The seventh chapter studies how Blake’s poem Milton (c.1804) reconceives key aspects of epic tradition as it refigures missionary work as a metaphor for promoting freedom from the limitations of imperial discourse. Showing how literal missionary work can assist empire by holding people in states of subjection, Blake more abstractly repudiates the limitations that Equiano addresses concretely. I argue that Blake locates in the tensions between missionary work and empire the resources to oppose imperialism. While some of Blake’s rhetoric resembles that of actual missionaries and imperialists of his day, I suggest that Blake works from within such orthodox discourses to undermine them. The unresolved contradictions in Blake’s Milton – both in his use of the epic genre and in his appeals to religious and imperial rhetoric – heighten the challenge that he poses to the stable circumscriptions of imperial discourse.