Adventure magazines constructed a version of World War II and Korea that depicted heroic men as warriors, protectors, and sexual conquerors. Here was both a friendly genre for veterans and a way for curious young men to get a glimpse of what war might be like. Many of these wartime stories were written by veterans themselves. Some wrote to honor their fallen comrades, others to deal with the traumas of war by sharing their experiences, still others to advocate for veterans’ rights and opportunities in an increasingly consumer-oriented society. The narratives were simple in construction, stories of good versus evil revolving around individual men or small groups of heroes. A militarized version of masculinity seemed an antidote to Cold War emasculation. In these storylines, tough men survived the worst of war and proved that democracy could still produce the best soldiers. Adventure magazines also demonstrated that war was meritocratic – anyone could be a hero. Yet the magazines’ stories and the vibrant artwork skirted the harsh realities of war, focusing on individual triumphs rather than the horrors of combat. By avoiding the truths of war’s ugly side, adventure mags constructed a battlefield memory that relied mostly on an imagined reality.