Book contents
- Frontmatter
- Contents
- Acknowledgments
- 1 Discipline and performance: genealogy and discontinuity
- 2 Institutions and performance: professing performance in the early twentieth century
- 3 Culture and performance: structures of dramatic feeling
- 4 Practice and performance: modernist paradoxes and literalist legacies
- 5 History and performance: blurred genres and the particularizing of the past
- 6 Identity and performance: racial performativity and anti-racist theatre
- Notes
- Select bibliography
- Index
Select bibliography
Published online by Cambridge University Press: 30 March 2010
- Frontmatter
- Contents
- Acknowledgments
- 1 Discipline and performance: genealogy and discontinuity
- 2 Institutions and performance: professing performance in the early twentieth century
- 3 Culture and performance: structures of dramatic feeling
- 4 Practice and performance: modernist paradoxes and literalist legacies
- 5 History and performance: blurred genres and the particularizing of the past
- 6 Identity and performance: racial performativity and anti-racist theatre
- Notes
- Select bibliography
- Index
Summary
- Type
- Chapter
- Information
- Professing PerformanceTheatre in the Academy from Philology to Performativity, pp. 239 - 247Publisher: Cambridge University PressPrint publication year: 2004