Book contents
- Frontmatter
- Contents
- List of Figures
- Preface
- Notes on Contributors
- A Chronology of the 1820s
- Introduction
- 1 Truth, Fiction and Breaking News: Theodore Hook and the Poyais Speculation
- 2 The Surfaces of History: Scott’s Turn, 1820
- Keyword: Power
- Keyword: Diffusion
- 3 Feeding the 1820s: Bread, Beer and Anxiety
- 4 Light and Darkness: The Magic Lantern at the Dawn of Media
- Keyword: Performance
- Keyword: Surveillance
- 5 Paul Pry and Elizabeth Fry: Inspection and Spectatorship in the Social Theatre of the 1820s
- 6 Regional News in ‘Peacetime’: The Dumfries and Galloway Courier in the 1820s
- Keyword: Liberal
- Keyword: Emigration
- 7 (Re)settling Poetry: The Culture of Reprinting and the Poetics of Emigration in the 1820s Southern Settler Colonies
- 8 ‘Innovation and Irregularity’: Religion, Poetry and Song in the 1820s
- Keyword: March of Intellect
- Keyword: Doubt
- 9 The Decade of the Dialogue
- 10 Butterfly Books and Gilded Flies: Poetry and the Annual
- 11 ‘Still but an Essayist’: Carlyle’s Early Essays and Late-Romantic Periodical Culture
- Index
Introduction
Published online by Cambridge University Press: 15 March 2025
- Frontmatter
- Contents
- List of Figures
- Preface
- Notes on Contributors
- A Chronology of the 1820s
- Introduction
- 1 Truth, Fiction and Breaking News: Theodore Hook and the Poyais Speculation
- 2 The Surfaces of History: Scott’s Turn, 1820
- Keyword: Power
- Keyword: Diffusion
- 3 Feeding the 1820s: Bread, Beer and Anxiety
- 4 Light and Darkness: The Magic Lantern at the Dawn of Media
- Keyword: Performance
- Keyword: Surveillance
- 5 Paul Pry and Elizabeth Fry: Inspection and Spectatorship in the Social Theatre of the 1820s
- 6 Regional News in ‘Peacetime’: The Dumfries and Galloway Courier in the 1820s
- Keyword: Liberal
- Keyword: Emigration
- 7 (Re)settling Poetry: The Culture of Reprinting and the Poetics of Emigration in the 1820s Southern Settler Colonies
- 8 ‘Innovation and Irregularity’: Religion, Poetry and Song in the 1820s
- Keyword: March of Intellect
- Keyword: Doubt
- 9 The Decade of the Dialogue
- 10 Butterfly Books and Gilded Flies: Poetry and the Annual
- 11 ‘Still but an Essayist’: Carlyle’s Early Essays and Late-Romantic Periodical Culture
- Index
Summary
Every age, perhaps, is an age of transition, but not every age is as anxiously and exquisitely conscious of this condition as the 1820s was. Contemporaries were quick to identify the decade as marking the passing of a more stable epoch and presaging the uncertain emergence of a new era. In an 1831 essay that, like many of its contemporaries, laboured to catch ‘The Spirit of the Age’, John Stuart Mill contended that ‘the first of the leading peculiarities of the present age is, that it is an age of transition’. Shortly afterwards, Edward Bulwer Lytton, in England and the English, employed a more exact characterisation, describing his time as one of ‘visible and violent transition’. He warmed to the theme later in the book:
I have said that we live in an age of visible transition—an age of disquietude and doubt—of the removal of time-worn landmarks, and the breaking up of the hereditary elements of society—old opinions, feelings—ancestral customs and institutions are crumbling away, and both the spiritual and temporal worlds are darkened by the shadow of change. The commencement of one of these epochs—periodical in the history of mankind—is hailed by the sanguine as the coming of a new Millennium—a great iconoclastic reformation, by which all false gods shall be overthrown.
Such foreboding characterisations were not uncommon. In ‘Signs of the Times’, Thomas Carlyle saw Catholic emancipation and the repeal of the Test and Corporation Acts as astonishing transformations in the order of things: ‘Those things seemed fixed and immovable—deep as the foundations of the world; and lo! in a moment they have vanished, and their place knows them no more!’
On the more optimistic side of the equation, Mill claimed that by the end of the 1820s a great change had ‘taken place in the human mind’. Looking forward to the Reform Bill of 1832, he celebrated the appearance of ‘new men, who insisted upon being governed in a new way’. Bulwer Lytton, on the other hand, was far from sanguine about the prospects of a reformed society:
To me such epochs appear but as the dark passages in the appointed progress of mankind—the times of greatest unhappiness to our species—passages into which we have no reason to rejoice at our entrance, save from the hope of being sooner landed on the opposite side.
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- Remediating the 1820s , pp. 1 - 20Publisher: Edinburgh University PressPrint publication year: 2022