Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-t8hqh Total loading time: 0 Render date: 2024-11-25T16:09:42.457Z Has data issue: false hasContentIssue false

11 - The King, the Palace, and the Cabinet: Knowledge on Display

Published online by Cambridge University Press:  15 February 2024

Stephen M. Hart
Affiliation:
University College London
Alexander W. Samson
Affiliation:
University College London
Get access

Summary

it may be said that in your state, nay, in your most blessed house the arts were born anew, and that through the generosity of your ancestors the world has recovered these most beautiful arts, through which it has been ennobled and embellished.

Giorgio Vasari

Collecting artistic objects was a widespread phenomenon in Renaissance and Baroque Europe. Princes and patricians competed for the rarest and finest artefacts while transforming their private residences into social hubs for artists and men of letters. This chapter examines the phenomenon of collecting in seventeenth-century Spain, in private art collections and cabinets of curiosities. It will focus on two leading protagonists of this collecting culture, who both assembled collections containing a remarkable number of paintings, artefacts and rarities: King Philip IV (1605–1665) and the Aragonese erudite Don Vincencio Juan de Lastanosa (1607–1681). I shall explore two examples of the different ways of collecting objects: on the one hand, the royal art collection in the Palacio del Buen Retiro, and on the other, Lastanosa's cabinet of curiosity – widely regarded as one of Spain's wonders during Philip IV's reign. Both palace and cabinet collections represented spaces where knowledge, leisure, and entertainment designed for an élite audience were closely intertwined. However, although art and patronage became expressions of political agendas involving the exhibition of power, prestige, and control through cultural production, the reasons for this frenzy of collecting remain open for debate. I shall suggest a psychological analysis of collecting behaviours that privileges curiosity (curiositas) rather than melancholy. I emphasise the contribution of active intellectual engagement with collecting practices and I contrast this with an alternative representation of collecting seen as an aristocratic response to boredom, melancholy, and other disaffections of the mind.

Philip IV: The Making of a King

Philip III died suddenly in March 1621, at the age of 42, after a short illness, leaving to his sixteen-year-old son Philip IV the responsibility for overseeing a vast and turbulent empire. Apparently, the young Philip displayed all the qualities needed to become a great king. He had a calm temperament that allowed him to listen to his advisors as well as a level of self-awareness that pushed him to better his education in the hope of developing his full potential as monarch of one of the most powerful nations in the whole world.

Type
Chapter
Information
Publisher: Boydell & Brewer
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×