Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- List of Abbreviations
- General Editors’ Preface
- General Chronology of James’s Life and Writings
- Introduction
- Textual Introduction
- Chronology of Composition and Production
- Bibliography
- The Portrait of a Lady
- Glossary of Foreign Words and Phrases
- Notes
- Textual Variants
- Emendations
- Appendices
Chapter 24
Published online by Cambridge University Press: 11 April 2021
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- List of Abbreviations
- General Editors’ Preface
- General Chronology of James’s Life and Writings
- Introduction
- Textual Introduction
- Chronology of Composition and Production
- Bibliography
- The Portrait of a Lady
- Glossary of Foreign Words and Phrases
- Notes
- Textual Variants
- Emendations
- Appendices
Summary
IT would certainly have been hard to see what injury could arise to her from the visit she presently paid to Mr. Osmond's hill-top. Nothing could have been more charming than this occasion—a soft afternoon in May, in the full maturity of the Italian spring. The two ladies drove out of the Roman Gate, beneath the enormous blank superstructure which crowns the fine clear arch of that portal and makes it nakedly impressive, and wound between high-walled lanes, into which the wealth of blossoming orchards overdrooped and flung a perfume, until they reached the small superurban piazza, of crooked shape, of which the long brown wall of the villa occupied in part byMr. Osmond, formed the principal, or at least the most imposing, side. Isabel went with her friend through a wide, high court, where a clear shadow rested below, and a pair of light-arched galleries, facing each other above, caught the upper sunshine upon their slim columns and the flowering plants in which they were dressed. There was something rather severe about the place; it looked somehow as if, once you were in, it would not be easy to get out. For Isabel, however, there was of course as yet no thought of getting out, but only of advancing. Mr. Osmond met her in the cold ante-chamber—it was cold even in the month of May—and ushered her, with her companion, into the apartment to which we have already been introduced. Madame Merle was in front, and while Isabel lingered a little, talking with Mr. Osmond, she went forward, familiarly, and greeted two persons who were seated in the drawing-room. One of these was little Pansy, on whom she bestowed a kiss; the other was a lady whom Mr. Osmond presented to Isabel as his sister, the Countess Gemini. “And that is my little girl,” he said, “who has just come out of a convent.”
Pansy had on a scanty white dress, and her fair hair was neatly arranged in a net; she wore a pair of slippers, tied, sandal-fashion, about her ankles. She made Isabel a little conventual curtsey, and then came to be kissed. The Countess Gemini simply nodded, without getting up; Isabel could see that she was a woman of fashion.
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- Information
- The Portrait of a Lady , pp. 244 - 256Publisher: Cambridge University PressPrint publication year: 2016