Book contents
- Frontmatter
- Contents
- List of plates
- Preface
- Acknowledgements
- List of abbreviations
- 1 The compositional history of the Fantasie
- 2 ‘What's in a name?’ Genre and title in the Fantasie
- 3 Allusion and quotation in the Fantasie
- 4 Form in the first movement
- 5 Schlegel's leiser Ton and thematic unity in the Fantasie
- 6 Form in the second and third movements
- 7 The subsequent history of the Fantasie
- Notes
- Bibliography
- Index
- Plate section
- Frontmatter
- Contents
- List of plates
- Preface
- Acknowledgements
- List of abbreviations
- 1 The compositional history of the Fantasie
- 2 ‘What's in a name?’ Genre and title in the Fantasie
- 3 Allusion and quotation in the Fantasie
- 4 Form in the first movement
- 5 Schlegel's leiser Ton and thematic unity in the Fantasie
- 6 Form in the second and third movements
- 7 The subsequent history of the Fantasie
- Notes
- Bibliography
- Index
- Plate section
Summary
![Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'](https://static.cambridge.org/content/id/urn%3Acambridge.org%3Aid%3Abook%3A9780511620140/resource/name/firstPage-9780511620140not_p99-107_CBO.jpg)
- Type
- Chapter
- Information
- Schumann: Fantasie, Op. 17 , pp. 99 - 107Publisher: Cambridge University PressPrint publication year: 1992