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5 - Seeing the Gorgon: Primo Levi’s If This Is a Man

Published online by Cambridge University Press:  05 March 2025

Julian Murphet
Affiliation:
University of Adelaide
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Summary

To sink is the easiest of matters; it is enough to carry out all the orders one receives, to eat only the ration, to observe the discipline of the work and the camp. Experience showed that only exceptionally could one survive more than three months in this way. All the musselmans who finished in the gas chambers have the same story, or more exactly, have no story; they followed the slope down to the bottom, like streams that run down to the sea. On their entry into the camp, through basic incapacity, or by misfortune, or through some banal incident, they are overcome before they can adapt themselves; they are beaten by time, they do not begin to learn German, to disentangle the infernal knot of laws and prohibitions until their body is already in decay, and nothing can save them from selections or from death by exhaustion. Their life is short, but their number is endless; they, the Muselmänner, the drowned, form the backbone of the camp, an anonymous mass, continually renewed and always identical, of non-men who march and labour in silence, the divine spark dead within them, already too empty to really suffer. One hesitates to call them living: one hesitates to call their death death, in the face of which they have no fear, as they are too tired to understand.

They crowd my memory with their faceless presences, and if I could enclose all the evil of our time in one image, I would choose this image which is familiar to me: an emaciated man, with head dropped and shoulders curved, on whose face and in whose eyes not a trace of a thought is to be seen.

Primo Levi's prose, characteristically so spare and dry, sometimes hits upon themes and materials over which it is obliged to pause and pass judgement. Judgement is not generally his metier; this he prefers, on balance, to leave to his reader. And so, his sentences tend to move ahead with the crisp and spartan dutifulness of evidentiary reportage, over which there periodically arises a broader canopy of dull irony and sour humour. From time to time, however, approaching the greatest outrages, room must be made for serious reflections and protracted asides, as the survivor's numbed chronicle of day-to-day incidents collapses into the enormity of the situation.

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Prison Writing in the Twentieth Century
A Literary Guide
, pp. 76 - 91
Publisher: Edinburgh University Press
Print publication year: 2023

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