Book contents
- Frontmatter
- Contents
- Renaissance Papers
- “One Little Room, An Everywhere”: Staging Silence in London's Blackfriars and Shakespeare's Henry VIII
- “What they are yet I know not”: Speech, Silence, and Meaning in King Lear
- Shakespearean Epiphany
- Between the “triple pillar” and “mutual pair”: Love, Friendship, and Social Networks in Antony and Cleopatra
- “Beauty Changed to Ugly Whoredom”: Analyzing the Mermaid Figure in The Changeling
- Imagining the Other in a Cuzco Defense of the Eucharist
- A Critique of Poor Reading: Antissia's Madness in The Countess of Montgomery's Urania
- “Thou thyself likewise art lyttle made”: Spenser, Catullus, and the Aesthetics of “smale poemes”
- The ordo salutis: Sacred Circularities in John Donne's “Good Friday 1613. Riding Westward”
- “Broken-Backed” Texts: Meritocracy and Misogyny in Ben Jonson's The Forrest
Renaissance Papers
Published online by Cambridge University Press: 21 March 2020
- Frontmatter
- Contents
- Renaissance Papers
- “One Little Room, An Everywhere”: Staging Silence in London's Blackfriars and Shakespeare's Henry VIII
- “What they are yet I know not”: Speech, Silence, and Meaning in King Lear
- Shakespearean Epiphany
- Between the “triple pillar” and “mutual pair”: Love, Friendship, and Social Networks in Antony and Cleopatra
- “Beauty Changed to Ugly Whoredom”: Analyzing the Mermaid Figure in The Changeling
- Imagining the Other in a Cuzco Defense of the Eucharist
- A Critique of Poor Reading: Antissia's Madness in The Countess of Montgomery's Urania
- “Thou thyself likewise art lyttle made”: Spenser, Catullus, and the Aesthetics of “smale poemes”
- The ordo salutis: Sacred Circularities in John Donne's “Good Friday 1613. Riding Westward”
- “Broken-Backed” Texts: Meritocracy and Misogyny in Ben Jonson's The Forrest
Summary
- Type
- Chapter
- Information
- Renaissance Papers 2018 , pp. vii - viiiPublisher: Boydell & BrewerPrint publication year: 2019