Book contents
- Frontmatter
- Contents
- List of music examples and figures
- Acknowledgements
- Introduction
- 1 A passing of worlds: Gurrelieder as Schoenberg's reluctant farewell to the nineteenth century
- 2 Dialectical opposition in Schoenberg's music and thought
- 3 Dramatic conflict in Pelleas und Melisande
- 4 Motive and memory in Schoenberg's First String Quartet
- 5 Uncanny expressions of time in the music of Arnold Schoenberg
- 6 The tone row as the source of dramatic conflict in Moses und Aron
- 7 The String Trio: metaleptic Schoenberg
- Notes
- Bibliography
- General index – names and topics
- Index of Schoenberg's works and writings
General index – names and topics
Published online by Cambridge University Press: 22 September 2009
- Frontmatter
- Contents
- List of music examples and figures
- Acknowledgements
- Introduction
- 1 A passing of worlds: Gurrelieder as Schoenberg's reluctant farewell to the nineteenth century
- 2 Dialectical opposition in Schoenberg's music and thought
- 3 Dramatic conflict in Pelleas und Melisande
- 4 Motive and memory in Schoenberg's First String Quartet
- 5 Uncanny expressions of time in the music of Arnold Schoenberg
- 6 The tone row as the source of dramatic conflict in Moses und Aron
- 7 The String Trio: metaleptic Schoenberg
- Notes
- Bibliography
- General index – names and topics
- Index of Schoenberg's works and writings
Summary
- Type
- Chapter
- Information
- Schoenberg's Musical Imagination , pp. 390 - 395Publisher: Cambridge University PressPrint publication year: 2007