579–94Google Scholar
Cooper, Helen, Shakespeare and the Medieval World (London: Bloomsbury, 2010)Google Scholar
Corbin, Peter, and Sedge, Douglas, eds., The Oldcastle Controversy: Sir John Oldcastle, Part I and The Famous Victories of Henry V (Manchester University Press, 1991)Google Scholar
Cormack, Bradin, Nussbaum, Martha C. and Strier, Richard, eds., Shakespeare and the Law: A Conversation among Disciplines and Professions (University of Chicago Press, 2013)Google Scholar
Cousins, A. D., and Scott, Alison V., eds., Ben Jonson and the Politics of Genre (Cambridge University Press, 2009)CrossRefGoogle Scholar
Craig, Hardin, Shakespeare and the Normal World: A Course of Three Public Lectures (Houston, TX: Rice Institute Pamphlet, 1944)Google Scholar
Craik, Katharine A., Reading Sensations in Early Modern England (London: Palgrave, 2007)Google Scholar
Craik, Katharine A., ‘Shakespeare’s A Lover’s Complaint and Early Modern Criminal Confession’, Shakespeare Quarterly, 53.4 (2002), 437–59Google Scholar
Craik, Katharine A., and Pollard, Tanya, eds., Shakespearean Sensations: Experiencing Literature in Early Modern England (Cambridge University Press, 2013)CrossRefGoogle Scholar
Craik, T. W., ‘Reconstruction of Stage Action from Early Dramatic Texts’, Elizabethan Theatre, 5 (1975), 7691Google Scholar
Crane, Mary Thomas, ‘Male Pregnancy and Cognitive Permeability in Measure for Measure’, Shakespeare Quarterly, 49.3 (1998), 269–92CrossRefGoogle Scholar
Crane, Mary Thomas, Shakespeare’s Brain: Reading with Cognitive Theory (Princeton University Press, 2001)Google Scholar
Croteau, Melissa, ‘Ancient Aesthetics and Current Conflicts: Indian Rasa Theory and Vishal Bhardwaj’s Haider (2014)’, Shakespeare Survey, 72 (2019), 171–82Google Scholar
Cummings, Brian, ‘Donne’s Passions: Emotions, Agency, Language’ in Passions and Subjectivity in Early Modern Culture, eds. Cummings, Brian and Sierhuis, Freya (Farnham: Ashgate, 2013), pp. 5171Google Scholar
Cummings, Brian, and Sierhuis, Freya, eds., Passions and Subjectivity in Early Modern Culture (Farnham: Ashgate, 2013)Google Scholar
Cunningham, J. V., Woe or Wonder: The Emotional Effect of Shakespearean Tragedy (University of Denver Press, 1951)Google Scholar
Dailey, Alice, The English Martyr from Reformation to Revolution (University of Notre Dame Press, 2012)Google Scholar
Daniel, Drew, The Melancholy Assemblage: Affect and Epistemology in the English Renaissance (New York: Fordham University Press, 2013)CrossRefGoogle Scholar
Davie, Donald, Articulate Energy (London: Routledge & Kegan Paul, 1965)Google Scholar
Davis, Lloyd, ‘“Death Marked Love”: Desire and Presence in Romeo and Juliet’, Shakespeare Survey, 49 (1996), 5667Google Scholar
Davis, Lloyd, Guise and Disguise: Rhetoric and Characterisation in the English Renaissance (University of Toronto Press, 1993)Google Scholar
Davis, Philip, Shakespeare Thinking (London: Continuum, 2007)Google Scholar
Davis, Philip, Sudden Shakespeare: The Shaping of Shakespeare’s Creative Thought (London: Athlone, 1996)Google Scholar
Davis, Philip, ‘Syntax and Pathways’, Interdisciplinary Science Reviews, 33.4 (2008), 265–77Google Scholar
Dent, R. W., Shakespeare’s Proverbial Language: An Index (University of California Press, 1981)CrossRefGoogle Scholar
Deonna, Julien A., Rodogno, Raffaele and Teroni, Fabrice, In Defense of Shame: The Faces of an Emotion (Oxford University Press, 2012)Google Scholar
Detmer-Goebel, Emily, ‘“Then let no man but I / Do execution on my flesh and blood”: Filicide and Family Bonds in Titus Andronicus’, Medieval and Renaissance Drama in England, 28 (2015), 110–22Google Scholar
DiGangi, Mario, ‘Pleasure and Danger: Measuring Female Sexuality in Measure for Measure’, English Literary History, 60.3 (1993), 589609Google Scholar
Dijkhuizen, Jan Frans van, Pain and Compassion in Early Modern Literature and Culture (Cambridge: D. S. Brewer, 2012)Google Scholar
Dobson, Michael, ‘Elsinore’s Star Bullshitter’, London Review of Books, 40.17 (2018), 79Google Scholar
Dodds, E. R., The Greeks and the Irrational (1951; Berkeley and Los Angeles: University of California Press, 2004)Google Scholar
Dubrow, Heather, “‘Incertainties Now Crown Themselves Assur’d”: The Politics of Plotting Shakespeare’s Sonnets,’ Shakespeare Quarterly, 47.3 (1996), 291305Google Scholar
Dunn, Rob, The Wild Life of Our Bodies: Predators, Parasites, and Partners That Shape Who We Are Today (New York: Harper Perennial, 2011)Google Scholar
Dutton, Richard, Mastering the Revels: The Regulation and Censorship of English Renaissance Drama (University of Iowa Press, 1991)Google Scholar
Dwyer, Rachel, Bollywood’s India: Hindi Cinema as a Guide to Contemporary India (London: Reaktion Books, 2014)Google Scholar
Dwyer, Rachel, Filming the Gods: Religion and Indian Cinema (London: Routledge, 2006)Google Scholar
Edmondson, Paul, and Wells, Stanley, Shakespeare’s Sonnets (Oxford University Press, 2004)Google Scholar
Eliot, T. S., ‘Hamlet and His Problems’ in The Sacred Wood: Essays on Poetry and Criticism (London: Methuen, 1934), pp. 95103Google Scholar
Elsaesser, Thomas, ‘Tales of Sound and Fury: Observations on the Family Melodrama’ in Imitations of Life: A Reader on Film and Television Melodrama, ed. Landy, Marcia (Detroit, MI: Wayne State University Press, 1972; 1991), pp. 6891Google Scholar
Engle, Lars, ‘“I am that I am”: Shakespeare’s Sonnets and the Economy of Shame’ in Shakespeare’s Sonnets: Critical Essays, ed. Schiffer, James (New York and London: Garland, 2000), pp. 185–97Google Scholar
Engle, Lars, Shakespearean Pragmatism: Market of His Time (University of Chicago Press, 1993)Google Scholar
Engle, Lars, and Rasmussen, Eric, Studying Shakespeare’s Contemporaries (Chichester: Wiley-Blackwell, 2014)Google Scholar
Enterline, Lynn, Shakespeare’s Schoolroom: Rhetoric, Discipline, Emotion (University of Pennsylvania Press, 2012)Google Scholar
Erikson, Erik H., Childhood and Society (Harmondsworth: Penguin, 1965)Google Scholar
Es, Bart van, Shakespeare in Company (Oxford University Press, 2013)Google Scholar
Escolme, Bridget, Emotional Excess on the Shakespearean Stage: Passion’s Slaves (London: Bloomsbury, 2014)CrossRefGoogle Scholar
Escolme, Bridget, Talking to the Audience: Shakespeare, Performance, Self (London: Routledge, 2005)Google Scholar
Fernie, Ewan, ‘Shame in Othello’, The Cambridge Quarterly, 28.1 (1999), 1945Google Scholar
Fernie, Ewan, Shame in Shakespeare (London and New York: Routledge, 2002)Google Scholar
Findlay, Alison, Illegitimate Power: Bastards in Renaissance Drama (Manchester University Press, 1994)Google Scholar
Fineman, Joel, Shakespeare’s Perjured Eye: The Invention of Poetic Subjectivity in the Sonnets (University of California Press, 1986)CrossRefGoogle Scholar
Fischer, Agneta, Emotion Scripts: A Study of the Social and Cognitive Facets of Emotions (Leiden: DSWO Press, 1991)Google Scholar
Fischer, Sandra K., ‘“He means to pay”: Value and Metaphor in the Lancastrian Tetralogy’, Shakespeare Quarterly, 40 (1989), 149–64CrossRefGoogle Scholar
Fisher, Philip, ‘Thinking about Killing: Hamlet and the Paths among the Passions’, Raritan, 11.1 (1991), 4377Google Scholar
Fisher, Philip, The Vehement Passions (Princeton University Press, 2002)Google Scholar
Foolen, Ad, Moving Ourselves, Moving Others: Motion and Emotion in Intersubjectivity, Consciousness and Language (Amsterdam and Philadelphia: John Benjamins, 2012)CrossRefGoogle Scholar
Forster, E. M., Aspects of the Novel (London: Edward Arnold, 1927)Google Scholar
Foucault, Michel, The Order of Things: An Archaeology of the Human Sciences (1970; London: Routledge, 2002)Google Scholar
Freedman, Barbara, Staging the Gaze: Postmodernism, Psychoanalysis, and Shakespearean Comedy (Ithaca, NY: Cornell University Press, 1991)Google Scholar
Frow, John, Character and Person (Oxford University Press, 2014)CrossRefGoogle Scholar
Frye, Northrop, A Natural Perspective: The Development of Shakespearean Comedy and Romance (New York: Columbia University Press, 1965)Google Scholar
Gallagher, Lowell, and Raman, Shankar, eds., Knowing Shakespeare: Senses, Embodiment and Cognition (Basingstoke: Palgrave, 2010)Google Scholar
Ganti, Tejaswini, ‘“And Yet My Heart Is Still Indian”: The Bollywood Film Industry and the (H)Indianization of Hollywood’ in Genre, Gender, Race, and World Cinema: An Anthology, ed. Codell, Julie F. (London: Blackwell, 2007), pp. 439–57Google Scholar
Garber, Marjorie B., Dream in Shakespeare: From Metaphor to Metamorphosis (New Haven, CT: Yale University Press, 1974)Google Scholar
García-Periago, Rosa, ‘The Ambiguities of Bollywood Conventions and the Reading Transnationalism in Vishal Bhardwaj’s Maqbool’ in Bollywood Shakespeares, eds. Dionne, Craig and Kapadia, Parmita (Houndmills: Palgrave, 2014), pp. 6386Google Scholar
Garner, Shirley N., ‘Shakespeare’s Desdemona’, Shakespeare Studies, 9 (1976), 233–52Google Scholar
Girard, René, A Theater of Envy: William Shakespeare (Oxford University Press, 1991)Google Scholar
Goldberg, Jonathan, ‘The Commodity of Names: “Falstaff” and “Oldcastle” in 1 Henry IV’ in Reconfiguring the Renaissance: Essays in Critical Materialism, ed. Crewe, Jonathan (Lewisburg, PA: Bucknell University Press, 1992), pp. 7688Google Scholar
Göttler, Christine, ‘Vapours and Veils: The Edge of the Unseen’ in Spirits Unseen: The Representation of Subtle Bodies in Early Modern European Culture, eds. Göttler, Christine and Neuber, Wolfgang (Leiden and Boston: Brill, 2008), pp. xvxxviiGoogle Scholar
Gowland, Angus, ‘Melancholy, Passions and Identity in the Renaissance’ in Passions and Subjectivity in Early Modern Culture, eds. Cummings, Brian and Sierhuis, Freya (Farnham: Ashgate, 2013), pp. 7593Google Scholar
Grady, Hugh, and Smith, Christian, eds., ‘Shakespeare and the Karl Marx Bicentennial’, Shakespeare, 14.2 (2018), 99188CrossRefGoogle Scholar
Gray, Patrick, ‘Shakespeare and the Other Virgil: Pity and Imperium in Titus Andronicus’, Shakespeare Survey, 69 (2016), 4657Google Scholar
Grazia, Margreta de, and Wells, Stanley, eds., The Cambridge Companion to Shakespeare (Cambridge University Press, 2001)CrossRefGoogle Scholar
Green, Douglas E., ‘Interpreting “her martyr’d signs”: Gender and Tragedy in Titus Andronicus’, Shakespeare Quarterly, 40.3 (1989), 317–26Google Scholar
Greenblatt, Stephen, ‘Invisible Bullets: Renaissance Authority and Its Subversion’, Glyph, 8 (1981), 4061Google Scholar
Greenblatt, Stephen, Marvelous Possessions: The Wonder of the New World (University of Chicago Press, 1991)Google Scholar
Greenblatt, Stephen, Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England (University of California Press, 1988)Google Scholar
Gupt, Bharat, Dramatic Concepts: Greek and Indian: A Study of the ‘Poetics’ and the ‘Natyasastra’ (New Delhi: D. K. Printworld, 1994)Google Scholar
Gurnis, Musa, Mixed Faith and Shared Feeling: Theater in Post-Reformation London (University of Pennsylvania Press, 2018)Google Scholar
Gurr, Andrew, The Shakespearean Stage 1574–1642 (Cambridge University Press, 1970)Google Scholar
Halperin, David, and Traub, Valerie, eds., Gay Shame (University of Chicago Press, 2009)Google Scholar
Hammond, Paul, ‘The Argument of Measure for Measure’, English Literary Renaissance, 16.3 (1986), 496519Google Scholar
Hardt, Michael, ‘Affective Labor’, boundary 2, 26.2 (1999), 89100Google Scholar
Hardt, Michael, and Negri, Antonio, Empire (Cambridge, MA: Harvard University Press, 2000)Google Scholar
Harrison, Timothy M., ‘Personhood and Impersonal Feeling in Montaigne’s “De l’Exercitation”’, Modern Philology, 114.2 (2016), 219–42CrossRefGoogle Scholar
Harvey, Elizabeth D., ‘Passionate Spirits: Animism and Embodiment in Cymbeline and The Tempest’ in A Handbook of Shakespeare and Embodiment: Gender, Sexuality, and Race, ed. Traub, Valerie (Oxford University Press, 2016), pp. 369–84Google Scholar
Harvey, Elizabeth D., ‘Speaking (of) Faces: The Gestural Body in Measure for Measure’ in The Geography of Embodiment in Early Modern England, eds. Floyd-Wilson, Mary and Sullivan, Garrett Jr. (Oxford University Press, forthcoming)Google Scholar
Hatlen, Burton, ‘The “Noble Thing” and the “Boy of Tears”: Coriolanus and the Embarrassments of Identity’, English Literary Renaissance, 27.3 (1997), 393420Google Scholar
Hazlitt, William, Characters of Shakespeare’s Plays (1817; London: Dent, 1912)Google Scholar
Heidenberg, Mike, ‘No Country for Young Women: Empowering Emilia in Vishal Bhardwaj’s Omkara’, in Bollywood Shakespeares, eds. Dionne, Craig and Kapadia, Parmita (Houndmills: Palgrave, 2014), pp. 87105Google Scholar
Heine, Heinrich, The Works, trans. Leland, Charles Godfrey (New York: John W. Lovell, 1891)Google Scholar
Heller-Roazen, Daniel, The Inner Touch: Archaeology of a Sensation (New York: Zone, 2007)Google Scholar
Hersey, George L., Falling in Love with Statues: Artificial Humans from Pygmalion to the Present (University of Chicago Press, 2009)Google Scholar
Hillman, David, ‘Freud’s Shakespeare’ in Great Shakespeareans: Marx and Freud, eds. Bartolovich, Crystal, Hillman, David and Howard, Jean E. (London: Bloomsbury, 2012), pp. 124–6Google Scholar
Hobgood, Allison P., ‘Feeling Fear in Macbeth’ in Shakespearean Sensations: Experiencing Literature in Early Modern England, eds. Craik, Katharine A. and Pollard, Tanya (Cambridge University Press, 2013), pp. 2946CrossRefGoogle Scholar
Hobgood, Allison P., Passionate Playgoing in Early Modern England (Cambridge University Press, 2014)Google Scholar
Hochschild, Arlie Russell, The Managed Heart: The Commercialization of Human Feeling (University of California Press, 2012)CrossRefGoogle Scholar
Hoeniger, F. David, Medicine and Shakespeare in the English Renaissance (University of Delaware Press, 1992)Google Scholar
Hogan, Patrick Colm, ‘Rasa Theory and Dharma Theory: From The Home and the World to Bandit Queen’, Quarterly Review of Film and Video, 20 (2003), 3752CrossRefGoogle Scholar
Hogan, Patrick Colm, Understanding Indian Movies: Culture, Cognition, and Cinematic Imagination (University of Texas Press, 2008)Google Scholar
Holland, Peter, ed., Garrick, Kemble, Siddons, Kean: Great Shakespeareans, 4 vols. (London: Bloomsbury, 2014)Google Scholar
von Holst, E. and Mittelstaedt, H., ‘Das Reafferenzprinzip’, Naturwissenschaften, 37 (1950), 464–76CrossRefGoogle Scholar
Honigmann, Ernst, Myriad-Minded Shakespeare: Essays on the Tragedies, Problem Comedies, and Shakespeare the Man, 2nd edn. (Houndmills: Macmillan, 1998)Google Scholar
Honigmann, Ernst, ‘Tiger Shakespeare and Gentle ShakespeareModern Language Review, 107.3 (2012), 699712CrossRefGoogle Scholar
Hundert, E. J., ‘Augustine and the Sources of the Divided Self’, Political Theory, 20.1 (1992), 86104Google Scholar
Hutchison, David, ‘Emma Rice Speaks out Against Sexist Criticism’ The Stage (20 October 2016) www.thestage.co.uk/news/2016/emma-rice-speaks-sexist-criticism/ [accessed 4 December 2019]Google Scholar
Hutson, Lorna, Circumstantial Shakespeare (Oxford University Press, 2015)CrossRefGoogle Scholar
Ingleby, C. M., Smith, L. Toulmin, Furnivall, F. J. and Munro, John, The Shakspere Allusion-Book: A Collection of Allusions to Shakspere from 1591 to 1700, 2 vols. (1909; London: Oxford University Press, 1932)Google Scholar
Ingram, Martin, Carnal Knowledge: Regulating Sex in England, 1470–1600 (Cambridge University Press, 2017)CrossRefGoogle Scholar
Iser, Wolfang, ‘The Reading Process: A Phenomenological Approach’ in Modern Criticism and Theory: A Reader, eds. Lodge, David and Wood, Nigel, 2nd edn. (Harlow: Longman, 2000), pp. 185205Google Scholar
Jackson, Ken, ‘“One Wish” or the Possibility of the Impossible: Derrida, the Gift, and God in Timon of Athens’, Shakespeare Quarterly, 52 (2001), 3466Google Scholar
Jackson, MacDonald P., Shakespeare’s ‘A Lover’s Complaint’: Its Date and Authenticity (University of Auckland Press, 1965)Google Scholar
James, Heather, ‘Cultural Disintegration in Titus Andronicus: Mutilating Titus, Vergil, and Rome’ in Violence in Drama, ed. Redmond, James (Cambridge University Press, 1991), pp. 123–40Google Scholar
James, Mervyn, Society, Politics, and Culture: Studies in Early Modern England (Cambridge University Press, 1986)Google Scholar
James, William, The Meaning of Truth (London: Longmans, Green & Co., 1909)Google Scholar
James, William, The Principles of Psychology, 2 vols. (New York: Dover, 1950)Google Scholar
James, William, The Varieties of Religious Experience, ed. Marty, Martin E. (1902; London: Penguin, 1982)Google Scholar
Jenkins, Harold, ‘As You Like It’, Shakespeare Survey, 8 (1955), 4051Google Scholar
Johnson, Laurence, Sutton, John and Tribble, Evelyn B., eds., Embodied Cognition and Shakespeare’s Theatre: the Early Modern Body-Mind (New York: Routledge, 2014)CrossRefGoogle Scholar
Jones, Emrys, The Origins of Shakespeare (Oxford: Clarendon Press, 1977)Google Scholar
Jones, Ernest, Hamlet and Oedipus (New York: Norton 1949)Google Scholar
Joshi, Sam, ‘How to Watch a Hindi Film: The Example of Kuch Kuch Hota Hai’, Education About Asia, 9.1 (2004), 22–5Google Scholar
Jowett, John, ‘The Pattern of Collaboration in Timon of Athens’ in Words that Count: Essays on Early Modern Authorship in Honor of MacDonald P. Jackson, ed. Boyd, Brian (University of Delaware Press, 2004), pp. 181205Google Scholar
Kahn, Coppélia, ‘“Magic of Bounty”: Timon of Athens, Jacobean Patronage, and Maternal Power’, Shakespeare Quarterly, 38.1 (1987), 3457CrossRefGoogle Scholar
Kahn, Coppélia, Roman Shakespeare: Warriors, Wounds, and Women (London and New York: Routledge, 1997)Google Scholar
Karant-Nunn, Susan C., The Reformation of Feeling: Shaping the Religious Emotions in Early Modern Germany (Oxford University Press, 2010)Google Scholar
Karim-Cooper, Farah, and Stern, Tiffany, eds., Shakespeare’s Theatres and the Effects of Performance (London: Bloomsbury, 2014)Google Scholar
Karremann, Isabel, The Drama of Memory in Shakespeare’s History Plays (Cambridge University Press, 2015)CrossRefGoogle Scholar
Keidel, James, Thierry, Guillaume, Martin, Clara D., Gonzalez-Diaz, Victorina and Davis, Philip, ‘How Shakespeare Tempests the Brain’, Cortex, 49 (2013) 913–19Google Scholar
Kennedy, Gwynne, Just Anger: Representing Women’s Anger in Early Modern England (Southern Illinois University Press, 2000)Google Scholar
Kenny, Amy, ‘“A Feast of Languages”: The Role of Language in the Globe to Globe Festival’, Multicultural Shakespeare: Translation, Appropriation and Performance, 11.26 (2014), 3144Google Scholar
Kerridge, Eric, Trade and Banking in Early Modern England (Manchester University Press, 1988)Google Scholar
Kerrigan, John, ed., Motives of Woe: Shakespeare and ‘Female Complaint’: A Critical Anthology (Oxford: Clarendon Press, 1991)Google Scholar
Kerrigan, John, Shakespeare’s Binding Language (Oxford University Press, 2016)Google Scholar
Keyishian, Harry, The Shapes of Revenge: Victimization, Vengeance, and Vindictiveness in Shakespeare (Atlantic Highlands, NJ: Humanities Press, 1995)Google Scholar
King, Ros, ‘“A lean and hungry look”: Sight, Ekphrasis, Irony in Julius Caesar’, Shakespeare Survey, 69 (2016), 153–65Google Scholar
Kingsley-Smith, Jane, ‘Aristotelian Shame and Christian Mortification in Love’s Labour’s Lost’, in Shakespeare and Renaissance Ethics, eds. Gray, Patrick and Cox, John D. (Cambridge University Press, 2014), pp. 7697Google Scholar
Kirsch, Arthur, ‘Macbeth’s Suicide’, English Literary History, 51.2 (1984), 269–96CrossRefGoogle Scholar
Kirwan, Peter, ‘The Taming of the Shrew @ Shakespeare’s Globe’, http://blogs.nottingham.ac.uk/bardathon/2016/05/17/the-taming-of-the-shrew-shakespeares-globe-2/ [accessed 4 December 2019]Google Scholar
Klett, Elizabeth, Cross-Gender Shakespeare and English National Identity (Basingstoke: Palgrave, 2009)Google Scholar
Knight, G. Wilson, The Imperial Theme (London: Methuen, 1965)Google Scholar
Knights, L. C., ‘How Many Children Had Lady Macbeth?: An Essay in the Theory and Practice of Shakespeare Criticism’ (1933), repr. Explorations (London: Chatto & Windus, 1946), pp. 139Google Scholar
Konstan, David, The Emotions of the Ancient Greeks: Studies in Aristotle and Greek Literature (University of Toronto Press, 2006)Google Scholar
Korda, Natasha, Labors Lost: Women’s Work and the Early Modern Stage (University of Pennsylvania Press, 2011)CrossRefGoogle Scholar
Krämer, Lucia, ‘Adaptation in Bollywood’ in The Oxford Handbook of Adaptation Studies, ed. Leitch, Thomas (Oxford University Press, 2017), pp. 251–66Google Scholar
Kraut, Richard, ‘Aristotle on the Human Good: An Overview’ in Aristotle’s Ethics: Critical Essays, ed. Sherman, Nancy (Lanham, MD: Rowman & Littlefield, 1999), pp. 79104Google Scholar
Laan, Thomas F. van, Role-Playing in Shakespeare (University of Toronto Press, 1978)Google Scholar
Lacan, Jacques, and Miller, Jacques-Alain, My Teaching, trans. Macey, David (London and New York: Verso, 2009)Google Scholar
Lake, Peter, ‘Shakespeare’s Julius Caesar and the Search for a Usable (Christian?) Past’ in Shakespeare and Early Modern Religion, eds. Loewenstein, David and Witmore, Michael (Cambridge University Press, 2011), pp. 111–30Google Scholar
Langley, Eric, Narcissism and Suicide in Shakespeare and His Contemporaries (Oxford University Press, 2009)Google Scholar
Langley, Eric, Shakespeare’s Contagious Sympathies: Ill Communications (Oxford University Press, 2018)Google Scholar
Lanoix, Monique, ‘Labor as Embodied Practice: The Lessons of Care Work’, Hypatia, 28 (2013), 85100CrossRefGoogle Scholar
Lazzarrato, Maurizio, ‘Immaterial Labor’, trans. Colilli, Paul and Emery, Ed, in Radical Thought in Italy: A Potential Politics, eds. Virno, Paolo and Hardt, Michael (University of Minnesota Press, 1996), pp. 133–47Google Scholar
Ledger, Adam, The Director and Directing (Houndsmills: Palgrave, 2019)CrossRefGoogle Scholar
Lees-Jeffries, Hester, ‘Location as Metaphor in Queen Elizabeth’s Coronation Entry (1559): Veritas Temporis Filia’ in The Progresses, Pageants, and Entertainments of Queen Elizabeth I, eds. Archer, Jayne Elisabeth, Goldring, Elizabeth and Knight, Sarah (Oxford University Press, 2007), pp. 6585.Google Scholar
Lees-Jeffries, Hester, Shakespeare and Memory (Oxford University Press, 2013)Google Scholar
Lemon, Rebecca, ‘Sovereignty and Treason in Macbeth’ in Macbeth: New Critical Essays, ed. Moschovakis, Nick (New York: Routledge, 2008), pp. 7387Google Scholar
Lewis, C. S., Mere Christianity (1942; London: William Collins, 2012)Google Scholar
Lobis, Seth, The Virtue of Sympathy: Magic, Philosophy, and Literature in Seventeenth-Century England (New Haven, CT: Yale University Press, 2015)Google Scholar
Logan, Robert A., Shakespeare’s Marlowe: The Influence of Christopher Marlowe on Shakespeare’s Artistry (Aldershot: Ashgate, 2007)Google Scholar
Lowenthal, David, ‘Nostalgia Tells It Like It Wasn’t’ in The Imagined Past: History and Nostalgia, eds. Shaw, Christopher and Chase, Malcolm (Manchester University Press, 1989), pp. 1832Google Scholar
Lupton, Julia Reinhard, ‘Creature Caliban’, Shakespeare Quarterly, 51.1 (2000), 123CrossRefGoogle Scholar
Lupton, Julia Reinhard, ‘The Renaissance Res Publica of Furniture’ in Animal, Vegetable, Mineral: Ethics and Objects, ed. Cohen, Jeffrey Jerome (Washington, DC: Oliphaunt Books, 2012), pp. 211–36Google Scholar
Lutgendorf, Philip, ‘Is There an Indian Way of Filmmaking?,’ International Journal of Hindu Studies, 10.3 (2006), 227–56Google Scholar
Makari, George, Revolution in Mind: The Creation of Psychoanalysis (New York: Harper Collins, 2008)Google Scholar
Mallin, E. S., ‘Charity and Whoredom in Timon of Athens’, Shakespeare Quarterly, 69.2 (2018), 75100CrossRefGoogle Scholar
Mallin, E. S., ‘Emulous Factions and the Collapse of Chivalry: Troilus and Cressida, Representations, 29 (1990), 145–79Google Scholar
Mansfield, Harvey, Machiavelli’s Virtue (University of Chicago Press, 1996)CrossRefGoogle Scholar
Markoff, John, ‘Elon Musk’s Neuralink Wants “Sewing Machine-Like” Robots to Wire Brains to the Internet’ in The New York Times (16 July 2019) www.nytimes.com/2019/07/16/technology/neuralink-elon-musk.html [accessed 4 December 2019]Google Scholar
Marsden, Jean, ‘Shakespeare and Sympathy’ in Shakespeare and the Eighteenth Century, eds. Sabor, Peter and Yachnin, Paul (Farnham: Ashgate, 2008), pp. 2941Google Scholar
Martindale, Colin, and Dailey, Audrey, ‘Creativity, Primary Process Cognition and Personality’, Personality and Individual Differences, 20.4 (1996), 409–14Google Scholar
Marx, Karl, Economic and Philosophic Manuscripts of 1844, ed. Struik, Dirk J., trans. Milligan, Martin (New York: International Publishers, 1972)Google Scholar
Maus, Katharine Eisaman, ‘Horns of Dilemma: Jealousy, Gender, and Spectatorship in English Renaissance Drama’, English Literary History, 54.3 (1987), 561–83Google Scholar
Maus, Katharine Eisaman, Inwardness and Theater in the English Renaissance (University of Chicago Press, 1995)Google Scholar
Mayer, Jean-Christopher, ‘The Decline of the Chronicle and Shakespeare’s History Plays’, Shakespeare Survey, 63 (2010), 1223Google Scholar
McConnell, Michael, ‘“Blood Begetting Blood”: Shakespeare and the Mysteries’ in Medieval Shakespeares: Past and Present, eds. Morse, Ruth, Cooper, Helen and Holland, Peter (Cambridge University Press, 2013), pp. 177–89Google Scholar
McGilchrist, Iain, The Master and His Emissary: The Divided Brain and the Making of the Western World (New Haven, CT: Yale University Press, 2009)Google Scholar
McMahon, Darrin, Happiness: A History (New York: Grove Press, 2006)Google Scholar
Meek, Richard, and Sullivan, Erin, eds., The Renaissance of Emotion: Understanding Affect in Shakespeare and His Contemporaries (Manchester University Press, 2015)Google Scholar
Megna, Paul, Phillips, Bríd and White, R. S., eds., Hamlet and Emotions (Houndsmills: Palgrave, 2019)CrossRefGoogle Scholar
Mendes, Ana Cristina, ‘Transculturating Shakespeare: Vishal Bhardwaj’s Mumbai Macbeth’ in Where Is Adaptation?: Mapping Cultures, Texts and Contexts, eds. Hermansson, Casie and Zepernick, Janet (Amsterdam: John Benjamins, 2018), pp. 165–80Google Scholar
Michael, Ian, The Teaching of English from the Sixteenth Century to 1870 (Cambridge University Press, 1987)CrossRefGoogle Scholar
Miles, Gary B., ‘How Roman Are Shakespeare’s “Romans”?Shakespeare Quarterly, 40.3 (1989), 257–83CrossRefGoogle Scholar
Miles, Geoffrey, Shakespeare and the Constant Romans (Oxford: Clarendon Press, 1996)Google Scholar
Miola, Robert S., Shakespeare and Classical Tragedy: The Influence of Seneca (Oxford: Clarendon Press, 1992)Google Scholar
Mishra, Vijay, Bollywood Cinema: Temples of Desire (London: Routledge, 2002)Google Scholar
Moisan, Thomas, ‘Rhetoric and the Rehearsal of Death: The “Lamentations” Scene in Romeo and Juliet’, Shakespeare Quarterly, 34 (1983), 389404Google Scholar
Monta, Susannah, Martyrdom and Literature in Early Modern England (Cambridge and New York: Cambridge University Press, 2005)Google Scholar
Moore, Tiffany Ann Conroy, Kozintsev’s Shakespeare Films: Russian Political Protest in ‘Hamlet’ and ‘King Lear’ (Jefferson, NC and London: McFarland & Co., 2012)Google Scholar
Morrison, Richard, ‘The Globe has been a Success Story – and Emma Rice is Wrecking It’ in The Times (30 September 2016) www.thetimes.co.uk/article/richard-morrison-the-globe-has-been-a-success-story-and-emma-rice-is-wrecking-it-xrrgxz3ml [accessed 4 December 2019]Google Scholar
Moschovakis, Nick, ed., Macbeth: New Critical Essays (New York: Routledge, 2008)Google Scholar
Mosely, Nick, Actioning and How to Do It (London: Nick Hern Books, 2016)Google Scholar
Moss, Ann, Printed Commonplace-Books and the Structuring of Renaissance Thought (Oxford: Clarendon Press, 1996)Google Scholar
Moyer, Ann E., ‘Sympathy in the Renaissance’ in Sympathy: A History, ed. Schliesser, Erik (Oxford University Press, 2015), pp. 70101Google Scholar
Muir, Kenneth, ‘A Lover’s Complaint: A Reconsideration’ in Shakespeare 1564–1964: A Collection of Modern Essays by Various Hands, ed. Bloom, Edward A. (Providence, RI: Brown University Press, 1964), pp. 154–66Google Scholar
Muldrew, Craig, The Economy of Obligation: The Culture of Credit and Social Relations in Early Modern England (Basingstoke: Macmillan, 1998)Google Scholar
Mullaney, Steven, The Place of the Stage: License, Play, and Power in Renaissance England (University of Chicago Press, 1988)Google Scholar
Mullaney, Steven, The Reformation of Emotions in the Age of Shakespeare (University of Chicago Press, 2015)CrossRefGoogle Scholar
Mullaney, Steven, ‘The Rehearsal of Cultures’, Representations, 3 (1983), 4067Google Scholar
Nancy, Jean-Luc, Being Singular Plural, trans. Richardson, Robert D. and O’Byrne, Anne E. (Stanford University Press, 2000)Google Scholar
Nash, David, and Kilday, Anne-Marie, Cultures of Shame: Exploring Crime and Morality in Britain, 1600–1900 (Basingstoke: Palgrave, 2010)Google Scholar
Neill, Michael, ‘“In Everything Illegitimate”: Imagining the Bastard in Renaissance Drama’, The Yearbook of English Studies, 23 (1993), 270–92CrossRefGoogle Scholar
Neu, Jerome, A Tear Is an Intellectual Thing: The Meanings of Emotion (Oxford University Press, 2000)Google Scholar
Neumann, Birgit, ‘The Politics of Staging Emotions in Contemporary Bollywood Films: Aditya Chopra’s Dilwale Dulhania Le Jayenge (1995) and Karan Johar’s My Name Is Khan (2010)’, Anglia: Zeitschrift Für Englische Philologie, 132.2 (2014), 270–91Google Scholar
Nevo, Ruth, Comic Transformations in Shakespeare (London: Methuen, 1980)Google Scholar
Nevo, Ruth, Shakespeare’s Other Language (London: Methuen, 1987)Google Scholar
Nicoll, Allardyce, ‘Passing over the Stage’, Shakespeare Survey, 12 (1959), 4755CrossRefGoogle Scholar
Nordlund, Marcus, ‘Theorising Early Modern Jealousy: A Biocultural Perspective on Shakespeare’s Othello’, Studia Neophilologica, 74.2 (2002), 146–60Google Scholar
Noreña, Carlos G., Studies in Renaissance Literature, 4 (Lewiston, NY: The Edwin Mellen Press, 1990)Google Scholar
Nussbaum, Martha, Hiding from Humanity: Disgust, Shame and the Law (Princeton University Press, 2004)Google Scholar
Nutton, Vivian, ‘Fortunes of Galen’ in The Cambridge Companion to Galen, ed. Hankinson, R. (Cambridge University Press, 2008), pp. 355–90Google Scholar
Nutton, Vivian, ‘Logic, Learning, and Experimental Medicine’, Science, 295 (2002), 800–1CrossRefGoogle ScholarPubMed
Oliver, Simon, Philosophy, God and Motion (London: Routledge 2005)Google Scholar
Olson, Rebecca, ‘“Too Gentle”: Jealousy and Class in Othello’, Journal for Early Modern Cultural Studies, 15.1 (2015), 325Google Scholar
Orwell, George, Essays (London: Penguin, 1994)Google Scholar
Oxford English Dictionary (OED) http://oed.comGoogle Scholar
Palfrey, Simon, and Stern, Tiffany, Shakespeare in Parts (Oxford University Press, 2007)Google Scholar
Panek, Jennifer, ‘The Nice Valour’s Anatomy of Shame’, English Literary Renaissance, 48.3 (2018), 339–67Google Scholar
Panek, Jennifer, ‘Shame and Pleasure in The Changeling’, Renaissance Drama, 42.2 (2014), 191215Google Scholar
Park, Katharine, ‘The Organic Soul’ in The Cambridge History of Renaissance Philosophy, gen. ed. Schmitt, Charles B., eds. Skinner, Quentin, Kessler, Eckhard and Kraye, Jill (Cambridge University Press, 1988), pp. 465–84Google Scholar
Park, Katharine, and Kessler, Eckhard, ‘Psychology: The Concept of Psychology’ in The Cambridge History of Renaissance Philosophy, gen. ed. Schmitt, Charles B., eds. Skinner, Quentin, Kessler, Eckhard and Kraye, Jill (Cambridge University Press, 1988), pp. 453–63Google Scholar
Parker, Patricia A., Inescapable Romance: Studies in the Poetics of a Mode (Princeton University Press, 1979)Google Scholar
Parks, Tim, Out of My Head: On the Trail of Consciousness (London: Harvill Secker, 2018)Google Scholar
Paster, Gail Kern, The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England (1993; Ithaca, NY: Cornell University Press, 2000)Google Scholar
Paster, Gail Kern, Humoring the Body: Emotions and the Shakespearean Stage (University of Chicago Press, 2004)CrossRefGoogle Scholar
Paster, Gail Kern, Rowe, Katherine and Floyd-Wilson, Mary, eds., Reading the Early Modern Passions: Essays in the Cultural History of Emotion (University of Pennsylvania Press, 2004)Google Scholar
Patterson, Annabel, ‘Sir John Oldcastle as Symbol of Reformation Historiography’ in Religion, Literature, and Politics in Post-Reformation England, 1540–1688, eds. Hamilton, Donna B. and Strier, Richard (Cambridge University Press, 1996), pp. 626Google Scholar
Pertile, Giulio J., Feeling Faint: Affect and Consciousness in the Renaissance (Evanston, IL: Northwestern University Press, 2019)CrossRefGoogle Scholar
Peterson, Kaara L., ‘Historica Passio: Early Modern Medicine, King Lear and Editorial Practice’, Shakespeare Quarterly, 57.1 (2006), 122CrossRefGoogle Scholar
Peterson, Kaara L., Popular Medicine, Hysterical Disease and Social Controversy in Shakespeare’s England (London: Routledge, 2016)Google Scholar
Pettit, Philip, ‘Republican Liberty: Three Axioms, Four Theorems’ in Republicanism and Political Theory, eds. Laborde, C. and Maynor, J. (Oxford: Blackwells, 2008), pp. 102–30Google Scholar
Phillips, Harriet, ‘Late Falstaff, the Merry World, and The Merry Wives of Windsor’, Shakespeare, 10 (2014), 111–37CrossRefGoogle Scholar
Piers, Gerhart, and Singer, Milton B., Shame and Guilt: A Psychoanalytic and a Cultural Study (Springfield, IL: Charles C. Thomas, 1953)Google Scholar
Piroyansk, Danna, Martyrs in the Making: Political Martyrdom in Late Medieval England (Basingstoke: Palgrave, 2008)CrossRefGoogle Scholar
Plamper, Jan, The History of Emotions: An Introduction, trans. Tribe, Keith (Oxford University Press, 2015)Google Scholar
Platt, Peter G., Reason Diminished: Shakespeare and the Marvelous (University of Nebraska Press, 1997)Google Scholar
Platt, Peter G., Shakespeare and the Culture of Paradox (New York: Routledge, 2009)Google Scholar
Pollard, Tanya, ‘Audience Reception’ in The Oxford Handbook of Shakespeare, ed. Kinney, Arthur (Oxford University Press, 2014), pp. 458–73Google Scholar
Pollard, Tanya, Greek Tragic Women on Shakespearean Stages (Oxford University Press, 2017)Google Scholar
Poole, Kristen, ‘Saints Alive! Falstaff, Martin Marprelate, and the Staging of Puritanism’, Shakespeare Quarterly, 46.1 (1995), 4775CrossRefGoogle Scholar
Porter, Tsomondo Thorell, ‘Stage-Managing “Otherness”: The Function of Narrative in Othello’, Mosaic, 32.2 (1999), 125Google Scholar
Raghavendra, M. K., Oxford India Short Introductions: Bollywood (Oxford University Press, 2016)Google Scholar
Rapp, Christof, ‘His Dearest Enemy. Heraclitus in the Aristotelian Oeuvre’ in Heraklit in Kontext, eds. Enrica Fantino, Ulrike Muss, Charlotte Schubert, and Sier, Kurt (Berlin and Boston: Walter de Gruyter, 2017), pp. 415–38Google Scholar
Rawlins, Trevor, ‘“Disciplined Improvisation” in the Rehearsal and Performance of Shakespeare: The Alternative Approach of Mike Alfreds’, Shakespeare Bulletin, 30.4 (2012), 431–47CrossRefGoogle Scholar
Rebhorn, Wayne A., ‘The Crisis of the Aristocracy in Julius Caesar’, Renaissance Quarterly, 43.1 (1990), 75111Google Scholar
Reddy, William M., The Navigation of Feeling: A Framework for the History of Emotions (Cambridge University Press, 2001)CrossRefGoogle Scholar
Reiss, Edward, ‘Globe to Globe: 37 Plays, 37 Languages’, Shakespeare Quarterly, 64.2 (2013), 220–32Google Scholar
Rhodes, Neil, ‘The Science of the Heart: Shakespeare, Kames and the Eighteenth-Century Invention of the Human’ in Posthumanist Shakespeares, eds. Herbrechter, Stefan and Callus, Ivan (Basingstoke: Palgrave, 2012), pp. 2340CrossRefGoogle Scholar
Rhodes, Neil, Shakespeare and the Origins of English (Oxford University Press, 2004)Google Scholar
Rickman, Johanna, Love, Lust, and License in Early Modern England: Illicit Sex and the Nobility (Aldershot: Ashgate, 2008)Google Scholar
Ritchie, Fiona, ‘Women and Shakespeare in the Restoration and Eighteenth Century’, Literature Compass, 5/6 (2008), 1154–69Google Scholar
Roach, Joseph R., Cities of the Dead: Circum-Atlantic Performance (New York: Columbia University Press, 1996)Google Scholar
Roach, Joseph R., The Player’s Passion: Studies in the Science of Acting (Newark and London: University of Delaware Press, 1985)Google Scholar
Robinson, Benedict S., ‘Thinking Feeling’ in Affect Theory and Early Modern Texts: Politics, Ecologies and Form, eds. Bailey, Amanda and DiGangi, Mario (New York: Palgrave, 2017), pp. 109–27Google Scholar
Rohy, Valerie, ‘As You Like It: Fortune’s Turn’ in Shakesqueer: A Queer Companion to the Complete Works of Shakespeare, ed. Menon, Madhavi (Durham, NC: Duke University Press, 2011), pp. 5561CrossRefGoogle Scholar
Ronson, Jon, So You’ve Been Publicly Shamed (London: Picador, 2015)Google Scholar
Rorty, Amélie Oksenberg, ed., Essays on Aristotle’s Ethics (University of California Press, 1980)CrossRefGoogle Scholar
Rosenwein, Barbara H., Generations of Feeling: A History of Emotions, 600–1700 (Cambridge University Press, 2016)Google Scholar
Royster, Francesca, ‘White-Limed Walls: Whiteness and Gothic Extremism in Shakespeare’s Titus Andronicus’, Shakespeare Quarterly, 51.4 (2000), 423–55Google Scholar
Sartre, Jean-Paul, Being and Nothingness: An Essay on Phenomenological Ontology (Abingdon: Routledge Classics, 2003)Google Scholar
Scarry, Elaine, The Body in Pain: The Making and Unmaking of the World (Oxford University Press, 1985)Google Scholar
Schalkwyk, David, ‘The Discourses of Friendship and the Structural Imagination of Shakespeare’s Theater: Montaigne, Twelfth Night, De Gournay,’ Renaissance Drama, 38.1 (2010), 141–71Google Scholar
Schalkwyk, David, Shakespeare, Love and Language (Cambridge University Press, 2018)Google Scholar
Schalkwyk, David, Shakespeare, Love and Service (Cambridge University Press, 2008)Google Scholar
Scheer, Monique, ‘Are Emotions a Kind of Practice (And Is That What Makes Them Have a History)? A Bourdieuian Approach to Understanding Emotion’, History and Theory, 51 (2012), 193220Google Scholar
Schmitt, Charles B., Skinner, Quentin, Kessler, Eckhard and Kraye, Jill, eds., The Cambridge History of Renaissance Philosophy (Cambridge University Press, 1988)Google Scholar
Schoenfeldt, Michael C., Bodies and Selves in Early Modern England: Physiology and Inwardness in Spenser, Shakespeare, Herbert, and Milton (Cambridge University Press, 1999)Google Scholar
Schwartz, Susan L., Rasa: Performing the Divine in India (New York: Columbia University Press, 2004)Google Scholar
Scott, William O., ‘Macbeth’s – And Our – Self-Equivocations’, Shakespeare Quarterly, 37.2 (1986), 160–74Google Scholar
Scott, William O., ‘The Speculative Eye: Problematic Self-Knowledge in Julius Caesar’, Shakespeare Survey, 40 (1988), 7790Google Scholar
Sedgman, Kirsty, ‘Audience Experience in an Anti-expert Age’, Theatre Research International, 42.3 (2017), 307–22Google Scholar
Sedgwick, Eve Kosofsky, Touching Feeling: Affect, Pedagogy, Performativity (Durham, NC: Duke University Press, 2003)Google Scholar
Selleck, Nancy, The Interpersonal Idiom in Shakespeare, Donne, and Early Modern Culture (Houndsmill and New York: Palgrave, 2008)Google Scholar
Sharon-Zisser, Shirley, ed., Critical Essays on Shakespeare’s ‘A Lover’s Complaint’: Suffering Ecstasy (2006; London and New York: Routledge, 2017)Google Scholar
Sherman, Nancy, Aristotle’s Ethics: Critical Essays (Lanham, MD: Rowman & Littlefield, 1999)Google Scholar
Shortslef, Emily, ‘Acting as Epitaph: Performing Commemoration in the Shakespearean History Play’, Critical Survey, 22 (2010), 1124Google Scholar
Shuger, Debora K., Sacred Rhetoric: The Christian Grand Style in the English Renaissance (Princeton University Press, 1988)Google Scholar
Skinner, Quentin, Forensic Shakespeare (Oxford University Press, 2014)Google Scholar
Skinner, Quentin, Hobbes and Republican Liberty (Cambridge University Press, 2008)Google Scholar
Skinner, Quentin, From Humanism to Hobbes: Studies in Rhetoric and Politics (Cambridge University Press, 2017)Google Scholar
Skinner, Quentin, Liberty before Liberalism (Cambridge University Press, 1998)Google Scholar
Skinner, Quentin, ‘Moral Ambiguity and the Renaissance Art of Eloquence’, Essays in Criticism, 44 (1994), 271–2Google Scholar
Solomon, Robert, ‘The Philosophy of Emotions’ in Handbook of Emotions, eds. Lewis, Michael, Haviland-Jones, Jeannette M. and Barrett, Lisa Feldman (New York: Guilford Press, 2008), pp. 316Google Scholar
Spelman, Elizabeth, ‘Anger and Insubordination’ in Women, Knowledge, and Reality: Explorations in Feminist Philosophy, eds. Garry, Ann and Pearsall, Marilyn (Boston: Unwin Hyman, 1989), pp. 263–73Google Scholar
Stanislavsky, Konstantin, An Actor Prepares (London: Methuen, 1980)Google Scholar
Starobinski, Jean, ‘The Idea of Nostalgia’, trans. Kemp, William, Diogenes, 14 (1966), 81103Google Scholar
Steggle, Matthew, Laughing and Weeping in Early Modern Theatres (Aldershot: Ashgate, 2007)Google Scholar
Stegner, Paul D., ‘A Reconciled Maid: A Lover’s Complaint and Confessional Practices in Early Modern England’ in Critical Essays on Shakespeare’s ‘A Lover’s Complaint’: Suffering Ecstasy, ed. Sharon-Zisser, Shirley (2006; London and New York: Routledge, 2017), pp. 7990Google Scholar
Stone, Lawrence, The Crisis of the Aristocracy, 1558–1641 (Oxford: Clarendon Press, 1965)Google Scholar
Strick, Madelijn, and van Soolingen, Jantine, ‘Against the Odds: Human Values Arising in Unfavourable Circumstances Elicit the Feeling of Being Moved’, Cognition and Emotion, 32.8 (2017), 1231–46Google Scholar
Strier, Richard, ‘Happy Hamlet’ in Positive Emotions in Early Modern Literature and Culture, eds. Fox, Cora, Irish, Bradley J. and Miura, Cassie (Manchester University Press, forthcoming)Google Scholar
Strier, Richard, ‘Mind, Nature, Heterodoxy, and Iconoclasm in The Winter’s Tale’, Religion and Literature, 47.1 (2015), 3159Google Scholar
Strier, Richard, The Unrepentant Renaissance from Petrarch to Shakespeare to Milton (University of Chicago Press, 2011)Google Scholar
Strohm, Paul, ‘York’s Paper Crown: “Bare Life” and Shakespeare’s First Tragedy’, Journal of Medieval and Early Modern Studies, 36.1 (2006), 75101Google Scholar
Styrt, Philip Goldfarb, ‘“Continuall Factions”: Politics, Friendship, and History in Julius Caesar’, Shakespeare Quarterly, 66 (2015), 286307CrossRefGoogle Scholar
Sullivan, Erin, Beyond Melancholy: Sadness and Selfhood in Renaissance England (Oxford University Press, 2016)Google Scholar
Sullivan, Erin, ‘The Passions of Thomas Wright: Renaissance Emotion across Body and Soul’ in The Renaissance of Emotion: Understanding Affect in Shakespeare and His Contemporaries, eds. Meek, Richard and Sullivan, Erin (Manchester University Press, 2015), pp. 2544Google Scholar
Summers, David, The Judgment of Sense: Renaissance Naturalism and the Rise of Aesthetics (Cambridge University Press, 1987)Google Scholar
Tassi, Marguerite A., Women and Revenge in Shakespeare: Gender, Genre, and Ethics (Selinsgrove, PA: Susquehanna University Press, 2011)Google Scholar
Taylor, Charles, Sources of the Self: The Making of Modern Identity (Cambridge, MA: Harvard University Press, 1989)Google Scholar
Taylor, Gary, and Egan, Gabriel, eds., The New Oxford Shakespeare: Authorship Companion (Oxford University Press, 2017)Google Scholar
Thierry, Guillaume, Martin, Clara D., Gonzalez-Diaz, Victorina, Rezaie, Roozbeh, Roberts, Neil and Davis, Philip, ‘Event-related Potential Characterization of the Shakespearean Functional Shift in Narrative Sentence Structure’, NeuroImage, 40 (2008), 923–31Google Scholar
Thomas, Keith, The Ends of Life: Roads to Fulfilment in Early Modern England (Oxford University Press, 2009)Google Scholar
Thorne, Alison, ‘“Awake Remembrance of These Valiant Dead”: Henry V and the Politics of the English History Play’, Shakespeare Studies, 30 (2002), 162–87Google Scholar
Tillyard, E. M. W., Shakespeare’s History Plays (London: Chatto & Windus, 1944)Google Scholar
Tilmouth, Christopher, ‘Passion and Intersubjectivity in Early Modern Literature’ in Passions and Subjectivity in Early Modern Culture, eds. Cummings, Brian and Sierhuis, Freya (Abingdon: Ashgate, 2013), pp. 1332Google Scholar
Todd, John, and Dewhurst, Kenneth, ‘The Othello Syndrome: A Study in the Psychopathology of Sexual Jealousy’, The Journal of Nervous and Mental Disease, 122.4 (1955), 367–74Google Scholar
Todorov, Tzvetan, Imperfect Garden: The Legacy of Humanism (Princeton University Press, 2002)Google Scholar
Tokumitsu, Miya, ‘In the Name of Love’, Jacobin (1 December 2014) www.jacobinmag.com/2014/01/in-the-name-of-love/ [accessed 4 December 2019]Google Scholar
Traub, Valerie, ed., A Handbook of Shakespeare and Embodiment: Gender, Sexuality, Race (Oxford University Press, 2016)Google Scholar
Tribble, Evelyn, ‘Affective Contagion on the Early Modern Stage’, in Affect Theory and Early Modern Texts: Politics, Ecologies, and Form, eds. Bailey, Amanda and DiGangi, Mario (New York: Palgrave, 2017), pp. 195212Google Scholar
Tribble, Evelyn, Cognition in the Globe: Attention and Memory in Shakespeare’s Time (Basingstoke: Palgrave, 2011)Google Scholar
Tribble, Evelyn, and Sutton, John, ‘Cognitive Ecology as a Framework for Shakespearean Studies’, Shakespeare Studies, 39 (2011), 94103Google Scholar
Tribble, Evelyn, Early Modern Actors and Shakespeare’s Theatre: Thinking with the Body (London: Bloomsbury, 2017)Google Scholar
Trigg, Stephanie, ‘Affect Theory’ in Early Modern Emotions: An Introduction, ed. Broomhall, Susan (London and New York: Routledge, 2017), pp. 1013.Google Scholar
Trivedi, Poonam, ‘Afterword: Shakespeare and Bollywood’ in Bollywood Shakespeares, eds. Dionne, Craig and Kapadia, Parmita (Houndmills: Palgrave, 2014), pp. 193–7Google Scholar
Trivedi, Poonam, ‘“Filmi” Shakespeare’, Literature/Film Quarterly, 35.2 (2007), 148–58Google Scholar
Turner, Lyndsey, (dir.), Hamlet, shooting script, National Theatre archives, RNT/D/2/27 (2015)Google Scholar
Vanita, Ruth, ‘“Proper” Men and “Fallen” Women: The Unprotectedness of Wives in Othello, Studies in English Literature 1500–1900, 34.2 (1994), 331–56Google Scholar
Vasudevan, Ravi S., ‘The Politics of Cultural Address in a “Transitional” Cinema: A Case Study of Indian Popular Cinema’ in Reinventing Film Studies, eds. Gledhill, Christine and Williams, Linda (London: Arnold, 2000), pp. 130–64Google Scholar
Vaught, Jennifer, ‘Masculinity and Affect in Shakespeare’s Winter’s Tale’, 1650–1850, 10 (2004), 305–25Google Scholar
Vickers, Brian, Counterfeiting Shakespeare: Evidence, Authorship and John Ford’s Funerall Elegye (Cambridge University Press, 2002)Google Scholar
Vickers, Brian, Shakespeare Co-author: A Historical Study of Five Collaborative Plays (Oxford University Press, 2002)Google Scholar
Vickers, Brian, ed., Shakespeare: The Critical Heritage, 6 vols. (London: Routledge & Kegan Paul, 1974–81)Google Scholar
Virno, Paolo, and Hardt, Michael, eds., Radical Thought in Italy: A Potential Politics (University of Minnesota Press, 1996)Google Scholar
Virno, Paolo, ‘Virtuosity and Revolution: The Political Theory of Exodus’, trans. Emery, Ed, in Radical Thought in Italy: A Potential Politics, eds. Virno, Paolo and Hardt, Michael (University of Minnesota Press, 1996), pp. 189210Google Scholar
Vitkus, Daniel J., ‘Turning Turk in Othello: The Conversion and Damnation of the Moor’, Shakespeare Quarterly, 48 (1997), 145–76Google Scholar
Walsh, Brian, ‘“Unkind division”: The Double Absence of Performing History in 1 Henry VI’, Shakespeare Quarterly, 55 (2004), 119–47CrossRefGoogle Scholar
Walsham, Alexandra, Charitable Hatred: Tolerance and Intolerance in England 1500–1700 (Manchester University Press, 2006)Google Scholar
Weeks, Kathi, ‘Life Within and Against Work: Affective Labor, Feminist Critique, and Post-Fordist Politics’, Ephemera, 7.1 (2007), 233–49Google Scholar
Weimann, Robert, Shakespeare and the Popular Tradition in the Theater (Baltimore: Johns Hopkins University Press, 1978)Google Scholar
Weiss, Jason, ‘An Interview with Cioran’, Grand Street, 5.3 (1986), 105–40Google Scholar
Wells, Stanley, ‘The Challenges of Romeo and Juliet’, Shakespeare Survey, 49 (1996), 114Google Scholar
West, Louis Jolyon, ‘The Othello Syndrome’, Contemporary Psychoanalysis, 4.2 (1968), 103–10Google Scholar
White, R. S., and Rawnsley, Ciara, ‘Discrepant Emotional Awareness in Shakespeare’ in The Renaissance of Emotion: Understanding Affect in Shakespeare and His Contemporaries, eds. Meek, Richard and Sullivan, Erin (Manchester University Press, 2015), pp. 241–63Google Scholar
White, R. S., Let Wonder Seem Familiar: Endings in Shakespeare’s Romance Vision (London: Athlone Press, 1985)Google Scholar
White, R. S., ‘Prologue to the Omen Coming On’ in Hamlet and Emotions, eds. Megna, Paul, Phillips, Bríd and White, R. S. (Houndmills: Palgrave, 2019), pp. viiixxvGoogle Scholar
White, R. S., Houlahan, Mark and O’Loughlin, Katrina, eds., Shakespeare and Emotions (Basingstoke: Palgrave, 2015)Google Scholar
White, Robert A., ‘Shamefastnesse as “Verecundia” and as “Pudicitia” in The Faerie Queene’, Studies in Philology, 78.4 (1981), 391408Google Scholar
Whitney, Shiloh, ‘Byproductive Labor: A Feminist Theory of Affective Labor Beyond the Productive-Reproductive Distinction’, Philosophy and Social Criticism, 44.6 (2017), 637–60Google Scholar
Willett, John, ed., The Theatre of Bertolt Brecht (London: Methuen 1959)Google Scholar
Williams, Bernard, Shame and Necessity, Sather Classical Lectures (1993; London: University of California Press, 2008)Google Scholar
Wills, Garry, Inventing America: Jefferson’s Declaration of Independence (Garden City, NY: Doubleday, 1978Google Scholar
Wilson, Margaret D., ‘Confused Ideas’, Rice University Studies, 63 (1977), 123–37Google Scholar
Wilson, Mary Floyd, Occult Knowledge, Science, and Gender on the Shakespearean Stage (Cambridge University Press, 2013)Google Scholar
Wilson, Richard, ed., Julius Caesar: Contemporary Critical Essays (Houndsmill: Palgrave, 2002)Google Scholar
Wilson, Rob, ‘Othello: Jealousy as Mimetic Contagion’, American Imago, 44 (1987), 213–33Google Scholar
Woods, Penelope, ‘Globe Audiences: Spectatorship and Reconstruction at Shakespeareʼs Globe’, unpublished thesis, Queen Mary University of London, https://qmro.qmul.ac.uk/xmlui/handle/123456789/8299 [accessed 4 December 2019]Google Scholar
Woods, Penelope, ‘The Play of Looks: Audience and the Force of the Early Modern Face’ in Shakespeare and the Power of the Face, ed. Knapp, James A. (Burlington, VT and Farnham: Ashgate, 2015), pp. 127–50Google Scholar
Woods, Penelope, ‘Skilful Spectatorship? Doing (or Being) Audience at Shakespeare’s Globe Theatre’, Shakespeare Studies, 43 (2015), 99113Google Scholar
Wright, George T., Shakespeare’s Metrical Art (University of California, 1988)Google Scholar
Yachnin, Paul, and Slights, Jessica, eds., Shakespeare and Character: Theory, History, Performance, and Theatrical Persons (Basingstoke: Palgrave, 2009)Google Scholar
Young, R. V., ‘Ben Jonson and Learning’ in The Cambridge Companion to Ben Jonson, eds. Harp, Richard and Stewart, Stanley (Cambridge University Press, 2000), pp. 4357Google Scholar
Zahavi, Dan, Self and Other: Exploring Subjectivity, Empathy, and Shame (Oxford University Press, 2015)Google Scholar
Zankar, Anil, ‘Shakespeare, Cinema and Indian Poetics’ in Shakespeare and Indian Cinemas: ‘Local Habitations’, eds. Trivedi, Poonam and Chakravarti, Paromita (London: Routledge, 2018), pp. 127–39Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Edited by Katharine A. Craik, Oxford Brookes University
  • Book: Shakespeare and Emotion
  • Online publication: 01 October 2020
  • Chapter DOI: https://doi.org/10.1017/9781108235952.027
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Edited by Katharine A. Craik, Oxford Brookes University
  • Book: Shakespeare and Emotion
  • Online publication: 01 October 2020
  • Chapter DOI: https://doi.org/10.1017/9781108235952.027
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Edited by Katharine A. Craik, Oxford Brookes University
  • Book: Shakespeare and Emotion
  • Online publication: 01 October 2020
  • Chapter DOI: https://doi.org/10.1017/9781108235952.027
Available formats
×