Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- List of Abbreviations
- General Editors’ Preface
- General Chronology of James’s Life and Writings
- Introduction
- Textual Introduction
- Chronology of Composition and Production
- Bibliography
- The Princess Casamassima
- Glossary of Foreign Words and Phrases
- Notes
- Textual Variants I: Substantive Variants up to Copy Text
- Textual Variants II: Substantive Variants after Copy Text
- Emendations
- Appendix: Preface to New York Edition
XIV
Published online by Cambridge University Press: 11 April 2021
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- List of Abbreviations
- General Editors’ Preface
- General Chronology of James’s Life and Writings
- Introduction
- Textual Introduction
- Chronology of Composition and Production
- Bibliography
- The Princess Casamassima
- Glossary of Foreign Words and Phrases
- Notes
- Textual Variants I: Substantive Variants up to Copy Text
- Textual Variants II: Substantive Variants after Copy Text
- Emendations
- Appendix: Preface to New York Edition
Summary
Hyacinth did not mention to Pinnie or Mr. Vetch that he had been taken up by a great lady; but he mentioned it to Paul Muniment, to whom he now confided a great many things. He had, at first, been in considerable fear of his straight, loud, north-country friend, who showed signs of cultivating logic and criticism to a degree that was hostile to free conversation; but he discovered later that he was a man to whom one could say anything in the world, if one didn't think it of more importance to be sympathised with than to be understood. For a revolutionist, he was strangely good-natured. The sight of all the things he wanted to change had seemingly no power to irritate him, and if he joked about questions that lay very near his heart his pleasantry was not bitter nor invidious; the fault that Hyacinth sometimes found with it, rather, was that it was innocent to puerility. Our hero envied his power of combining a care for the wide misery of mankind with the apparent state of mind of the cheerful and virtuous young workman who, on Sunday morning, has put on a clean shirt, and, not having taken the gilt off his wages the night before, weighs against each other, for a happy day, the respective attractions of Epping Forest and Gravesend. He was never sarcastic about his personal lot and his daily life; it had not seemed to occur to him, for instance, that “society” was really responsible for the condition of his sister's spinal column, though Eustache Poupin and his wife (who practically, however, were as patient as he), did everything they could to make him say so, believing, evidently, that it would relieve him. Apparently he cared nothing for women, talked of them rarely, and always decently, and had never a sign of a sweetheart, unless Lady Aurora Langrish might pass for one. He never drank a drop of beer nor touched a pipe; he always had a clear tone, a fresh cheek and a smiling eye, and once excited on Hyacinth's part a kind of elder-brotherly indulgence by the open-mouthed glee and credulity with which, when the pair were present, in the sixpenny gallery, at Astley’s, at an equestrian pantomime, he followed the tawdry spectacle.
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- The Princess Casamassima , pp. 136 - 145Publisher: Cambridge University PressPrint publication year: 2020