Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- List of Abbreviations
- General Editors’ Preface
- General Chronology of James’s Life and Writings
- Introduction
- Textual Introduction
- Chronology of Composition and Production
- Bibliography
- The Princess Casamassima
- Glossary of Foreign Words and Phrases
- Notes
- Textual Variants I: Substantive Variants up to Copy Text
- Textual Variants II: Substantive Variants after Copy Text
- Emendations
- Appendix: Preface to New York Edition
XXXVI
Published online by Cambridge University Press: 11 April 2021
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- List of Abbreviations
- General Editors’ Preface
- General Chronology of James’s Life and Writings
- Introduction
- Textual Introduction
- Chronology of Composition and Production
- Bibliography
- The Princess Casamassima
- Glossary of Foreign Words and Phrases
- Notes
- Textual Variants I: Substantive Variants up to Copy Text
- Textual Variants II: Substantive Variants after Copy Text
- Emendations
- Appendix: Preface to New York Edition
Summary
A certain Sunday in November, more than three months after she had gone to live in Madeira Crescent, was so important an occasion for the Princess Casamassima that I must give as complete an account of it as the limits of my space will allow. Early in the afternoon a loud peal from her door-knocker came to her ear; it had a sound of resolution, almost of defiance, which made her look up from her book and listen. She was sitting by the fire, alone, with a volume of a heavy work on Labour and Capital in her hand. It was not yet four o’clock, but she had had candles for an hour; a dense brown fog made the daylight impure, without suggesting an answer to the question whether the scheme of nature had been to veil or to deepen the sabbatical dreariness. She was not tired of Madeira Crescent — such an idea she would indignantly have repudiated; but the prospect of a visitor was rather pleasant to her — the possibility even of his being an ambassador, or a cabinet minister, or another of the eminent personages with whom she had associated before embracing the ascetic life. They had not knocked at her present door hitherto in any great numbers, for more reasons than one; they were out of town, and she had taken pains to diffuse the belief that she had left England. If the impression prevailed, it was exactly the impression she had desired; she forgot this fact whenever she felt a certain surprise, even, it may be, a certain irritation, in perceiving that people were not taking the way to Madeira Crescent. She was making the discovery, in which she had had many predecessors, that in London it is only too possible to hide one's self. It was very much in that fashion that Godfrey Sholto was in the habit of announcing himself, when he reappeared after the intervals she explicitly imposed upon him; there was a kind of artlessness, for so world-worn a personage, in the point he made of showing that he knocked with confidence, that he had as good a right as any other.
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- The Princess Casamassima , pp. 355 - 363Publisher: Cambridge University PressPrint publication year: 2020