Book contents
- Frontmatter
- Contents
- Acknowledgments
- Introduction: Politics and Culture in Germany and Austria Today
- Writing the European Refugee Crisis: Timur Vermes’s Die Hungrigen und die Satten (2018)
- Pluralized Selves and the Postmigrant Sublime: Isolde Charim’s Ich und die Anderen (2018) and Wolfgang Fischer’s STYX (2018)
- “Never an innocent game”: The Center for Political Beauty and “Search for us!”
- Irreconcilable Differences: The Politics of Bad Feelings in Contemporary German Jewish Culture
- Geography, Identity, and Politics in Saša Stanišić’s Vor dem Fest (2014)
- Precarious Narration in Anke Stelling’s Schäfchen im Trockenen (2018)
- Limited Editions: Politics of Liveness at the Berliner Theatertreffen, 2017–19
- The Akın Effect: Fatih Akın’s Cultural-Symbolic Capital and the Postmigrant Theater
- Goodbye, Sonnenallee, Or How Gundermann (2018) Got Lost in the Cinema of Others
- Ruth Beckermann’s Reckoning with Kurt Waldheim: Unzugehörig: Österreicher und Juden nach 1945 (1989) and Waldheims Walzer (2018)
- Burschenschaft Hysteria: Exposing Nationalist Gender Roles in Contemporary Austrian Politics
- Notes on the Contributors
Ruth Beckermann’s Reckoning with Kurt Waldheim: Unzugehörig: Österreicher und Juden nach 1945 (1989) and Waldheims Walzer (2018)
Published online by Cambridge University Press: 06 April 2021
- Frontmatter
- Contents
- Acknowledgments
- Introduction: Politics and Culture in Germany and Austria Today
- Writing the European Refugee Crisis: Timur Vermes’s Die Hungrigen und die Satten (2018)
- Pluralized Selves and the Postmigrant Sublime: Isolde Charim’s Ich und die Anderen (2018) and Wolfgang Fischer’s STYX (2018)
- “Never an innocent game”: The Center for Political Beauty and “Search for us!”
- Irreconcilable Differences: The Politics of Bad Feelings in Contemporary German Jewish Culture
- Geography, Identity, and Politics in Saša Stanišić’s Vor dem Fest (2014)
- Precarious Narration in Anke Stelling’s Schäfchen im Trockenen (2018)
- Limited Editions: Politics of Liveness at the Berliner Theatertreffen, 2017–19
- The Akın Effect: Fatih Akın’s Cultural-Symbolic Capital and the Postmigrant Theater
- Goodbye, Sonnenallee, Or How Gundermann (2018) Got Lost in the Cinema of Others
- Ruth Beckermann’s Reckoning with Kurt Waldheim: Unzugehörig: Österreicher und Juden nach 1945 (1989) and Waldheims Walzer (2018)
- Burschenschaft Hysteria: Exposing Nationalist Gender Roles in Contemporary Austrian Politics
- Notes on the Contributors
Summary
THE ELECTION OF Kurt Waldheim as president of Austria in 1986 functioned as a political and cultural Wende (turning point) in the country's history. The developments that followed Waldheim's election transformed Austrian society, which had refused to confront its own past and believed itself to have been Hitler's first victim for forty years, into a society ready to critically examine its own history. A number of Austrian texts and films have since examined the phenomenon of Waldheim's election and the public debate that ensued. Today these texts, whether on film or on the page, are especially important in light of the rise of the far-right Freiheitliche Partei Österreichs (Freedom Party of Austria, FPÖ) under Jörg Haider. The success of the FPÖ began in parallel to Waldheim's election in the late 1980s, and continued with the coalition between the FPÖ and Österreichische Volkspartei (Austrian People's Party, ÖVP) from 2000 to 2006, and then with the ÖVP-FPÖ coalition that governed Austria from 2017 until its demise following the so-called Ibiza scandal in May 2019. Under its new leader Sebastian Kurz, the ÖVP co-opted many of the FPÖ's extreme right-wing ideas on migration and Islam, thus vying for FPÖ voters and bringing these ideas into the political mainstream. These recent political developments are in part the reactions of Austrians who were displeased by the unraveling of the post-war founding myth in the 1980s and who, despite generational shifts, have come to embrace extreme right-wing nationalist ideas currently circulating in Austria, as elsewhere in Europe. Thus, a further consequence of the 1986 Wende in Austria was the stratification of political divisions in the country between the right and the left, which began with the radicalization of the FPÖ under Jörg Haider in that same year.
The Historical Lie of the Second Republic of Austria in Ruth Beckermann's Oeuvre
In her 2018 documentary film Waldheims Walzer (The Waldheim Waltz), Ruth Beckermann refers to the “österreichische Lebenslüge” (Austrian life lie), which I shall refer to as Austria's historical lie—the founding myth of the Second Republic that turned Austria into a nation of victims rather than a nation of perpetrators.
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- Politics and Culture in Germany and Austria TodayEdinburgh German Yearbook Volume 14, pp. 207 - 221Publisher: Boydell & BrewerPrint publication year: 2021