Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- List of Abbreviations
- General Editors’ Preface
- General Chronology of James’s Life and Writings
- Introduction
- Textual Introduction
- Chronology of Composition and Production
- Bibliography
- The Portrait of a Lady
- Glossary of Foreign Words and Phrases
- Notes
- Textual Variants
- Emendations
- Appendices
Chapter 7
Published online by Cambridge University Press: 11 April 2021
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- List of Abbreviations
- General Editors’ Preface
- General Chronology of James’s Life and Writings
- Introduction
- Textual Introduction
- Chronology of Composition and Production
- Bibliography
- The Portrait of a Lady
- Glossary of Foreign Words and Phrases
- Notes
- Textual Variants
- Emendations
- Appendices
Summary
THE two amused themselves, time and again, with talking of the attitude of the British public, as if the young lady had been in a position to appeal to it; but in fact the British public remained for the present profoundly indifferent to Miss Isabel Archer, whose fortune had dropped her, as her cousin said, into the dullest house in England. Her gouty uncle received very little company, and Mrs. Touchett, not having cultivated relations with her husband's neighbours, was not warranted in expecting visits from them. She had, however, a peculiar taste; she liked to receive cards. For what is usually called social intercourse she had very little relish; but nothing pleased her more than to find her hall-table whitened with oblong morsels of symbolic pasteboard. She flattered herself that she was a very just woman, and had mastered the sovereign truth that nothing in this world is got for nothing. She had played no social part as mistress of Gardencourt, and it was not to be supposed that, in the surrounding country, a minute account should be kept of her comings and goings. But it is by no means certain that she did not feel it to be wrong that so little notice was taken of them, and that her failure (really very gratuitous) to make herself important in the neighbourhood had not much to do with the acrimony of her allusions to her husband's adopted country. Isabel presently found herself in the singular situation of defending the British constitution against her aunt; Mrs. Touchett having formed the habit of sticking pins into this venerable instrument. Isabel always felt an impulse to pull out the pins; not that she imagined they inflicted any damage on the tough old parchment, but because it seemed to her that her aunt might make better use of her sharpness. She was very critical herself—it was incidental to her age, her sex, and her nationality; but she was very sentimental as well, and there was something in Mrs. Touchett's dryness that set her own moral fountains flowing.
“Now what is your point of view?” she asked of her aunt. “When you criticize everything here, you should have a point of view.
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- Information
- The Portrait of a Lady , pp. 55 - 63Publisher: Cambridge University PressPrint publication year: 2016