Book contents
- Sappho and Homer
- Sappho and Homer
- Copyright page
- Dedication
- Contents
- Acknowledgments
- A Note on Texts and Abbreviations
- Introduction
- Part I Reparative Reading
- Part II Sappho and Homer
- Chapter 3 Plaiting and Poikilia
- Chapter 4 Aphrodite and the Poetics of Shame
- Chapter 5 In the Bardo with Tithonos
- Chapter 6 Sappho fr. 44V, or Andromache’s “No Future” Wedding Song
- Chapter 7 Sappho’s Third Alternative
- Chapter 8 Sapphic Remembering, Lyric Kleos
- Epilogue
- Appendix On the Absence of the Newest Sappho Fragments from this Book
- Works Cited
- Index Locorum
- Subject Index
Chapter 6 - Sappho fr. 44V, or Andromache’s “No Future” Wedding Song
from Part II - Sappho and Homer
Published online by Cambridge University Press: 07 December 2023
- Sappho and Homer
- Sappho and Homer
- Copyright page
- Dedication
- Contents
- Acknowledgments
- A Note on Texts and Abbreviations
- Introduction
- Part I Reparative Reading
- Part II Sappho and Homer
- Chapter 3 Plaiting and Poikilia
- Chapter 4 Aphrodite and the Poetics of Shame
- Chapter 5 In the Bardo with Tithonos
- Chapter 6 Sappho fr. 44V, or Andromache’s “No Future” Wedding Song
- Chapter 7 Sappho’s Third Alternative
- Chapter 8 Sapphic Remembering, Lyric Kleos
- Epilogue
- Appendix On the Absence of the Newest Sappho Fragments from this Book
- Works Cited
- Index Locorum
- Subject Index
Summary
This chapter brings Sappho fr. 44V into dialogue with queer theorist Lee Edelman’s notion of reproductive futurism. As part of its represention of the wedding entourage of Andromache and Hector, Sappho fr. 44V invites us to reconsider the value of “undying fame” (aphthiton kleos) when this eminently heroic commodity is imported from martial epic into a poetic space where love, desire, and marriage overshadow military pursuits. It is argued that Sappho fr. 44V is a wedding song being queered at the very moment of its performance. It is not just not a real wedding song, and therefore a fictional wedding song – which is where those who have rejected the epithalamium hypothesis have tended to leave it. Rather, Sappho fr. 44V is a “wedding song” inverted, turned inside out.
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- Information
- Sappho and HomerA Reparative Reading, pp. 132 - 153Publisher: Cambridge University PressPrint publication year: 2023