Book contents
- Frontmatter
- Table of Contents
- List of illustrations
- Introduction
- 1 Concealing and Revealing the Female Body in European Prints and Mughal Paintings
- 2 The Sultan’s Face Looks East and West: European Prints and Ottoman Sultan Portraiture
- 3 From Europe to Persia and Back Again: Border-Crossing Prints and the Asymmetries of Early Modern Cultural Encounter
- 4 The Dissemination of Western European Prints Eastward: The Armenian Case
- 5 The Catholic Reformation and Japanese Hidden Christians: Books as Historical Ties
- 6 (Re)framing the Virgin of Guadalupe: The Concurrence of Early Modern Prints and Colonial Devotions in Creating the Virgin
- 7 Hidden Resemblances: Re-contextualized and Re-framed: Diego de Valadés’ Cross Cultural Exchange
- 8 The Practice of Art: Auxiliary Plastic Models and Prints in Italy, Spain, and Peru
- 9 Ink and Feathers: Prints, Printed Books, and Mexican Featherwork
- Index
Book contents
- Frontmatter
- Table of Contents
- List of illustrations
- Introduction
- 1 Concealing and Revealing the Female Body in European Prints and Mughal Paintings
- 2 The Sultan’s Face Looks East and West: European Prints and Ottoman Sultan Portraiture
- 3 From Europe to Persia and Back Again: Border-Crossing Prints and the Asymmetries of Early Modern Cultural Encounter
- 4 The Dissemination of Western European Prints Eastward: The Armenian Case
- 5 The Catholic Reformation and Japanese Hidden Christians: Books as Historical Ties
- 6 (Re)framing the Virgin of Guadalupe: The Concurrence of Early Modern Prints and Colonial Devotions in Creating the Virgin
- 7 Hidden Resemblances: Re-contextualized and Re-framed: Diego de Valadés’ Cross Cultural Exchange
- 8 The Practice of Art: Auxiliary Plastic Models and Prints in Italy, Spain, and Peru
- 9 Ink and Feathers: Prints, Printed Books, and Mexican Featherwork
- Index
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- Information
- Prints as Agents of Global Exchange, 1500-18001500-1800, pp. 317 - 322Publisher: Amsterdam University PressPrint publication year: 2021