Book contents
- Ralph Ellison in Context
- Ralph Ellison in Context
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Abbreviations
- Introduction
- Part I Geographical, Institutional, and Interpersonal Contexts
- Part II Historical, Political, and Cultural Contexts
- Chapter 10 Visualizing Black Identity in Ellison’s Fiction
- Chapter 11 Alternating Currents: Electricity, Humanism, and Resistance
- Chapter 12 Sounds and Signs of Black Womanhood
- Chapter 13 Masculinity
- Chapter 14 Aesthetics of Democracy
- Chapter 15 Black Power and Black Arts
- Chapter 16 Wrestling with the Far Right: Ellison’s Representations of Fascism
- Chapter 17 Southwestern Swing
- Chapter 18 The Self-Fashioned American Blues Identity
- Chapter 19 Ellison’s Durational View of Bebop
- Part III Literary and Critical Contexts
- Part IV Reception and Reputation
- Index
Chapter 11 - Alternating Currents: Electricity, Humanism, and Resistance
from Part II - Historical, Political, and Cultural Contexts
Published online by Cambridge University Press: 14 January 2022
- Ralph Ellison in Context
- Ralph Ellison in Context
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Abbreviations
- Introduction
- Part I Geographical, Institutional, and Interpersonal Contexts
- Part II Historical, Political, and Cultural Contexts
- Chapter 10 Visualizing Black Identity in Ellison’s Fiction
- Chapter 11 Alternating Currents: Electricity, Humanism, and Resistance
- Chapter 12 Sounds and Signs of Black Womanhood
- Chapter 13 Masculinity
- Chapter 14 Aesthetics of Democracy
- Chapter 15 Black Power and Black Arts
- Chapter 16 Wrestling with the Far Right: Ellison’s Representations of Fascism
- Chapter 17 Southwestern Swing
- Chapter 18 The Self-Fashioned American Blues Identity
- Chapter 19 Ellison’s Durational View of Bebop
- Part III Literary and Critical Contexts
- Part IV Reception and Reputation
- Index
Summary
Throughout his fiction and nonfiction, Ralph Ellison explores the coexisting potentials of electricity, playing rhetorically on its capacity to kill, to harm, or to heal. He frames this ambivalence as an opportunity for reflection and for action, urging his readers to realize that the potentials of technology reside in human decisions. This chapter claims that Ellison’s rich electrical imagery can expand understandings of his aesthetic engagement with the broader themes of technology and humanism. Drawing on his published and unpublished works—including an unpublished alternative to the hospital scene in Invisible Man—this chapter argues that Ellison’s narratives can shed light on persisting debates about the relationship between human life and technological systems.
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- Ralph Ellison in Context , pp. 127 - 136Publisher: Cambridge University PressPrint publication year: 2021