Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- List of Abbreviations
- General Editors’ Preface
- General Chronology of James’s Life and Writings
- Introduction
- Textual Introduction
- Chronology of Composition and Production
- Bibliography
- The Princess Casamassima
- Glossary of Foreign Words and Phrases
- Notes
- Textual Variants I: Substantive Variants up to Copy Text
- Textual Variants II: Substantive Variants after Copy Text
- Emendations
- Appendix: Preface to New York Edition
VIII
Published online by Cambridge University Press: 11 April 2021
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- List of Abbreviations
- General Editors’ Preface
- General Chronology of James’s Life and Writings
- Introduction
- Textual Introduction
- Chronology of Composition and Production
- Bibliography
- The Princess Casamassima
- Glossary of Foreign Words and Phrases
- Notes
- Textual Variants I: Substantive Variants up to Copy Text
- Textual Variants II: Substantive Variants after Copy Text
- Emendations
- Appendix: Preface to New York Edition
Summary
Paul Muniment took a match out of his pocket and lighted it on the sole of his shoe; after which he applied it to a tallow candle which stood in a tin receptacle on the low mantel-shelf. This enabled Hyacinth to perceive a narrow bed in a corner, and a small figure stretched upon it — a figure revealed to him mainly by the bright fixedness of a pair of large eyes, of which the whites were sharply contrasted with the dark pupil, and which gazed at him across a counterpane of gaudy patchwork. The brown room seemed crowded with heterogeneous objects, and had, moreover, for Hyacinth, thanks to a multitude of small prints, both plain and coloured, fastened all over the walls, a highly-decorated appearance. The little person in the corner had the air of having gone to bed in a picture-gallery, and as soon as Hyacinth became aware of this his impression deepened that Paul Muniment and his sister were very remarkable people. Lady Aurora hovered before him with a kind of drooping erectness, laughing a good deal, vaguely and shyly, as if there were something rather awkward in her being found still on the premises. “Rosy, girl, I’ve brought you a visitor,” Paul Muniment said. “This young man has walked all the way from Lisson Grove to make your acquaintance.” Rosy continued to look at Hyacinth from over her counterpane, and he felt slightly embarrassed, for he had never yet been presented to a young lady in her position. “You mustn't mind her being in bed — she's always in bed,” her brother went on. “She's in bed just the same as a little trout is in the water.”
“Dear me, if I didn't receive company because I was in bed, there wouldn't be much use, would there, Lady Aurora?”
Rosy made this inquiry in a light, gay tone, darting her brilliant eyes at her companion, who replied instantly, with still greater hilarity, and in a voice which struck Hyacinth as strange and affected, “Oh, dear, no, it seems quite the natural place!” Then she added, “And it's such a pretty bed, such a comfortable bed!”
“Indeed it is, when your ladyship makes it up,” said Rosy; while Hyacinth wondered at this strange phenomenon of a peer's daughter (for he knew she must be that) performing the functions of a housemaid.
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- The Princess Casamassima , pp. 74 - 82Publisher: Cambridge University PressPrint publication year: 2020