Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- List of Abbreviations
- General Editors’ Preface
- General Chronology of James’s Life and Writings
- Introduction
- Textual Introduction
- Chronology of Composition and Production
- Bibliography
- The Princess Casamassima
- Glossary of Foreign Words and Phrases
- Notes
- Textual Variants I: Substantive Variants up to Copy Text
- Textual Variants II: Substantive Variants after Copy Text
- Emendations
- Appendix: Preface to New York Edition
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Published online by Cambridge University Press: 11 April 2021
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- List of Abbreviations
- General Editors’ Preface
- General Chronology of James’s Life and Writings
- Introduction
- Textual Introduction
- Chronology of Composition and Production
- Bibliography
- The Princess Casamassima
- Glossary of Foreign Words and Phrases
- Notes
- Textual Variants I: Substantive Variants up to Copy Text
- Textual Variants II: Substantive Variants after Copy Text
- Emendations
- Appendix: Preface to New York Edition
Summary
Several months after Hyacinth had made the acquaintance of Paul Muniment, Millicent Henning remarked to him that it was high time he should take her to some place of amusement. He proposed the Canterbury Music Hall; whereupon she tossed her head and affirmed that when a young lady had done for a young man what she had done for him, the least he could do was to take her to some theatre in the Strand. Hyacinth would have been a good deal at a loss to say exactly what she had done for him, but it was familiar to him by this time that she regarded him as under great obligations. From the day she came to look him up in Lomax Place she had taken a position, largely, in his life, and he had seen poor Pinnie's wan countenance grow several degrees more blank. Amanda Pynsent's forebodings had been answered to the letter; that bold-faced apparition had become a permanent influence. She never spoke to him about Millicent but once, several weeks after her interview with the girl; and this was not in a tone of rebuke, for she had divested herself for ever of any maternal prerogative. Tearful, tremulous, deferential inquiry was now her only weapon, and nothing could be more humble and circumspect than the manner in which she made use of it. He was never at home of an evening, at present, and he had mysterious ways of spending his Sundays, with which church-going had nothing to do. The time had been when, often, after tea, he sat near the lamp with the dressmaker, and, while her fingers flew, read out to her the works of Dickens and of Scott; happy hours when he appeared to have forgotten the wrong she had done him and she almost forgot it herself. But now he gulped down his tea so fast that he hardly took off his hat while he sat there, and Pinnie, with her quick eye for all matters of costume, noticed that he wore it still more gracefully askew than usual, with a little victorious, exalted air. He hummed to himself; he fingered his moustache; he looked out of the window when there was nothing to look at; he seemed pre-occupied, absorbed in intellectual excursions, half anxious and half delighted.
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- The Princess Casamassima , pp. 92 - 99Publisher: Cambridge University PressPrint publication year: 2020