Book contents
- Frontmatter
- Contents
- Introduction
- From Nature to Modernism: The Concept and Discourse of Culture in Its Development from the Nineteenth into the Twentieth Century
- The German “Geist und Macht” Dichotomy: Just a Game of Red Indians?
- “In the Exile of Internment” or “Von Versuchen, aus einer Not eine Tugend zu machen”: German-Speaking Women Interned by the British during the Second World War
- “Deutschland lebt an der Nahtstelle, an der Bruchstelle”: Literature and Politics in Germany 1933–1950
- “Das habe ich getan, sagt mein Gedächtnis. Das kann ich nicht getan haben, sagt mein Stolz! …” History and Morality in Hochhuth's Effis Nacht
- Stefan Heym and GDR Cultural Politics
- Reviving the Dead: Montage and Temporal Dislocation in Karls Enkel's Liedertheater
- Living Without Utopia: Four Women Writers' Responses to the Demise of the GDR
- A Worm's Eye View and a Bird's Eye View: Culture and Politics in Berlin since 1989
- Remembering for the Future, Engaging with the Present: National Memory Management and the Dialectic of Normality in the “Berlin Republic”
- “Wie kannst du mich lieben?”: “Normalizing” the Relationship between Germans and Jews in the 1990s Films Aimée und Jaguar and Meschugge
- Models of the Intellectual in Contemporary France and Germany: Silence and Communication
- Notes on the Contributors
- Index
Models of the Intellectual in Contemporary France and Germany: Silence and Communication
Published online by Cambridge University Press: 05 February 2013
- Frontmatter
- Contents
- Introduction
- From Nature to Modernism: The Concept and Discourse of Culture in Its Development from the Nineteenth into the Twentieth Century
- The German “Geist und Macht” Dichotomy: Just a Game of Red Indians?
- “In the Exile of Internment” or “Von Versuchen, aus einer Not eine Tugend zu machen”: German-Speaking Women Interned by the British during the Second World War
- “Deutschland lebt an der Nahtstelle, an der Bruchstelle”: Literature and Politics in Germany 1933–1950
- “Das habe ich getan, sagt mein Gedächtnis. Das kann ich nicht getan haben, sagt mein Stolz! …” History and Morality in Hochhuth's Effis Nacht
- Stefan Heym and GDR Cultural Politics
- Reviving the Dead: Montage and Temporal Dislocation in Karls Enkel's Liedertheater
- Living Without Utopia: Four Women Writers' Responses to the Demise of the GDR
- A Worm's Eye View and a Bird's Eye View: Culture and Politics in Berlin since 1989
- Remembering for the Future, Engaging with the Present: National Memory Management and the Dialectic of Normality in the “Berlin Republic”
- “Wie kannst du mich lieben?”: “Normalizing” the Relationship between Germans and Jews in the 1990s Films Aimée und Jaguar and Meschugge
- Models of the Intellectual in Contemporary France and Germany: Silence and Communication
- Notes on the Contributors
- Index
Summary
Intellectuals and Philosophers in Postwar France and Germany
THE MAIN ARGUMENT of this essay relates to the ways in which French and German intellectuals in the postwar era have conceived of their own role and mode of activity in strikingly contrasting ways, particularly with regard to issues of communication and the public sphere. In very general terms, the most influential German model, theorized most lucidly and practiced most assiduously by Jürgen Habermas, has been that of the intellectual as a crucial and enabling stimulus to the construction of a public sphere in which citizens might develop an active and intersubjective discussion about political ends. In contrast, the most influential French model, less explicitly theorized as a way of acting, but implicit throughout the work of the generation of thinkers who came to prominence in the late 1950s and 1960s, has been that of the intellectual as a skeptical but ever-hopeful transmitter of ideas and concepts, sending out messages in a bottle or firing arrows in the hope that another “thinker” will find something useful in these messages.
This opposition can be articulated in several ways. Most obviously, it is a consequence of the different preoccupations of French and German intellectuals in the postwar era. That is to say, German intellectuals, certainly up to the point of unification, have been concerned with the legacy of the Third Reich. French intellectuals, on the other hand, have tended to work on a series of issues relating to apparently more general problems such as discourse, power, and desire.
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- Politics and Culture in Twentieth-Century Germany , pp. 245 - 262Publisher: Boydell & BrewerPrint publication year: 2003