In this concluding chapter I briefly revisit the interpretive framework set out in Chapter 1 within which my reading of the Charmides is situated, summarising what I take to be its merits. It is argued, based on the formal separation of Plato as author from his characters (especially Socrates), that the Charmides can be read as a Platonic defence of the written text as a medium for critical reflection on the reader’s part.