The School of Musical Composition, Practical and Theoretical With Additional Notes and a Special Preface for the English Edition
Book contents
- Frontmatter
- THE TRANSLATOR'S PREFACE
- Preface
- FROM THE PREFACE TO THE FIRST EDITION
- PREFACE TO THE FOURTH EDITION
- Contents
- INTRODUCTION
- BOOK THE FIRST
- BOOK THE SECOND
- APPENDIX
- PREFACE
- A Further development of natural harmony
- B Methodical explanation of the foundations of harmony
- C Covered sequences of fifths and octaves
- D The third in the chord of the dominant seventh and the dominant triad
- E On pianoforte-playing
- F On the construction of the normal minor scale
- G The method of acquiring a knowledge of the chords
- H Further observations on false relations
- I System of the doctrine of chords
- K The theory of concords and discords
- L Farther development of the subject treated in B and C
- M The harmonic and melodic principle
- N The doctrine of leading sounds
- O Thorough-bass
- P Parallelism in the motivo of the parts
- Q Further observations on suspension
- R The importance of melody (supplement to M.)
- S On the singable character of the parts
- T The chorale considered from a higher point of view
- U The harmonization of chorales as a trial of skill
- Musical Appendix
- General Index
- ERRATA
O - Thorough-bass
Published online by Cambridge University Press: 05 October 2014
Translated by
Book contents
- Frontmatter
- THE TRANSLATOR'S PREFACE
- Preface
- FROM THE PREFACE TO THE FIRST EDITION
- PREFACE TO THE FOURTH EDITION
- Contents
- INTRODUCTION
- BOOK THE FIRST
- BOOK THE SECOND
- APPENDIX
- PREFACE
- A Further development of natural harmony
- B Methodical explanation of the foundations of harmony
- C Covered sequences of fifths and octaves
- D The third in the chord of the dominant seventh and the dominant triad
- E On pianoforte-playing
- F On the construction of the normal minor scale
- G The method of acquiring a knowledge of the chords
- H Further observations on false relations
- I System of the doctrine of chords
- K The theory of concords and discords
- L Farther development of the subject treated in B and C
- M The harmonic and melodic principle
- N The doctrine of leading sounds
- O Thorough-bass
- P Parallelism in the motivo of the parts
- Q Further observations on suspension
- R The importance of melody (supplement to M.)
- S On the singable character of the parts
- T The chorale considered from a higher point of view
- U The harmonization of chorales as a trial of skill
- Musical Appendix
- General Index
- ERRATA
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- The School of Musical Composition, Practical and TheoreticalWith Additional Notes and a Special Preface for the English Edition, pp. 462 - 466Publisher: Cambridge University PressPrint publication year: 2014