Chapter 10 offers a way through, not by opposing poverty, but reframing it. Being poor in world and captivated by its technological environment, marks the regress of humans from homo faber to animal laborans; but while the latter still could locate the self within a cosmic and divine order, all such locating is now forfeit. Our second reading of poverty, aided by Samuel Beckett’s play Krapp’s Last Tape, however, embraces the possibility of new beginning; the wind that stirs and in whose uneven gusts the potential for the revision of the self emerges.