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CHAPTER THREE - A Funeral, Fun and Games, and the First Gun in Margin Call, The Big Short and Money Monster

Published online by Cambridge University Press:  05 May 2023

Ewa Kowal
Affiliation:
Jagiellonian University, Krakow
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Summary

Michael Moore's 2009 documentary Capitalism: A Love Story opens with a vintage cinema warning, used only somewhat ironically: “This picture, truly one of the most unusual ever filmed, contains scenes which under no circumstances should be viewed by anyone with a heart condition or anyone who is easily upset.” After a montage of CCTV footage of bank robberies in the US is displayed during the opening credits, the first scene contains another vintage quotation about a much older subject matter. It is an excerpt from Encyclopaedia Britannica Films’ TV programme titled “Life in Ancient Rome.” While the narrator sums up life in ancient Rome, Moore juxtaposes images from the bygone empire with their equivalents in the contemporary United States of America:

Rome was the largest and the most beautiful city of the ancient world. The magnificent façade of the empire, however, could not conceal the seeds of decay, the unhealthy dependence of the economy on slaves, the disparity between rich and poor. Behind the splendor of the Forum were vast areas of crowded slums. Escape from the slums was difficult, for there were few jobs available and practically none for the unskilled. To keep idle citizens entertained and out of mischief, frequent games and spectacles were held at public expense. At first, only chariot races were sponsored. But by the reign of Trajan, brutal combat to the death had become popular. Earlier in Rome's history, elected representatives exercised the power. But by now, every function of government had been absorbed by the emperor who was above the law and ruled by decree. That a people as civilized as the Romans, with the most humane system of law ever devised, could tolerate the violation of human beings is astonishing. This imbalance and the irresponsible behaviour of public officials would become major reasons for Rome's eventual decline.

In no uncertain terms, Moore establishes an analogy between the ancient and fallen Roman Empire and (in his view) the falling American Empire.

Similarly, only a year after the financial crisis, the BBC released its TV depiction of The Last Days of Lehman Brothers.

Type
Chapter
Information
The Post-Crash Decade of American Cinema
Wall Street, the 'Mancession' and the Political Construction of Crisis
, pp. 97 - 130
Publisher: Jagiellonian University Press
Print publication year: 2021

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