Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- Introduction: Finding the “Good German”
- 1 Re-Presenting the Good German: Philosophical Reflections
- 2 “Görings glorreichste Günstlinge”: The Portrayal of Wilhelm Furtwängler and Gustaf Gründgens as Good Germans in the West German Media since 1945
- 3 From Hitler's Champion to German of the Century: On the Representation and Reinvention of Max Schmeling
- 4 Wilhelm Krützfeld and Other “Good” Constables in Police Station 16 in Hackescher Markt, Berlin
- 5 The “Good German” between Silence and Artistic Deconstruction of an Inhumane World: Johannes Bobrowski's “Mäusefest” and “Der Tänzer Malige”
- 6 Saints and Sinners: The Good German and Her Others in Heinrich Böll's Gruppenbild mit Dame
- 7 Being Human: Good Germans in Postwar German Film
- 8 “The Banality of Good”? Good Nazis in Contemporary German Film
- 9 Memories of Good and Evil in Sophie Scholl — Die letzten Tage
- 10 Deconstructing the “Good German” in French Best Sellers Published in the Aftermath of the Second World War
- 11 Macbeth, Not Henry V: Shakespearean Allegory in the Construction of Vercors's “Good German”
- 12 A Good Irish German: In Praise of Hugo Hamilton's Mother
- 13 Shades of Gray: The Beginnings of the Postwar Moral Compromise in Joseph Kanon's The Good German
- Works Cited
- Filmography
- Notes on the Contributors
- Index
12 - A Good Irish German: In Praise of Hugo Hamilton's Mother
Published online by Cambridge University Press: 05 June 2013
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- Introduction: Finding the “Good German”
- 1 Re-Presenting the Good German: Philosophical Reflections
- 2 “Görings glorreichste Günstlinge”: The Portrayal of Wilhelm Furtwängler and Gustaf Gründgens as Good Germans in the West German Media since 1945
- 3 From Hitler's Champion to German of the Century: On the Representation and Reinvention of Max Schmeling
- 4 Wilhelm Krützfeld and Other “Good” Constables in Police Station 16 in Hackescher Markt, Berlin
- 5 The “Good German” between Silence and Artistic Deconstruction of an Inhumane World: Johannes Bobrowski's “Mäusefest” and “Der Tänzer Malige”
- 6 Saints and Sinners: The Good German and Her Others in Heinrich Böll's Gruppenbild mit Dame
- 7 Being Human: Good Germans in Postwar German Film
- 8 “The Banality of Good”? Good Nazis in Contemporary German Film
- 9 Memories of Good and Evil in Sophie Scholl — Die letzten Tage
- 10 Deconstructing the “Good German” in French Best Sellers Published in the Aftermath of the Second World War
- 11 Macbeth, Not Henry V: Shakespearean Allegory in the Construction of Vercors's “Good German”
- 12 A Good Irish German: In Praise of Hugo Hamilton's Mother
- 13 Shades of Gray: The Beginnings of the Postwar Moral Compromise in Joseph Kanon's The Good German
- Works Cited
- Filmography
- Notes on the Contributors
- Index
Summary
Over the last ten years Hugo Hamilton (born 1953) has emerged as one of the major contemporary Irish novelists; for Bernard O'Donoghue in a review of his recent novel Disguise he is even “one of the most important writers of our time.” Hamilton's success is, at least in part, due to the new and unique perspective he has added to Irish writing in English: born into an Irish-German family and an enforced German- and Irish-speaking home environment he has made this rather unusual upbringing the starting point for his extensive creative reflections about issues of identity and belonging. His work also reflects extensively on the nature of the special relationship between Ireland and Germany. In doing this he has also helped to move the issue of interculturality, or “cultural hyphenation,” closer to the center of literary concerns within an increasingly multi-cultural, globalized Ireland.
Many of Hamilton's novels are either set in Germany or contain German characters. Most pertinent to our present concern is the figure of Hamilton's mother, arguably the central character in the author's hugely successful autobiographical account of his childhood, The Speckled People (2003). To this he added three years later a second volume of memoirs entitled The Sailor in the Wardrobe (2006). While The Speckled People mainly covers Hamilton's childhood years, the sequel, set in the early 1970s, expands the last two chapters in the first volume into a full-length book, describing the adolescent years up to the author's eventual departure for Berlin in 1974.
- Type
- Chapter
- Information
- Representing the "Good German" in Literature and Culture after 1945Altruism and Moral Ambiguity, pp. 197 - 211Publisher: Boydell & BrewerPrint publication year: 2013