Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-mkpzs Total loading time: 0 Render date: 2024-12-22T21:56:11.620Z Has data issue: false hasContentIssue false

Select Bibliography

Published online by Cambridge University Press:  13 March 2019

Owen Rees
Owen Rees
Affiliation:
University of Oxford
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
The Requiem of Tomás Luis de Victoria (1603) , pp. 241 - 252
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Ángeles, Juan de los, Sermon que en las honras de la catolica ceserea magestad de la emperatriz nuestra señora predicó el padre fray Iuan de los Angeles … en 17 de março de 1603 (Madrid: Juan de la Cuesta, 1604)Google Scholar
Carrillo, Juan, Relación histórica de la real fundación del monasterio de las descalzas de santa Clara de la villa de Madrid (Madrid: Luis Sánchez, 1616)Google Scholar
Cervantes de Salazar, Francisco, Túmulo imperial dela gran ciudad de Mexico (Mexico City: Antonio de Espinosa, 1560)Google Scholar
Céspedes, Baltasar de, Relacion de las honras que hizo la universidad de Salamanca a la magestad de la reyna doña Margarita de Austria (Salamanca: Francisco de Cea Tesa, 1611)Google Scholar
de la Vera, Martín, Ordinario y ceremonial según las costumbres y rito de la orden de nuestro padre san Geronymo (Madrid: Imprenta Real, 1636)Google Scholar
Enriquez, Alonso, Las honras que celebró en la muerte del muy alto, y religioso monarca rey don Felipe tercero la muy noble ciudad de Murcia (n.p., 1622)Google Scholar
Fernandez de Cordova, Geronimo, Relacion de las funerales exequias que la nacion española hizo en Roma a la majestad del rey n(uestro) s(eñor) d(on) Philippo III de Austria, el piadoso (Rome: Giacomo Mascardo, 1622)Google Scholar
Gómez de Mora, Juan, Relación de las honras funerales que se hizieron por la reyna doña Margarita de Austria nuestra señora, en esta villa de Madrid por su magestad del rey don Felipe nuestro señor (Madrid, n.d.)Google Scholar
Guzmán, Diego de, Reina catolica: vida y muerte de d(oña) Margarita de Austria (Madrid: Luis Sánchez, 1617)Google Scholar
Iñiguez de Lequerica, Juan, Sermones funerales, en las honras del rey nuestro señor don Felipe II (Madrid: heirs of Juan Iñiguez de Lequerica, 1601)Google Scholar
León, Martín de, Relacion de las exequias q(ue) el ex(celentisi)mo s(eño)r d(on) Iuan de Mendoça y Luna Marques de Montesclaros, Virrey del Piru hizo en la muerte de la reina nuestra s(eñora) doña Margarita (Lima: Pedro de Marchán y Calderón, 1612)Google Scholar
Libro de las honras que hizo el colegio de la compañia de Iesus de Madrid, à la m(agestad) c(æsarea) de la emperatriz doña Maria de Austria, fundadora del dicho colegio, que se celebraron a 21. de abril de 1603 (Madrid: Luis Sánchez, 1603)Google Scholar
López de Hoyos, Juan, Hystoria y relación verdadera de la enfermedad felicíssimo tránsito, y sumptuosas exequias funebres de la serenissima reyna de España doña Isabel de Valoys nuestra señora (Madrid: Pierres Cosin, 1569)Google Scholar
López de Hoyos, Juan, Relacion de la muerte y honras funebres del s(ereni)s(simo) principe D. Carlos, hijo de la mag(estad) del catholico rey d(on) Philippe el segundo nuestro señor (Madrid: Pierres Cosin, 1568)Google Scholar
Manrique, Ángel, Exequias, túmulo y pompa funeral que la universidad de Salamanca hizo en las honras del rey … Felipe III (Salamanca: Antonio Vásquez, 1621)Google Scholar
Méndez Silva, Rodrigo, Admirable vida, y heroycas virtudes de aquel glorioso blasón de España … la esclarecida emperatriz María (Madrid: Diego Díaz de la Carrera, 1655)Google Scholar
Palma, Juan de, Vida de la serenissima infanta sor Margarita de la cruz, religiosa descalça de s(anta) Clara (Madrid: Imprenta Real, 1636)Google Scholar
Pompa funeral honras y exequias en la muerte de la muy alta y católica señora doña Isabel de Borbon (Madrid: Diego Díaz de la Carrera, 1645)Google Scholar
Primeira parte do index da livraria de musica do muyto alto e poderoso rey dom Ioão o IV nosso senhor (Lisbon: Paulo Craesbeeck, 1649)Google Scholar
Relacion de las honras que se hizieron en la ciudad de Cordova, à la muerte de la serenissima reyna señora, doña Margarita de Austria (Córdoba: widow of Andres Barrera, 1612)Google Scholar
Relatione del solenne mortorio fatto nell morte del cattolico Filippo II re di Spagna (Rome: Bartholomeo Bonfadino, 1598)Google Scholar
Ribera Florez, Dionisio de, Relacion historiada de las exequias funerales de la magestad del rey d(on) Philippo II nuestro senor (Mexico City: Pedro Balli, 1600)Google Scholar
Roales, Francisco, Exequias del serenissimo principe Emanuel Filiberto (Madrid: Juan Gonzales, 1626)Google Scholar
Rodríguez de Monforte, Pedro, Descripcion de la honras que se hicieron a la catholica mag(esta)d de d(on) Phelippe quarto rey delas Españas y del nuevo mundo (Madrid: Francisco Nieto, 1666)Google Scholar
Sariñana, Isidro, Llanto del occidente en el ocaso del mas claro sol de las Españas, funebres demonstraciones, que hizo, pyra real, que erigio en las exequias del rey n(uestro) señor d(on) Felipe IIII (Mexico City: widow of Bernardo Calderon, 1666)Google Scholar
Valcaçar, Ivan de, Relacion de las exequias que se celebraron en Napoles, en la muerte de la serenissima reyna Margarita señora nuestra (Naples: Tarquinio Longo, 1612)Google Scholar
Victoria, Thome Luis de, Thomæ Ludovici de Victoria abulensis, sacræ cæsarææ maiestatis capellani, officium defunctorum, sex vocibus, in obitu et obsequiis sacræ imperatricis (Madrid: Juan Flamenco, 1605)Google Scholar

Secondary Sources

Abreu y Bertodano, Joseph Antonio de, Coleccion de tratados de paz, alianza, neutralidad, garantia, proteccion (Madrid: Diego Peralta, Antonio Marin, Juan de Zuñiga, 1740–1752)Google Scholar
Agee, Richard, The Gardano Music Printing Firms, 1569–1611 (University of Rochester Press, 1998)Google Scholar
Allo, Manero, María, Adelaida, ‘Exequias de la Casa de Austria en España, Italia e Hispanoamérica’, unpublished PhD thesis, University of Zaragoza (1993)Google Scholar
Alvarenga, João Pedro d’, ‘Two Polyphonic Settings of the Mass for the Dead from Late Sixteenth-Century Portugal: Bridging Pre- and Post-Tridentine Traditions’, Acta Musicologica 88 (2016), 5–33Google Scholar
Anglès, Higini, ‘Latin Church Music on the Continent – 3: Spain and Portugal’, in Abraham, Gerald (ed.), The New Oxford History of Music, 10 vols (Oxford University Press, 1954–1990), IV, 372–418, at 400Google Scholar
Arbury, Andrew, ‘Spanish Catafalques of the Sixteenth and Seventeenth Centuries’, unpublished PhD thesis, Rutgers University (1992)Google Scholar
Arroyas Serrano, Magín, and Martínez Molés, Vicente, ‘La primera transcripción moderna del Oficio de difuntos de Victoria: el manuscrito del maestro José Perpiñán’, Revista de Musicología 35/1 (2012), 473–89Google Scholar
Baade, Colleen Ruth, ‘Music and Music-Making in Female Monasteries in Seventeenth-Century Castile’, unpublished PhD thesis, Duke University (2001)Google Scholar
Barnett, Gregory, ‘Tonal Organization in Seventeenth-Century Music Theory’, in Christensen, Thomas (ed.), The Cambridge History of Western Music Theory (Cambridge University Press, 2008), 407–55Google Scholar
Bernstein, Jane, ‘Made to Order: Choirbook Publications in Cinquecento Rome’, in Jennifer Bloxam, M., Filocamo, Gioia, and Holford-Strevens, Leofranc (eds), Uno gentile et subtile ingenio: Studies in Renaissance Music in Honour of Bonnie J. Blackburn (Turnhout: Brepols, 2009), 669–76Google Scholar
Bernstein, Jane, Music Printing in Renaissance Venice: The Scotto Press (1539–1572) (Oxford University Press, 1998)Google Scholar
Bianconi, Lorenzo, Music in the Seventeenth Century, translated by David Bryant (Cambridge University Press, 1982)Google Scholar
Burney, Charles, A General History of Music: From the Earliest Ages to the Present Period, 4 vols (London: for the author, 1776–89)Google Scholar
Butt, John, ‘The Seventeenth-Century Musical “Work”’, in Carter, Tim and Butt, John (eds), The Cambridge History of Seventeenth-Century Music (Cambridge University Press, 2005), 27–54Google Scholar
Cabrera de Córdoba, Luis, Relaciones de las cosas sucedidas el la corte de España, desde 1599 hasta 1614 (Valladolid: Junta de Castilla y León, Consejería de Educación y Cultura, 1997)Google Scholar
Checa Cremades, Fernando, ‘Monasterio de las Descalzas Reales: origenes de su colección artística’, Reales Sitios 102/4 (1989), 21–30Google Scholar
Chemotti, Antonio, ‘Motets and Liturgy for the Dead in Italy: Text Typologies and Contexts of Performance’, in Rodríguez-Garcia, Esperanza and Filippi, Daniele V. (eds), Mapping the Motet in the post-Tridentine Era (London: Routledge, 2018), 57–84Google Scholar
Chemotti, Antonio, ‘Polyphonic Music pro mortuis in Italy (1550–1650): Context and Intertext’, unpublished PhD thesis, Ludwig-Maximilians-Universität, Munich (2017)Google Scholar
Cœurdevey, Annie, ‘Édition et interprétation: les choix scientifiques et esthétiques du chanoine Proske’, in Vendrix, Philippe (ed.), La Renaissance et sa musique au XIXe siècle, Épitome musical (Paris: Klincksieck, 2000), 133–54Google Scholar
Collet, Henri, Le mysticisme musical espagnol au XVIe siècle (Paris: Félix Alcan, 1913)Google Scholar
Collet, Henri, Victoria (Paris: Félix Alcan, 1914)Google Scholar
Cramer, Eugene Casjen, Studies in the Music of Tomás Luis de Victoria (Aldershot: Ashgate, 2001)Google Scholar
Cusick, Suzanne, Valerio Dorico: Music Printer in Sixteenth-Century Rome (Ann Arbor, MI: UMI Research Press, 1981)Google Scholar
Dadson, Trevor, ‘Music Books and Instruments in Spanish Golden-Age Inventories: The Case of Don Juan de Borja (1607)’, in Fenlon, Iain and Knighton, Tess (eds), Early Music Printing and Publishing in the Iberian World (Kassell: Edition Reichenberger, 2007), 95–116Google Scholar
Dadson, Trevor, Diario de Hans Khevenhüller, embajador imperial en la corte de Felipe II, ed. Arroyo, Félix Labrador, with introduction by Veronelli, Sara (Madrid: Sociedad estatal para la conmemoración de los centenarios de Felipe II y Carlos V, 2001)Google Scholar
Dittrich, Raymond, ‘Dokumentation zum zweiten Jahrgang und zur zweiten auflage des Messenbandes aus dem ersten Jahrgang der Musica Divina’, Musik in Bayern 56 (1998), 55–78Google Scholar
Eire, Carlos M. N., From Madrid to Purgatory: The Art and Craft of Dying in Sixteenth-Century Spain (Cambridge University Press, 1995)Google Scholar
Ellis, Katharine, Interpreting the Musical Past: Early Music in Nineteenth-Century France (Oxford University Press, 2005)Google Scholar
Ellis, Katharine, ‘Palestrina et la musique dite “palestrinienne” en France au XIXe siècle: questions d’exécution et de réception’, in Vendrix, Philippe (ed.), La Renaissance et sa musique au XIXe siècle, Épitome musical (Paris: Klincksieck, 2000), 155–190Google Scholar
Escrivà Llorca, Ferran, ‘Eruditio, pietas et honor: Joan de Borja i la música del seu temps (1533–1606)’, unpublished PhD thesis, Universitat Politècnica de València (2015)Google Scholar
Escrivà Llorca, Ferran, ‘La vida en las Descalzas Reales a través de los epistolarios de Juan de Borja (1584–1604)’, in Suáres-Pajares, Javier and del Sol, Manuel (eds), Estudios. Tomás Luis de Victoria. Studies, Colección Música hispana, textos, estudios 18 (Madrid: Instituto Complutense de Ciencias Musicales, 2013), 437–52Google Scholar
Filippi, Daniele V., ‘Carlo Borromeo and Tomás Luis de Victoria: A Gift, Two Letters and a Recruiting Campaign’, Early Music 43 (2015), 37–51Google Scholar
Filippi, Daniele V., Tomás Luis de Victoria (Palermo: L’Epos, 2008)Google Scholar
Fischer, Klaus, ‘Unbekannte Kompositionen Victorias in der Biblioteca Nazionale in Rom’, Archiv für Musikwissenschaft 32/2 (1975), 124–38Google Scholar
Flint, Catrena, ‘The Schola Cantorum, Early Music and French Political Culture, from 1894 to 1914’, unpublished PhD thesis, McGill University (2006)Google Scholar
Fuhrmann, Wolfgang, ‘Pierre de la Rues Trauermotetten und die Quis dabit-Tradition’, in Gasch, Stefan and Lodes, Birgit (eds), Tod in Musik und Kultur. Zum 500. Todestag Philipps des Schönen, Wiener Forum fur ältere Musikgeschichte 2 (Tutzing; Hans Schneider Verlag, 2007), 189–244Google Scholar
García López, Consuelo, Archivo del Monasterio de las Descalzas Reales de Madrid, 2 vols (Madrid: Patrimonio Nacional, 2003)Google Scholar
Gómez, Maria Carmen, ‘Precisiones en torno a la vida y obra de Matheo Felcha el joven’, Revista de Musicología 9 (1986), 41–56CrossRefGoogle Scholar
Guillo, Laurent, Pierre I Ballard et Robert III Ballard: Imprimeurs du roy pour la musique (1599–1673), 2 vols (Sprimont: Mardaga, 2003)Google Scholar
Haberl, Franz Xaver, ‘Tomas Luis de Victoria: eine bio-bibliographische Studie’, Kirchenmusikalisches Jahrbuch 11 (1896), 72–84Google Scholar
Haggh-Huglo, Barbara, ‘Singing for the Most Noble Souls: Funerals and Memorials for the Burgundian and Habsburg Dynasties in Dijon and Brussels as Models for the Funeral of Philip the Fair in 1507’, in Gasch, Stefan and Lodes, Birgit (eds), Tod in Musik und Kultur. Zum 500. Todestag Philipps des Schönen, Wiener Forum fur ältere Musikgeschichte 2 (Tutzing: Hans Schneider Verlag, 2007), 57–85Google Scholar
Hathaway, Janet, ‘Spirituality and Devotional Music in the Royal Convent of the Descalzas, Madrid’, Journal of Musicological Research 30 (2011), 202–26Google Scholar
Hawkins, John, A General History of the Science and Practice of Music, 5 vols (London: Payne & Son, 1776)Google Scholar
Hernández Castelló, Esteban, ‘Il manoscritto musicale 130 della Biblioteca Nazionale Vittorio Emanuele II di Roma’, Revista de Musicología 29/1 (2006), 326–31Google Scholar
Hernández, Ying, Orlando, Amado, ‘Angels in the Americas: Paintings of Apocryphal Angels in Spain and its American Viceroyalties’, unpublished PhD thesis, The City University of New York (2009)Google Scholar
Hoyer, Johannes, Der Priestermusiker und Kirchenmusikreformer Franz Xaver Haberl (1840–1910) und sein Weg zur Musikwissenschaft (Regensburg: Verlag des Vereins für Regensburger Bistumsgeschichte, 2005)Google Scholar
Huff, Kelly, ‘Demystifying the Life and Madrid Works of Tomás Luis de Victoria’, unpublished PhD thesis, University of Kansas (2015)Google Scholar
Janz, Bernhard, ‘Das editorische Werk Carl Proskes und die Anfänge der Kirchenmusikalischen Reformbewegung’, in Kirsch, Winfried (ed.), Palestrina und die Idee der klassischen Vokalpolyphonie im 19. Jahrhundert: Zur Geschichte eines Kirchenmusikalischen Stilideals (Regensburg: Gustav Bosse, 1989), 149–69Google Scholar
Johnstone, Andrew, ‘“High” Clefs in Composition and Performance’, Early Music 34 (2006), 29–54Google Scholar
Jordan, Annemarie, ‘Las dos águilas del Emperador Carlos V. Las colleciones y el mecenazgo de Juana y María de Austria en la corte de Felipe II’, in Ribot García, Luis A. (ed.), La monarquía de Felipe II a debate (Madrid: Sociedad estatal para la conmemoración de los centenarios de Felipe II y Carlos V, 2000), 429–72Google Scholar
Judd, Cristle Collins, ‘Modal Types and Ut, Re, Mi Tonalities: Tonal Coherence in Sacred Vocal Polyphony from around 1500’, Journal of the American Musicological Society 45 (1994), 428–67Google Scholar
Khevenhüller, Hans, Geheimes Tagebuch, 1548–1605, ed. Khevenhüller-Metsch, Georg (Graz: Akademische Druck- und Verlagsanstalt, 1971)Google Scholar
Kirk, Douglas, ‘A Tale of Two Queens, Their Music Books, and the Village of Lerma’, in Knighton, Tess and Nelson, Bernadette (eds), Pure Gold: Golden Age Sacred Music in the Iberian World. A Homage to Bruno Turner, DeMusica 15 (Kassel: Edition Reichenberger, 2011), 79–92Google Scholar
Kirk, Douglas, ‘Churching the Shawms in Renaissance Spain: Lerma, Archivo de San Pedro Ms Mus. 1’, unpublished PhD thesis, McGill University (1993)Google Scholar
Kirkman, Andrew, The Cultural Life of the Early Polyphonic Mass: Medieval Context to Modern Revival (Cambridge University Press, 2010)Google Scholar
Knighton, Tess, ‘Music for the Dead: An Early Sixteenth-Century Anonymous Requiem Mass’, in Knighton, Tess and Nelson, Bernadette (eds), Pure Gold: Golden Age Sacred Music in the Iberian World. A Homage to Bruno Turner, DeMusica 15 (Kassel: Edition Reichenberger, 2011), 262–88Google Scholar
Knighton, Tess, ‘Preliminary Thoughts on the Dynamics of Music Printing in the Iberian Peninsula during the Sixteenth Century’, Bulletin of Spanish Studies 89 (2012), 521–56Google Scholar
Knighton, Tess, ‘“Through a Glass Darkly”: Music and Mysticism in Golden Age Spain’, in Kallendorf, Hilaire (ed.), A New Companion to Hispanic Mysticism (Leiden and Boston: Brill, 2010), 411–36Google Scholar
León Pinelo, Antonio de, Anales de Madrid desde el año 447 al de 1658, ed. Martín, Pedro Fernández (Madrid: Instituto de Estudios Madrileños, 1971)Google Scholar
Lewis, Mary, Antonio Gardano, Venetian Music Printer, 1538–1569: A Descriptive Bibliography and Historical Study, 2 vols (New York and London: Garland, 1988, 1997)Google Scholar
Llorens, José M., Le opere musicali della Cappella Giulia (Vatican City: Biblioteca Apostolica Vaticana, 1971)Google Scholar
López-Calo, José, ‘La música en la Orden y en el Rito Jeronimianos’, Studia Hieronymiana 1 (1973), 123–38Google Scholar
López-Vidriero, María Luisa, ‘Por la imprenta hacia Dios’, in Cátedra, Pedro M. and López-Vidriero, María Luisa (eds), De libros, librerías, imprentas y lectores (Salamanca: Ediciones Universidad de Salamanca, Seminario de Estudios, 2002), 193–218Google Scholar
Luce, Harold, ‘The Requiem Mass from its Plainsong Beginnings to 1600’, unpublished PhD thesis, The Florida State University (1958)Google Scholar
Marín López, Javier, ‘Music Books for an iglesia principal y calificada: The 1657 Inventory of Jaén Cathedral in Context’, in Knighton, Tess and Ros-Fábregas, Emilio (eds), New Perspectives on Early Music in Spain, Iberian Early Music Studies 1 (Kassel: Reichenberger, 2015), 108–62Google Scholar
Marín López, Javier, ‘Tomás Luis de Victoria en las Indias: de la circulación a las reinvención’, in de Vicente, Alfonso and Tomás, Pilar (eds), Tomás Luis de Victoria y la cultura musical en la España de Felipe III (Madrid: Centro de Estudios Europa Hispánica and Machado Libros, 2012), 403–60Google Scholar
Martínez Gil, Fernando, Muerte y sociedad en la España de los Austrias (Cuenca: Ediciones de la Universidad de Castilla-La Mancha, 2000)Google Scholar
Millán Martínez, José, ‘La emperatriz María y las pugnas cortesanas en tiempos de Felipe II’, in Cebrià, Ernest Belenguer (ed.), Felipe II y el Mediterráneo, 4 vols (Madrid: Sociedad Estatal para la Conmemoración de los Centenarios de Felipe II y Carlos V, 1999), III, 143–60Google Scholar
Moll, Jaime, De la imprenta al lector: estudios sobre el libro español de los siglos XVI al XVIII (Madrid: Arco/Libros, 1994)Google Scholar
Moll, Jaime, ‘Problemas bibliográficos del libro del Siglo de Oro’, Boletín de la Real Academia Española 59 (1979), 49–107Google Scholar
Montagnier, Jean-Paul C., The Polyphonic Mass in France, 1600–1780: The Evidence of the Printed Choirbooks (Cambridge University Press, 2017)Google Scholar
Moreda-Rodríguez, Eva, ‘A Catholic, a Patriot, a Good Modernist: Manuel de Falla and the Francoist Musical Press’, Hispanic Research Journal 14 (2013), 212–26Google Scholar
Mota Murillo, Rafael, Sebastián López de Velasco (1584–1659), Libro de missas, motetes, salmos, magnificas y otras cosas tocantes al culto divino, 4 vols (Madrid: Sociedad Española de Musicología, 1980–1993)Google Scholar
Muir, Thomas, ‘“Full in the Panting Heart of Rome”: Roman Catholic Music in England: 1850–1962’, unpublished PhD thesis, University of Durham (2004)Google Scholar
Muir, Thomas, Roman Catholic Church Music in England, 1791–1914: A Handmaid of the Liturgy? (Aldershot: Ashgate, 2009)Google Scholar
Nelson, Bernadette, ‘Ritual and Ceremony in the Spanish Royal Chapel, c. 1559–c. 1561’, Early Music History 19 (2000), 105–200Google Scholar
Noone, Michael, Music and Musicians in the Escorial Liturgy under the Habsburgs, 1563–1700 (Rochester, NY, and Woodbridge: University of Rochester Press, 1998)Google Scholar
Noone, Michael, ‘Processions to the “City of the Dead”: The Spanish Royal Chapel and an Anonymous Requiem from El Escorial’, in Carreras, Juan José and García, Bernardo García (eds), The Royal Chapel in the Time of the Habsburgs: Music and Court Ceremony in Early Modern Europe, Studies in Medieval and Renaissance Music 3 (Woodbridge: Boydell, 2005), 144–61Google Scholar
Olmos Sáez, Ángel Manuel, ‘Aportaciones a la temprana historia musical de la Capilla de las Descalzas Reales de Madrid (1576–1618)’, Revista de Musicología 26/2 (2003), 339–489Google Scholar
O’Regan, Noel, ‘Historia de dos ciudades: Victoria como mediador musical entre Roma y Madrid’, in de Vicente, Alfonso and Tomás, Pilar (eds), Tomás Luis de Victoria y la cultura musical en la España de Felipe III (Madrid: Centro de Estudios Europa Hispánica and Machado Libros, 2012), 279–300Google Scholar
O’Regan, Noel, ‘Victoria in Rome’, Leading Notes 15 (Spring 1998), 26–30Google Scholar
Orso, Steven N., Art and Death at the Spanish Habsburg Court: The Royal Exequies for Philip IV (Columbia, Missouri: University of Missouri Press, 1989)Google Scholar
Parisini, Federico, Carteggio inedito del P. Giambattista Martini coi più celebri musicisti del suo tempo (Bologna: Zanichelli, 1888)Google Scholar
Pedrell, Felip, ‘Estudio biográfico-bibliográfico sobre el Maestro abulense Tomás Luis de Victoria y la presente edición completa de sus obras’, in Pedrell, (ed.), Thomae Ludovici Victoria abulensis opera omnia VIII (Leipzig: Breitkopf and Härtel, 1913)Google Scholar
Pedrell, Felip, Tomás Luis de Victoria Abulense (Valencia: Manuel Villar, 1918)Google Scholar
Pérez Pastor, Cristóbal, Bibliografía Madrileña: ó, descripción de las obras impresas en Madrid, 3 vols (Madrid: Tipografía de los huérfanos, Tipografía de la Revista de Archivos, Bibliotecas y Museos, 1891–1907)Google Scholar
Pettas, William, A History and Bibliography of the Giunti (Junta) Printing Family in Spain, 1526–1628 (New Castle, DE: Oak Knoll Press, 2005)Google Scholar
Phillips, Peter, What We Really Do: The Tallis Scholars (London: The Musical Times, 2003)Google Scholar
Pogue, Samuel, Jacques Moderne, Lyons Music Printer of the Sixteenth Century (Geneva: Librairie Droz, 1969)Google Scholar
Proske, Carl (ed.), Musica divina: sive thesaurus concentuum selectissimorum omni cultui divino totius anni juxta ritum sanctæ ecclesiæ catholicæ inservientium, Annus Primus, I (Regensburg: Pustet, 1853)Google Scholar
Ramos López, Maria Pilar, ‘The Construction of the Myth of Spanish Renaissance Music as a Golden Age’, in Berger, Karol, Chalupka, Lubomir, and Dunning, Albert (eds), Early Music – Context and Ideas (International Conference in Musicology, Kraków 18–21 September 2003) (Krakow: Jagiellonian University, 2003), 77–82Google Scholar
Ramos López, Maria Pilar, ‘Mysticism as a Key Concept of Spanish Early Music Historiography’, in Early Music: Context and Ideas II (International Conference in Musicology, Kraków) (Krakow: Jagiellonian University, 2008), 69–82Google Scholar
Rees, Owen, ‘Motets pro defunctis in the Iberian World: Texts and Performance Contexts’, in Rodríguez-Garcia, Esperanza and Filippi, Daniele V. (eds), Mapping the Motet in the post-Tridentine Era (London: Routledge, 2018), 85–101CrossRefGoogle Scholar
Reynaud, François, La polyphonie tolédane et son milieu, des premiers témoignages aux environs de 1600 (Turnhout: Brepols, 1996)Google Scholar
Robledo Estaire, Luis, Knighton, Tess, Ibáñez, Cristina Bordas, and Carreras, Juan José (eds), Aspectos de la cultura musical en la corte de Felipe II (Madrid: Fundación Caja Madrid / Editorial Alpuerto, 2000)Google Scholar
Robledo, Luis, ‘Questions of Performance Practice in Philip III’s Chapel’, Early Music 22 (1994), 198–218Google Scholar
Rose, Stephen, ‘Music, Print & Authority in Leipzig during the Thirty Years’ War’, unpublished PhD thesis, University of Cambridge (2002)Google Scholar
Rose, Stephen, ‘Publication and the Anxiety of Judgement in German Musical Life of the Seventeenth Century’, Music and Letters 85 (2004), 22–40Google Scholar
Rose, Stephen, ‘Schein’s Occasional Music and the Social Order in 1620s Leipzig’, Early Music History 23 (2004), 253–84Google Scholar
Ros-Fábregas, Emilio, ‘Cristóbal de Morales: A Problem of Musical Mysticism and National Identity in the Historiography of the Renaissance’, in Rees, Owen and Nelson, Bernadette (eds), Cristóbal de Morales: Sources, Influences, Reception (Woodbridge: Boydell, 2007), 215–34Google Scholar
Rostirolla, Giancarlo, L’Archivio musicale della Basilica di San Giovanni in Laterano: Catalogo dei manoscritti e delle edizioni (secc. XVI–XX), 2 vols (Rome: Ministero per i beni e le attività culturali, Direzione generale per gli archivi, 2002)Google Scholar
Rubio, Samuel (ed.), Juan Vázquez: Agenda defunctorum (Sevilla, 1556): Estudio tecnico-estilistico y transcripcion (Madrid: Real Musical, 1975)Google Scholar
Rubio, Samuel, ‘El Officium defunctorum de Tomás Luis de Victoria’, Tomás Luis de Victoria: Officium Defunctorum a seis voces (Ávila: Caja d’Ahorros d’Ávila, 2000), 13–23Google Scholar
Ruini, Cesarino (ed.), Giuseppe Ottavio Pitoni: Notitia de’ contrapuntisti e compositori di musica (Florence: Leo S. Olschki, 1988)Google Scholar
Ruiz Jiménez, Juan, La librería de canto de órgano: creación y pervivencia del repertorio del Renacimiento en la actividad musical de la catedral de Sevilla (Granada: Junta de Andalucía, 2007)Google Scholar
Ruiz Jiménez, Juan, ‘Recepción y pervivencia de la obra de Victoria en las instituciones eclesiásticas de la Corona de Castilla’, in de Vicente, Alfonso and Tomás, Pilar (eds), Tomás Luis de Victoria y la cultura musical en la España de Felipe III (Madrid: Centro de Estudios Europa Hispánica and Machado Libros, 2012), 301–51Google Scholar
Sánchez, Magdalena S., ‘Empress María and the Making of Political Policy in the Early Years of Philip III’s Reign’, in Saint-Saêns, Alain (ed.), Religion, Body and Gender in Early Modern Spain (San Francisco: Mellen Research University Press, 1991), 139–47Google Scholar
Sánchez, Magdalena S., The Empress, the Queen, and the Nun: Women and Power at the Court of Philip III of Spain (Baltimore and London: The Johns Hopkins University Press, 1998)Google Scholar
Sánchez Hernández, Maria Leticia, ‘La vida cotidiana de la primera comunidad de las Descalzas Reales de Madrid’, in Sanz, Ana García (ed.), Las Descalzas Reales: orígines de una comunidad religiosa en el siglo XVI (Madrid: Patrimonio Nacional / Fundación Caja Madrid, 2010), 107–47Google Scholar
Sánchez Hernández, Maria Leticia, Patronato regio y órdenes religiosas femeninas en el Madrid delos Austrias: Descalzas Reales, Encarnación, y Santa Isabel (Madrid: Fundación Universitaria Española, 1997)Google Scholar
Sancho García, Manuel, ‘De Teixidor a Pedrell: Tomás Luis de Victoria en la historiografía musical español del siglo XIX’, Revista de Musicología 35/1 (2012), 443–57Google Scholar
Schnoebelen, Anna, Padre Martini’s Collection of Letters in the Civico Museo Bibliografico Musicale in Bologna: An Annotated Index (New York: Pendragon, 1979)Google Scholar
Schwartz, Roberta, ‘En busca de liberalidad: Music and Musicians in the Courts of the Spanish Nobility, 1470–1640’, unpublished PhD thesis, University of Illinois at Urbana-Champaign (2001)Google Scholar
Sebastián Lozano, Jorge, ‘Emblemas para una emperatriz muerta. Las honras madrileñas de la Compañía por María de Austria’, in Mahíques, Rafael García and Senent, Vicent Francesc Zuriaga (eds), Imagen y cultura: La interpretación de las imágenes como Historia cultural, 2 vols (Valencia: Biblioteca Valenciana, 2008), II, 1453–62Google Scholar
Simón Díaz, José (ed.), El libro español antiguo: análisis de su estructura, 2nd edition (Madrid: Ollero & Ramos, 2000)Google Scholar
Simón Díaz, José (ed.), Historia del Colegio Imperial de Madrid, 2 vols (Madrid: Consejo Superior de Investigaciones Científicas, 1952)Google Scholar
Simón Díaz, José (ed.), Relaciones breves de actos públicos celebrados en Madrid de 1541 a 1650, El Madrid de los Austrias, Serie Documentación 1 (Madrid: Instituto de Estudios Madrileños, 1982)Google Scholar
Stevenson, Robert Murrell, Spanish Cathedral Music in the Golden Age (Berkeley and Los Angeles: University of California Press, 1961)Google Scholar
Terry, Richard Runciman, Catholic Church Music (London: Greening, 1907)Google Scholar
Thomas, Juan María, Manuel de Falla en la Isla (Palma de Mallorca: Ediciones Capella Classica, 1947)Google Scholar
Turner, Bruno,‘Glimpses of P-Rex: Aspects of the Gentle Art of Music in the Reign of Philip II’, Leading Notes 8/1 (Spring 1998), 2–8Google Scholar
van Orden, Kate, Music, Authorship, and the Book in the First Century of Print (Berkeley, Los Angeles, and London: University of California Press, 2014)Google Scholar
Varela, Javier, La muerte del rey: el ceremonial funerario de la monarquía española, 1500–1885 (Madrid: Turner, 1990)Google Scholar
Vicente, Alfonso de, ‘El entorno femenino de la dinastía: el complejo conventual de las Descalzas Reales (1574–1633)’, in de Vicente, Alfonso and Tomás, Pilar (eds), Tomás Luis de Victoria y la cultura musical en la España de Felipe III (Madrid: Centro de Estudios Europa Hispánica & Machado Libros, 2012), 197–246Google Scholar
Vicente, Alfonso de (ed.), El mayordomo de Tomás Luis y otros documentos de Victoria (Ávila: Miján, 2015)Google Scholar
Vicente, Alfonso de, Libros y obras de Tomás Luis de Victoria (y otros) en Aragón, Cuadernos Tomás Luis de Victoria 4 (Ávila: Miján, 2016)Google Scholar
Vicente, Alfonso de, Tomás Luis de Victoria: Cartas (1582–1606) (Madrid: Fundación Caja Madrid, 2008)Google Scholar
Vieira, Ernesto, Diccionario biographico de musicos portugueses, 2 vols (Lisbon: Mattos Moreira de Pinheiro, 1900)Google Scholar
Villanueva, Joaquin Lorenzo, De la obligacion de decir la Misa con circunspeccion y pausa (Madrid: Imprenta Real, 1788)Google Scholar
Vindel, Francisco, Manual gráfico-desriptivo del bibliófilo hispano-americano (1475–1850), 10 vols (1930–1931)Google Scholar
Vistarini, Antonio Bernat, Cull, John T., and Sajó, Tamás (eds), Book of Honors for Empress Maria of Austria Composed by the College of the Society of Jesus of Madrid on the Occasion of her Death, 1603, Early Modern Catholicism and the Visual Arts Series 5 (Philadelphia, Saint Joseph’s University Press, 2011)Google Scholar
Voet, Leon, The Golden Compasses: A History and Evaluation of the Printing and Publishing Activities of the Officiana Plantiniana at Antwerp, 2 vols (Amsterdam: Vangendt / New York: Abner Schram, 1969–1972)Google Scholar
Voet, Leon, The Plantin Press (1555–1589): A Bibliography of the Works Printed and Published by Christopher Plantin at Antwerp and Leiden, 6 vols (Amsterdam: Van Hoeve, 1980–1983)Google Scholar
Wagstaff, Grayson, ‘Cristóbal de Morales’s Circumdederunt me: An Alternate Invitatory for Matins for the Dead and Music for Charles V’, in Crawford, David (ed.), Encomium musicæ: Essays in Honor of Robert J. Snow (Hillsdale, NY: Pendragon, 2002), 27–45Google Scholar
Wagstaff, Grayson, ‘Morales’s Officium, Chant Traditions, and Performing 16th-Century Music’, Early Music 32 (2004), 225–43Google Scholar
Wagstaff, Grayson, ‘Music for the Dead and the Control of Ritual Behavior in Spain, 1450–1550’, The Musical Quarterly 82 (1998), 551–63Google Scholar
Wagstaff, Grayson, ‘Music for the Dead: Polyphonic Settings of the Officium and Missa Pro Defunctis by Spanish and Latin American Composers before 1630’, unpublished PhD thesis, The University of Texas at Austin (1995)Google Scholar
Washington, Henry, ‘The Oratory Musical Tradition’, in Napier, Michael and Laing, Alistair (eds), The London Oratory Centenary 1884–1984 (London: Trefoil, 1984), 152–71Google Scholar
Wiering, Franz, The Language of the Modes: Studies in the History of Polyphonic Modality (New York & London: Routledge, 2001)Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Select Bibliography
  • Owen Rees, University of Oxford
  • Book: The Requiem of Tomás Luis de Victoria (1603)
  • Online publication: 13 March 2019
  • Chapter DOI: https://doi.org/10.1017/9781107294301.010
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Select Bibliography
  • Owen Rees, University of Oxford
  • Book: The Requiem of Tomás Luis de Victoria (1603)
  • Online publication: 13 March 2019
  • Chapter DOI: https://doi.org/10.1017/9781107294301.010
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Select Bibliography
  • Owen Rees, University of Oxford
  • Book: The Requiem of Tomás Luis de Victoria (1603)
  • Online publication: 13 March 2019
  • Chapter DOI: https://doi.org/10.1017/9781107294301.010
Available formats
×