This chapter will address the place of the “Philip Roth” novels—which include The Facts (1988), Deception (1990), Patrimony (1991), Operation Shylock (1993), and The Plot Against America (2004)—within Roth’s career at large, as well as the critical response to those novels. In addition to being among the most evident examples of Roth’s postmodern techniques, this particular categorization of books is also unique because, unlike Zuckerman and Kepesh, the identity of the character “Philip Roth” himself shifts from book to book. For instance, while the “Philip Roth” of The Plot Against America is a character in Roth’s dystopian alternate history, the “Philip Roth” of The Facts and Patrimony is more closely aligned with Roth the author, adding new levels to his blurring of fact and fiction.