Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-xbtfd Total loading time: 0 Render date: 2024-11-09T07:44:14.206Z Has data issue: false hasContentIssue false

3 - “Stress shift” as early placement of pitch accents: a comment on Beckman and Edwards

Published online by Cambridge University Press:  26 February 2010

Get access

Summary

Beckman and Edwards' paper has two parts: a concise synthesis of an emerging phonological view of prosodic structure, in which the prominent element or head at each level of the prosodic constituent hierarchy is cued by a level-specific set of phonological and phonetic variables, and a description of an experiment aimed at clarifying the articulatory correlates of the levelspecific contrasts in stress described in the theory. I will focus here, briefly, on the phonological model and, more extensively, its account of perceived stress shift in terms of the placement of phrase-level pitch accents.

A model of stress

Beckman and Edwards (henceforth B & E) see prosody as a mechanism for organizing utterances, and “stress” as a term for a number of different types of prominence. They concentrate on two kinds of prominence contrast, presence/absence of a nuclear pitch accent, and presence/absence of a full vowel. Each type of prominence corresponds to the head of a different constituent level in the prosodic hierarchy:

  1. the nuclear-pitch-accented syllable (the last and strongest prominence in the constituent “intermediate phrase”) versus

  2. the non-pitch-accented full-vowel syllable (the first and strongest prominence in the constituent “stress foot”) versus

  3. the reduced syllable (a nonhead element in the stress foot).

A fourth type of generally recognized prominence, the prenuclear accented syllable, is not included in the discussion of the model but is mentioned by B & E.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 1994

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×