Book contents
- Pierre Boulez Studies
- Pierre Boulez Studies
- Copyright page
- Contents
- Figures
- Contributors
- Preface
- Book part
- Glossary
- Part I The Context of the Late 1940s and 1950s
- Part II The Evolution of a Style
- 4 ‘A score neither begins nor ends; at most it pretends to’:1 Fragmentary Reflections on the Boulezian ‘non finito’
- 5 Serial Organisation and Beyond: Cross-Relations of Determinants in Le Marteau sans maître and the Dynamic Pitch-Algorithm of ‘Constellation’
- 6 ‘DU FOND D’UN NAUFRAGE’:1 The Quarter-tone Compositions of Pierre Boulez
- 7 ‘Alea’ and the Concept of the ‘Work in Progress’
- 8 Casting New Light on Boulezian Serialism: Unpredictability and Free Choice in the Composition of Pli selon pli – portrait de Mallarmé
- 9 Serial Processes, Agency and Improvisation1
- 10 Listening to Doubles in Stereo
- 11 Composing an Improvisation at the Beginning of the 1970s
- Part III Reception Studies
- Bibliography
- Index
4 - ‘A score neither begins nor ends; at most it pretends to’:1 Fragmentary Reflections on the Boulezian ‘non finito’
from Part II - The Evolution of a Style
Published online by Cambridge University Press: 20 October 2016
Book contents
- Pierre Boulez Studies
- Pierre Boulez Studies
- Copyright page
- Contents
- Figures
- Contributors
- Preface
- Book part
- Glossary
- Part I The Context of the Late 1940s and 1950s
- Part II The Evolution of a Style
- 4 ‘A score neither begins nor ends; at most it pretends to’:1 Fragmentary Reflections on the Boulezian ‘non finito’
- 5 Serial Organisation and Beyond: Cross-Relations of Determinants in Le Marteau sans maître and the Dynamic Pitch-Algorithm of ‘Constellation’
- 6 ‘DU FOND D’UN NAUFRAGE’:1 The Quarter-tone Compositions of Pierre Boulez
- 7 ‘Alea’ and the Concept of the ‘Work in Progress’
- 8 Casting New Light on Boulezian Serialism: Unpredictability and Free Choice in the Composition of Pli selon pli – portrait de Mallarmé
- 9 Serial Processes, Agency and Improvisation1
- 10 Listening to Doubles in Stereo
- 11 Composing an Improvisation at the Beginning of the 1970s
- Part III Reception Studies
- Bibliography
- Index
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- Pierre Boulez Studies , pp. 93 - 107Publisher: Cambridge University PressPrint publication year: 2016
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