Book contents
- Frontmatter
- Contents
- Contributors
- Foreword
- Preface
- Acknowledgments
- PART I THE WRITER
- 1 The Personalities of Creative Writers
- 2 The Creative Writer, Dysphoric Rumination, and Locus of Control
- 3 “The more I write, the better I write, and the better I feel about myself”: Mood Variability and Mood Regulation in Student Journalists and Creative Writers
- 4 Characteristics of Eminent Screenwriters: Who Are Those Guys?
- 5 The Tears of a Clown: Understanding Comedy Writers
- PART II THE TEXT
- PART III THE PROCESS
- PART IV THE DEVELOPMENT
- PART V THE EDUCATION
- Index
- References
5 - The Tears of a Clown: Understanding Comedy Writers
Published online by Cambridge University Press: 25 January 2010
- Frontmatter
- Contents
- Contributors
- Foreword
- Preface
- Acknowledgments
- PART I THE WRITER
- 1 The Personalities of Creative Writers
- 2 The Creative Writer, Dysphoric Rumination, and Locus of Control
- 3 “The more I write, the better I write, and the better I feel about myself”: Mood Variability and Mood Regulation in Student Journalists and Creative Writers
- 4 Characteristics of Eminent Screenwriters: Who Are Those Guys?
- 5 The Tears of a Clown: Understanding Comedy Writers
- PART II THE TEXT
- PART III THE PROCESS
- PART IV THE DEVELOPMENT
- PART V THE EDUCATION
- Index
- References
Summary
Humor is an important part of the human condition. A world without laughter would be a world without a soul. Indeed, comedy serves many key purposes in life – reducing stress, defusing social tensions, revealing the absurdity of human behavior, and generally increasing the quality of life (Martin, 2007). One main vehicle by which funny thoughts are conveyed is through creative writing, which can blunt the edge of potentially controversial topics, evoke feelings of mirth in the reader, and contribute to increasing the audience's health through laughter.
Comedy writing takes many forms: stand-up comedy writing, sitcom writing, political satire writing as seen on The Daily Show, comedy screenwriting, comedy writing for Web sites like Cracked or The Onion, and literary fiction writing with a humorous bent. It varies from the attempts of a novice short story writer to the aesthetic achievements of Cervantes, Rabelais, and Shakespeare. Indeed, nearly any form of creative writing can be enhanced by humor.
But behind every punch line is a person generating that line. What do we know about comedy writers? What are they like? Humor has been the subject of a great deal of speculation and, more recently, a rather impressive array of empirical research (Martin, 2007) on a variety of humor-related topics.
- Type
- Chapter
- Information
- The Psychology of Creative Writing , pp. 80 - 98Publisher: Cambridge University PressPrint publication year: 2009
References
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