Book contents
- Frontmatter
- Contents
- List of illustrations
- List of contributors
- Foreword
- Acknowledgements
- List of abbreviations
- Introduction
- 1 Materials
- 2 Writing the words
- 3 Mapping the words
- 4 Designing the page
- 5 Decorating and illustrating the page
- 6 Compiling the book
- 7 Bookbinding
- 8 Commercial organization and economic innovation
- 9 Vernacular literary manuscripts and their scribes
- 10 Book production outside commercial contexts
- 11 Censorship
- 12 Books beyond England
- 13 English books and the continent
- Afterword: the book in culture
- Bibliography
- Index of manuscripts
- General index
Foreword
Published online by Cambridge University Press: 05 May 2014
- Frontmatter
- Contents
- List of illustrations
- List of contributors
- Foreword
- Acknowledgements
- List of abbreviations
- Introduction
- 1 Materials
- 2 Writing the words
- 3 Mapping the words
- 4 Designing the page
- 5 Decorating and illustrating the page
- 6 Compiling the book
- 7 Bookbinding
- 8 Commercial organization and economic innovation
- 9 Vernacular literary manuscripts and their scribes
- 10 Book production outside commercial contexts
- 11 Censorship
- 12 Books beyond England
- 13 English books and the continent
- Afterword: the book in culture
- Bibliography
- Index of manuscripts
- General index
Summary
References in the Introduction to the present volume make it clear that it is viewed to some extent as a successor to an earlier collection of essays on the same subject, Book Production and Publishing in Britain 1375–1475, edited by Jeremy Griffiths and Derek Pearsall. This book had its inception in a series of conferences in York in 1981, 1983 and 1985. The first was called ‘Manuscripts and Readers in Fifteenth-Century England: The Literary Implications of Manuscript Study’, the conference papers being published under that title in 1983; the second was set up to discuss and prepare for the forthcoming book on book production; the third was on the editing of fifteenth-century texts, and the volume that followed was called Manuscripts and Texts: Editorial Problems in Later Middle English Literature (1987). The inspiration for the first conference was the presence at York of an outstanding group of graduate students working under my supervision on topics to do with later medieval manuscripts. For many of them, the impulse to work on manuscripts came from Elizabeth Salter, who died in 1980 but whose work in later years was much directed towards manuscript studies and whose example was irresistible.
- Type
- Chapter
- Information
- The Production of Books in England 1350–1500 , pp. xv - xviPublisher: Cambridge University PressPrint publication year: 2011