Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- List of Abbreviations
- Preface
- Introduction: Presenting the Romans – Issues and Approaches to Interpretation
- 1 Tradition and Innovation: Creating a New Handbook to the Roman Wall
- 2 Re-enactment and Living History – Issues about Authenticity
- 3 Reconstruction Drawings: Illustrating the Evidence
- 4 Images from the Past: Fibulae as Evidence for the Architectural Appearance of Roman Fort Gates
- 5 Multimedia Interpretation Techniques for Reconstructing the Roman Past at the Limes Museum in Aalen and at the Limes in Baden-Württemberg
- 6 Vindonissa: Changing Presentations of a Roman Legionary Fortress
- 7 Bringing to Life the Ancient City of Viminacium on the Danube
- 8 An International View of Reconstruction
- 9 A Roman Museum for Vienna
- 10 Woerden – Hoochwoert (Dutch Limes): Showing the Invisible
- 11 Mainlimes Mobil: Presenting Archaeology and Museums with the Help of Smartphones
- 12 Voices from the Past: Presenting (re)Constructed Environments through Multimedia Technologies
- 13 Digital Reconstruction and the Public Interpretation of Frontiers
- 14 Information, Disinformation and Downright Lies: Portraying the Romans
- 15 Romanes eunt Domus?
- 16 The Living Frontier: the Passing of Time on Hadrian's Wall
- 17 The Hadrian's Wall Interpretation Framework: Audience Research
- 18 The Hadrian's Wall Interpretation Framework
- 19 Applying the Hadrian's Wall Interpretation Framework
- List of Contributors
- Index
- Heritage Matters
4 - Images from the Past: Fibulae as Evidence for the Architectural Appearance of Roman Fort Gates
Published online by Cambridge University Press: 05 September 2013
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- List of Abbreviations
- Preface
- Introduction: Presenting the Romans – Issues and Approaches to Interpretation
- 1 Tradition and Innovation: Creating a New Handbook to the Roman Wall
- 2 Re-enactment and Living History – Issues about Authenticity
- 3 Reconstruction Drawings: Illustrating the Evidence
- 4 Images from the Past: Fibulae as Evidence for the Architectural Appearance of Roman Fort Gates
- 5 Multimedia Interpretation Techniques for Reconstructing the Roman Past at the Limes Museum in Aalen and at the Limes in Baden-Württemberg
- 6 Vindonissa: Changing Presentations of a Roman Legionary Fortress
- 7 Bringing to Life the Ancient City of Viminacium on the Danube
- 8 An International View of Reconstruction
- 9 A Roman Museum for Vienna
- 10 Woerden – Hoochwoert (Dutch Limes): Showing the Invisible
- 11 Mainlimes Mobil: Presenting Archaeology and Museums with the Help of Smartphones
- 12 Voices from the Past: Presenting (re)Constructed Environments through Multimedia Technologies
- 13 Digital Reconstruction and the Public Interpretation of Frontiers
- 14 Information, Disinformation and Downright Lies: Portraying the Romans
- 15 Romanes eunt Domus?
- 16 The Living Frontier: the Passing of Time on Hadrian's Wall
- 17 The Hadrian's Wall Interpretation Framework: Audience Research
- 18 The Hadrian's Wall Interpretation Framework
- 19 Applying the Hadrian's Wall Interpretation Framework
- List of Contributors
- Index
- Heritage Matters
Summary
Introduction
This chapter explores the use of designs found on fibulae as evidence of the architectural appearance (design, features, scale, dimensions, proportions) of Roman fort gates. The evidence suggests that the gateways were higher and grander in scale than previously thought. This conclusion has important implications both for our understanding of the role of gateways as monumental architecture expressing the power of the roman Empire and for reconstructions of these gateways for public presentation. Many existing reconstructions are too low and convey a misleading impression to visitors.
The Evidence
In 1990 a fibula (Fig 4.1) showing a three-storey gateway building with arched windows was discovered (Flügel 2007; Flügel and Obmann 2009) during the excavation of a villa rustica at Chieming in the district of Traunstein in Bavaria. In roman times this area was part of the province of Noricum. The different storeys over the rounded gateway are separated by clearly marked quarter-round dividing cornices, as is often the case in roman architecture (eg Trier, Porta Nigra). The fact that this real-world feature was depicted as a key visual element on a small-scale reproduction leads to the conclusion that the producer of our fibula had a clear picture in mind of how a Roman gateway looked. Using this symbolic citation (Zanker 1987), the fibula's designer wanted to convey this idea to the potential user of his product.
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- Information
- Presenting the RomansInterpreting the Frontiers of the Roman Empire World Heritage Site, pp. 41 - 46Publisher: Boydell & BrewerPrint publication year: 2013