Book contents
- Frontmatter
- Contents
- Preface
- Acknowledgements
- Abbreviations
- Note on transcription
- 1 Printers, authors and the rise of the editor
- 2 Editors and their methods
- 3 Humanists, friars and others: editing in Venice and Florence, 1470–1500
- 4 Bembo and his influence, 1501–1530
- 5 Venetian editors and ‘the grammatical norm’, 1501–1530
- 6 Standardization and scholarship: editing in Florence, 1501–1530
- 7 Towards a wider readership: editing in Venice, 1531–1545
- 8 The editor triumphant: editing in Venice, 1546–1560
- 9 In search of a cultural identity: editing in Florence, 1531–1560
- 10 Piety and elegance: editing in Venice, 1561–1600
- 11 A ‘true and living image’: editing in Florence, 1561–1600
- Conclusion
- Notes
- Select bibliography
- Index of Italian editions 1470–1600
- Index of manuscripts and annotated copies
- General index
Note on transcription
Published online by Cambridge University Press: 01 June 2011
- Frontmatter
- Contents
- Preface
- Acknowledgements
- Abbreviations
- Note on transcription
- 1 Printers, authors and the rise of the editor
- 2 Editors and their methods
- 3 Humanists, friars and others: editing in Venice and Florence, 1470–1500
- 4 Bembo and his influence, 1501–1530
- 5 Venetian editors and ‘the grammatical norm’, 1501–1530
- 6 Standardization and scholarship: editing in Florence, 1501–1530
- 7 Towards a wider readership: editing in Venice, 1531–1545
- 8 The editor triumphant: editing in Venice, 1546–1560
- 9 In search of a cultural identity: editing in Florence, 1531–1560
- 10 Piety and elegance: editing in Venice, 1561–1600
- 11 A ‘true and living image’: editing in Florence, 1561–1600
- Conclusion
- Notes
- Select bibliography
- Index of Italian editions 1470–1600
- Index of manuscripts and annotated copies
- General index
Summary
- Type
- Chapter
- Information
- Print Culture in Renaissance ItalyThe Editor and the Vernacular Text, 1470–1600, pp. xviPublisher: Cambridge University PressPrint publication year: 1994