Book contents
- Frontmatter
- Contents
- List of contributors
- Editor's acknowledgments
- List of abbreviations
- 1 Schopenhauer's metaphysics of appearance and Will in the philosophy of art
- PART I The work of art: Schopenhauer on the nature of artistic creation
- PART II The experience of beauty: Schopenhauer's theory of aesthetic encounter
- PART III Schopenhauer's enduring influence on the arts: idealism and romanticism
- Bibliography of selected sources on Schopenhauer's aesthetics
- Index
PART I - The work of art: Schopenhauer on the nature of artistic creation
Published online by Cambridge University Press: 05 May 2010
- Frontmatter
- Contents
- List of contributors
- Editor's acknowledgments
- List of abbreviations
- 1 Schopenhauer's metaphysics of appearance and Will in the philosophy of art
- PART I The work of art: Schopenhauer on the nature of artistic creation
- PART II The experience of beauty: Schopenhauer's theory of aesthetic encounter
- PART III Schopenhauer's enduring influence on the arts: idealism and romanticism
- Bibliography of selected sources on Schopenhauer's aesthetics
- Index
Summary
The origin of the fundamental idea for a work of art has been very appropriately called its conception; for it is the most essential thing just as is procreation to the origin of man; and like this it requires not exactly time, but rather mood and opportunity.
Schopenhauer, “On the Metaphysics of the Beautiful” Parerga and Paralipomena- Type
- Chapter
- Information
- Schopenhauer, Philosophy and the Arts , pp. 37 - 38Publisher: Cambridge University PressPrint publication year: 1996