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from Part III - Reimagined Sacred Histories
Published online by Cambridge University Press: 11 January 2024
“Material Histories” explores three different aspects of how materials and materiality functioned in giving meaning to the reconstructed San Paolo: Poletti’s reuse of ancient marbles salvaged from the old basilica to decorate his new choir; the unusual materials employed to confer meaning on his new St. Benedict chapel and baldachin; and the fetishized and then informationalized materiality of the consecration ceremony of 1840.
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