Book contents
- The Persistence of Realism in Modernist Fiction
- The Persistence of Realism in Modernist Fiction
- Copyright page
- Contents
- Acknowledgments
- Introduction
- Chapter 1 Fables of Autonomy in Late James
- Chapter 2 “She Will Drown Me with Her”
- Chapter 3 “Innumerable Slight Changes”
- Chapter 4 “I Was Always Sentimental”
- Chapter 5 “He Forgot His History”
- Conclusion
- References
- Index
- References
References
Published online by Cambridge University Press: 08 November 2022
Book contents
- The Persistence of Realism in Modernist Fiction
- The Persistence of Realism in Modernist Fiction
- Copyright page
- Contents
- Acknowledgments
- Introduction
- Chapter 1 Fables of Autonomy in Late James
- Chapter 2 “She Will Drown Me with Her”
- Chapter 3 “Innumerable Slight Changes”
- Chapter 4 “I Was Always Sentimental”
- Chapter 5 “He Forgot His History”
- Conclusion
- References
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- The Persistence of Realism in Modernist Fiction , pp. 215 - 230Publisher: Cambridge University PressPrint publication year: 2022
References
Ablow, Rachel. The Marriage of Minds: Reading Sympathy in the Victorian Marriage Plot. Stanford: Stanford University Press, 2007.Google Scholar
Adorno, Theodor W. Aesthetic Theory. Translated by Hullot-Kentor, Robert, edited by Adorno, Gretel and Tiedemann, Rolf. Minneapolis: University of Minnesota Press, 1997. 1970.Google Scholar
Adorno, Theodor W. “Trying to Understand Endgame.” Translated by Weber Nicholsen, Sherry. In Notes to Literature: Volume One, edited by Tiedemann, Rolf, 241–275. New York: Columbia University Press, 1991.Google Scholar
Alighieri, Dante. The Divine Comedy of Dante Alighieri: Inferno. Translated by Mandelbaum, Allen. New York: Bantam, 1980.Google Scholar
Althusser, Louis. “Ideology and Ideological State Apparatuses (Notes Towards an Investigation).” Translated by Brewster, Ben. In Lenin and Philosophy and Other Essays, 127–186. New York: Monthly Review Press, 1971.Google Scholar
Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. New York: Verso, 1983.Google Scholar
Anderson, Perry. “Marshall Berman: Modernity and Revolution.” In A Zone of Engagement, 25–55. New York: Verso, 1991.Google Scholar
Armstrong, Nancy. Desire and Domestic Fiction: A Political History of the Novel. New York: Oxford University Press, 1987.Google Scholar
Armstrong, Nancy. How Novels Think: The Limits of British Individualism from 1719–1900. New York: Columbia University Press, 2005.Google Scholar
Armstrong, Paul. “What Is It Like to Be Conscious? Impressionism and the Problem of Qualia.” In A History of the Modernist Novel, edited by Castle, Gregory, 66–85. Cambridge: Cambridge University Press, 2015.Google Scholar
Arrighi, Giovanni. The Long Twentieth Century: Money, Power and the Origin of Our Times. New York: Verso, 1994.Google Scholar
Attridge, Derek, and Howes, Marjorie, eds. Semicolonial Joyce. Cambridge: Cambridge University Press, 2000.Google Scholar
Auerbach, Erich. Mimesis: The Representation of Reality in Western Literature. Translated by Trask, Willard R.. Princeton: Princeton University Press, 1953.Google Scholar
Baker, Houston A. “To Move without Moving: An Analysis of Creativity and Commerce in Ralph Ellison’s Trueblood Episode.” PMLA 98, no. 5 (1983): 828–845.Google Scholar
Baldick, Chris. The Oxford English Literary History: Volume 10: 1910–1940: The Modern Movement., General Editor, Jonathan Bate. Vol. 10: 1910–1940, Oxford: Oxford University Press, 2004.Google Scholar
Banner-Haley, Charles “Pete.” “Ralph Ellison and the Invisibility of the Black Intellectual: Historical Reflections on Invisible Man.” In Ralph Ellison and the Raft of Hope: A Political Companion to Invisible Man, edited by Morel, Lucas E., 158–170. Lexington: University Press of Kentucky, 2004.Google Scholar
Barber, Stephen M. “States of Emergency, States of Freedom: Woolf, History, and the Novel.” Novel: A Forum on Fiction 42, no. 2 (2009): 196–206.Google Scholar
Barthes, Roland. “The Reality Effect.” Translated by Carter, R.. In French Literary Theory Today: A Reader, edited by Todorov, Tzvetan, 11–17. Cambridge: Cambridge University Press, 1982.Google Scholar
Beach, Joseph Warren. The Twentieth Century Novel: Studies in Technique. New York: Appleton-Century-Crofts, Inc., 1932.Google Scholar
Beaumont, Matthew, ed. A Concise Companion to Realism. Chichester: Wiley-Blackwell, 2010.Google Scholar
Beavers, Herman. “The Noisy Lostness: Oppositionality and Acousmatic Subjectivity in Invisible Man.” In The New Territory: Ralph Ellison and the Twenty-First Century, edited by Conner, Marc C. and Morel, Lucas E., 75–98. Jackson: University Press of Mississippi, 2016.Google Scholar
Bell, Kevin. Ashes Taken for Fire: Aesthetic Modernism and the Critique of Identity. Minneapolis: University of Minnesota Press, 2007.Google Scholar
Bell, Michael Davitt. “African-American Writing, ‘Protest,’ and the Burden of Naturalism: The Case of Native Son.” In Culture, Genre and Literary Vocation: Selected Essays on American Literature, 189–215. Chicago: Chicago University Press, 2000.Google Scholar
Benjamin, Walter. “On the Concept of History.” In Walter Benjamin: Selected Writings Volume 4: 1938–1940, edited by Eiland, Howard and Jennings, Michael W., 389–400. Cambridge, MA: Harvard University Press, 2003.Google Scholar
Benjamin, Walter. The Origin of German Tragic Drama. Translated by Osborne, John. New York: Verso, 2003.Google Scholar
Benjamin, Walter. “Paralipomena to ‘On the Concept of History.’” In Walter Benjamin: Selected Writings Volume 4: 1938–1940, edited by Eiland, Howard and Jennings, Michael W., 401–411. Cambridge, MA: Harvard University Press, 2003.Google Scholar
Berlant, Lauren. The Female Complaint: The Unfinished Business of Sentimentality in American Culture. Durham: Duke University Press, 2008.Google Scholar
Bhattacharya, Tithi. “Introduction: Mapping Social Reproduction Theory.” In Social Reproduction Theory: Remapping Class, Recentering Oppression, edited by Bhattacharya, Tithi, 1–20. London: Pluto Press, 2017.Google Scholar
Bixby, Patrick. Samuel Beckett and the Postcolonial Novel. Cambridge: Cambridge University Press, 2009.Google Scholar
Blackman, Jackie. “Beckett’s Theatre ‘after Auschwitz.’” In Samuel Beckett: History, Memory, Archive, edited by Kennedy, Seán and Weiss, Katherine, 71–87. New York: Palgrave Macmillan, 2009.Google Scholar
Bluemel, Kristin. “Introduction: What Is Intermodernism?” In Intermodernism: Literary Culture in Mid-Twentieth-Century Britain, edited by Bluemel, Kristin, 1–18. Edinburgh: Edinburgh University Press, 2009.Google Scholar
Bowlby, Rachel. “Untold Stories in Mrs. Dalloway.” Textual Practice 25, no. 3 (2011): 397–415.Google Scholar
Bradshaw, David. “Bootmakers and Watchmakers: Wells, Bennett, Galsworthy, Woolf, and Modernist Fiction.” In A History of the Modernist Novel, edited by Castle, Gregory, 137–152. Cambridge: Cambridge University Press, 2015.Google Scholar
Brater, Enoch. “Beckett’s Romanticism.” In Beckett at 100: Revolving It All, edited by Ben-Zvi, Linda and Moorjani, Angela, 139–151. Oxford: Oxford University Press, 2008.CrossRefGoogle Scholar
Bristow, Joseph. “The Aesthetic Novel, from Ouida to Firbank.” In A History of the Modernist Novel, edited by Castle, Gregory, 37–65. Cambridge: Cambridge University Press, 2015.Google Scholar
Brooks, Peter. The Melodramatic Imagination: Balzac, Henry James, Melodrama and the Mode of Excess. New Haven: Yale University Press, 1976.Google Scholar
Brown, Nathan. “Postmodernity, Not Yet: Toward a New Periodisation.” Radical Philosophy 2, no. 1 (2018).Google Scholar
Brown, Nicholas. Autonomy: The Social Ontology of Art under Capitalism. Durham: Duke University Press, 2019.Google Scholar
Brown, Wendy. States of Injury: Power and Freedom in Late Modernity. Princeton: Princeton University Press, 1995.Google Scholar
Brown, Wendy. Undoing the Demos: Neoliberalism’s Stealth Revolution. New York: Zone Books, 2015.Google Scholar
Burke, Kenneth. “Ralph Ellison’s Trueblooded Bildungsroman.” In Ralph Ellison’s Invisible Man: A Casebook, edited by Callahan, John F., 65–79. Oxford: Oxford University Press, 2004.CrossRefGoogle Scholar
Burrows, Stuart. “The Golden Fruit: Innocence and Imperialism in The Golden Bowl.” Henry James Review 21, no. 2 (2000): 95–114.Google Scholar
Bush, Christopher. “Context.” In A New Vocabulary for Global Modernism, edited by Hayot, Eric and Walkowitz, Rebecca L., 75–95. New York: Columbia University Press, 2016.Google Scholar
Butler, Judith. Antigone’s Claim: Kinship between Life and Death. New York: Columbia University Press, 2000.Google Scholar
Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 2006.Google Scholar
Butler, Judith. The Psychic Life of Power: Theories in Subjection. Stanford: Stanford University Press, 1997.Google Scholar
Callahan, John F. “Ellison’s Invisible Man.” In Ralph Ellison’s Invisible Man: A Casebook, edited by Callahan, John F, 287–319. Oxford: Oxford University Press, 2004.Google Scholar
Carroll, John J. The Selected Letters of Samuel Richardson. Oxford: Clarendon Press, 1965.Google Scholar
Castle, Gregory. “Introduction: Matter in Motion in the Modernist Novel.” In A History of the Modernist Novel, edited by Castle, Gregory, 1–34. Cambridge: Cambridge University Press, 2015.Google Scholar
Castle, Gregory. Modernism and the Celtic Revival. Cambridge: Cambridge University Press, 2001.Google Scholar
Chandler, James. An Archaeology of Sympathy: The Sentimental Mode in Literature and Cinema. Chicago: University of Chicago Press, 2013.Google Scholar
Cheng, Vincent J. Joyce, Race, and Empire. Cambridge: Cambridge University Press, 1995.Google Scholar
Cleary, Joe. Outrageous Fortune: Culture and Capital in Modern Ireland. Dublin: Field Day Publications, 2007.Google Scholar
Cleary, Joe. “Realism after Modernism and the Literary World-System.” MLQ 73, no. 3 (September 2012): 255–268.Google Scholar
Cohen, Margaret. “Sentimental Communities.” In The Literary Channel: The Inter-National Invention of the Novel, edited by Cohen, Margaret and Dever, Carolyn, 106–132. Princeton: Princeton University Press, 2002.Google Scholar
Colson, Robert. “Narrative Arrangements in Superposition and the Critique of Nationalism in ‘Cyclops.’” James Joyce Quarterly 53, no. 1–2 (2016): 75–93.Google Scholar
Corbett, Mary Jean. Family Likeness: Sex, Marriage, and Incest from Jane Austen to Virginia Woolf. Ithaca: Cornell University Press, 2008.Google Scholar
Critchley, Simon. “Who Speaks in the Work of Samuel Beckett?” Yale French Studies, no. 93 (1998): 114–130.Google Scholar
D’Arcy, Michael. “Beckett’s Trilogy and the Deaths of (Auto)Biographical Form.” In Revisiting Molloy, Malone Meurt / Malone Dies, and L’innomable / The Unnamable, edited by Tucker, David, Nixon, Mark and Van Hulle, Dirk, 63–77. New York: Rodopi, 2014.Google Scholar
Davis, Thomas S. “The Historical Novel at History’s End: Virginia Woolf’s The Years.” Twentieth Century Literature 60, no. 1 (2014): 1–26.Google Scholar
Deen, Stella. “Rereading the Space Between.” In Challenging Modernism: New Readings in Literature and Culture, 1914–45, edited by Deen, Stella, 3–16. Burlington, VT: Ashgate, 2002.Google Scholar
Deen, Stella. “‘There Is No Ordinary Life’: Privacy and Domesticity in E. H. Young’s Celia and Elizabeth Bowen’s The Death of the Heart.” In Challenging Modernism: New Readings in Literature and Culture, 1914–45, edited by Deen, Stella, 97–114. Burlington, VT: Ashgate, 2002.Google Scholar
Di Battista, Maria. “Realism and Rebellion in Edwardian and Georgian Fiction.” In The Cambridge Companion to the Twentieth-Century English Novel, edited by Caserio, Robert L., 40–55. Cambridge: Cambridge University Press, 2009.Google Scholar
Dickson, Jay Michael. “Defining the Sentimentalist in Ulysses.” James Joyce Quarterly 44, no. 1 (2006): 19–37.Google Scholar
Dickstein, Morris. “Ralph Ellision, Race, and American Culture.” Raritan 18, no. 4 (1999): 30–50.Google Scholar
Doyle, Laura, and Winkiel, Laura A., eds. Geomodernisms: Race, Modernism, Modernity. Indianapolis: Indiana University Press, 2005.Google Scholar
duCille, Ann. “‘Who Reads Here?’: Back Talking with Houston Baker.” Novel 26, no. 1 (1992): 97–105.Google Scholar
Eliot, T. S. “Tradition and the Individual Talent.” In Selected Essays, 3–11. New York: Harcourt, Brace & World, Inc., 1964.Google Scholar
Ellison, Ralph. The Collected Essays of Ralph Ellison, edited by Callahan, John F New York: Modern Library, 2003.Google Scholar
Engeman, Thomas S. “Invisible Man and Juneteenth: Ralph Ellison’s Literary Pursuit of Racial Justice.” In Ralph Ellison and the Raft of Hope: A Political Companion to Invisible Man, edited by Morel, Lucas E., 91–104. Lexington: University Press of Kentucky, 2004.Google Scholar
Esch, Deborah. “The Senses of the Past: On Reading and Experience in James.” Henry James Review 10 (1989): 142–145.Google Scholar
Esty, Jed, and Lye, Colleen. “Peripheral Realisms Now.” MLQ 73, no. 3 (2012): 269–289.Google Scholar
Evans, Elizabeth F. “Air War, Propaganda, and Woolf’s Anti-Tyranny Aesthetic.” MFS 59, no. 1 (2013): 53–82.Google Scholar
Ewins, Kristin. “‘Revolutionizing a Mode of Life’: Leftist Middlebrow Fiction by Women in the 1930s.” ELH 82 (2015): 251–279.Google Scholar
Eysteinsson, Astradur. The Concept of Modernism. Ithaca: Cornell University Press, 1990.Google Scholar
Fernihough, Anne. “Modernist Materialism: War, Gender, and Representation in Woolf, West, and H. D.” In A History of the Modernist Novel, edited by Castle, Gregory, 231–253. Cambridge: Cambridge University Press, 2015.Google Scholar
Fields, Barbara J. “Slavery, Race, and Ideology in the United States.” NLR 1, no. 181 (1990): 95–118.Google Scholar
Fields, Karen E., and Fields, Barbara J.. Racecraft: The Soul of Inequality in American Life. New York: Verso, 2012.Google Scholar
Fisher, Mark. Capitalist Realism: Is There No Alternative? Washington, DC: Zero Books, 2009.Google Scholar
Fleissner, Jennifer L. Women, Compulsion, Modernity: The Moment of American Naturalism. Chicago: University of Chicago Press, 2004.Google Scholar
Floyd, Kevin. The Reification of Desire: Toward a Queer Marxism. Minneapolis: University of Minnesota Press, 2009.Google Scholar
Foley, Barbara. Wrestling with the Left: The Making of Ralph Ellison’s Invisible Man. Durham: Duke University Press, 2010.Google Scholar
Fore, Devin. Realism after Modernism: The Rehumanization of Art and Literature. Cambridge, MA: MIT Press, 2012.Google Scholar
Foster, Thomas Transformations of Domesticity in Modern Women’s Writing. New York: Palgrave Macmillan, 2002.Google Scholar
Frank, Joseph. “Spatial Form in Modern Literature: An Essay in Three Parts.” The Sewanee Review 53, no. 4 (1945): 643–653.Google Scholar
Frank, Joseph. “Spatial Form in Modern Literature: An Essay in Two Parts.” The Sewanee Review 53, no. 2 (1945): 221–240.Google Scholar
Freedgood, Elaine. Worlds Enough: The Invention of Realism in the Victorian Novel. Princeton: Princeton University Press, 2019.Google Scholar
Friedman, Susan Stanford. Planetary Modernisms: Provocations on Modernity across Time. Columbia: Columbia University Press, 2015.Google Scholar
Froula, Christine. “Out of the Chrysalis: Female Initiation and Female Authority in Virginia Woolf’s The Voyage Out.” Tulsa Studies in Women’s Literature 5, no. 1 (Spring 1986): 63–90.Google Scholar
Froula, Christine. Virginia Woolf and the Bloomsbury Avant-Garde: War, Civilization, Modernity. New York: Columbia University Press, 2005.Google Scholar
Gallagher, Catherine. The Industrial Reformation of English Fiction: Social Discourse and Narrative Form, 1832–1867. Chicago: University of Chicago Press, 1985.Google Scholar
Gallagher, Catherine. “The Rise of Fictionality.” In The Novel: Volume 1: History, Geography and Culture, edited by Moretti, Franco, 336–63. Princeton: Princeton University Press, 2006.Google Scholar
Garrido Ardila, J. A. “Origins and Definition of the Picaresque Genre.” In The Picaresque Novel in Western Literature: From the Sixteenth Century to the Neopicaresque, edited by Garrido Ardila, J. A., 1–23. Cambridge: Cambridge University Press, 2015.Google Scholar
Garrido Ardila, J. A. “The Picaresque Novel and the Rise of the English Novel: From Baldwin to Delony to Defoe and Smollett.” In The Picaresque Novel in Western Literature: From the Sixteenth Century to the Neopicaresque, edited by Garrido Ardila, J. A., 113–139. Cambridge: Cambridge University Press, 2015.Google Scholar
Gibson, Andrew. Joyce’s Revenge: History, Politics, and Aesthetics in Ulysses. Oxford: Oxford University Press, 2002.Google Scholar
Gibson, Andrew. “‘Nobody Owns’: Ulysses, Tenancy, and Property Law.” James Joyce Quarterly 50, no. 4 (2013): 951–962.Google Scholar
Gibson, Andrew. The Strong Spirit: History, Politics, and Aesthetics in the Writings of James Joyce, 1898–1915. Oxford: Oxford University Press, 2013.Google Scholar
Giles, Jana Mariá. “The Aesthetics of the Dispossessed: Sublime Vagrancy in Beckett and Wordsworth.” In Beckett Re-Membered: After the Centenary, edited by Carney, James, Madden, Leonard, O’Sullivan, Michael, and White, Karl, 204. Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2012.Google Scholar
Gledhill, Christine. “The Melodramatic Field: An Investigation.” In Home Is Where the Heart Is: Studies in Melodrama and the Woman’s Film, edited by Gledhill, Christine, 5–39. London: BFI Publishing, 1987.Google Scholar
Gledhill, Christine. “Prologue: The Reach of Melodrama.” In Melodrama Unbound: Across History, Media, and National Cultures, edited by Gledhill, Christine and Williams, Linda, ix–xxv. New York: Columbia University Press, 2018.Google Scholar
Goodlad, Lauren M. E. The Victorian Geopolitical Aesthetic: Realism, Sovereignty and Transnational Experience. Oxford: Oxford University Press, 2015.Google Scholar
Greiner, Rae. Sympathetic Realism in Nineteenth-Century British Fiction. Baltimore: Johns Hopkins University Press, 2012.Google Scholar
Guy, Josephine M. The Victorian Social-Problem Novel: The Market, the Individual and Communal Life. New York: St. Martin’s Press, 1996.Google Scholar
Hammill, Faye. Women, Celebrity, and Literary Culture between the Wars. Austin: University of Texas Press, 2007.Google Scholar
Hanson, Clare. “Virginia Woolf in the House of Love: Compulsory Heterosexuality in The Years.” Journal of Gender Studies 6, no. 1 (1997): 55–62.Google Scholar
Hawthorn, Jeremy. “‘Ulysses’, Modernism and Marxist Criticism.” In James Joyce and Modern Literature, edited by McCormack, W. J. and Stead, Alistair. Boston: Routledge and Kegan Paul, 1982.Google Scholar
Hegel, G. W. F. Aesthetics: Lectures on Fine Art. Translated by Knox, T. M.. 2 vols. Vol. 1, Oxford: Clarendon Press, 1998.Google Scholar
Hegel, G. W. F. Aesthetics: Lectures on Fine Art. Translated by Knox, T. M.. 2 vols. Vol. 2, Oxford: Clarendon Press, 1998.Google Scholar
Hegel, G. W. F. Phenomenology of Spirit. Translated by Miller, A. V.. New York: Oxford University Press, 1977.Google Scholar
Henke, Richard. “The Embarrassment of Melodrama: Masculinity in the Early James.” Novel, 28 no. 3 (1995): 257–83.Google Scholar
Hensley, Nathan K. Forms of Empire: The Poetics of Victorian Sovereignty. Oxford: Oxford University Press, 2018.Google Scholar
Holland, Catherine A. “After Antigone: Women, the Past, and the Future of Feminist Political Thought.” In Feminist Readings of Antigone, edited by Söderbäck, Fanny, 27–45. Albany: SUNY Press, 2010.Google Scholar
Holmes, Brooke. “Antigone Again: Conspiracy and Curse.” boundary 2 42, no. 2 (2015): 135–151.Google Scholar
Hubble, Nick. The Proletarian Answer to the Modernist Question. Edinburgh: Edinburgh University Press, 2017.Google Scholar
Humble, Nicola. The Feminine Middlebrow Novel, 1920s to 1950s. Oxford: Oxford University Press, 2001.Google Scholar
Irigaray, Luce. Speculum of the Other Woman. Translated by Gill, Gillian C.. Ithaca: Cornell University Press, 1985.Google Scholar
Jaffe, Audrey. Scenes of Sympathy: Identity and Representation in Victorian Fiction. Ithaca: Cornell University Press, 2000.Google Scholar
James, Henry. “The Art of Fiction.” In Literary Criticism Volume One. New York: The Library of America, 1984.Google Scholar
James, Henry. “The Beast in the Jungle.” In Complete Stories 1898–1910, 496–543. New York: Library of America, 1996.Google Scholar
James, Henry. The Portrait of a Lady. In Novels 1881–1886. New York: Library of America, 1985.Google Scholar
James, Henry. “Preface to the New York Edition” in The Portrait of a Lady, 3–16. New York: W. W. Norton & Company, 1995.Google Scholar
James, Henry. Watch and Ward. In Novels 1871–1880. New York: Library of America, 1983.Google Scholar
Jameson, Fredric. A Singular Modernity: An Essay on the Ontology of the Present. New York: Verso, 2002.Google Scholar
Jameson, Fredric. “Antinomies of the Realism-Modernism Debate.” Modern Language Quarterly 73, no. 3 (2012): 475–485.Google Scholar
Jameson, Fredric. The Political Unconscious: Narrative as a Socially Symbolic Act. Ithaca: Cornell University Press, 1981.Google Scholar
Jameson, Fredric. “Reflections in Conclusion.” In Aesthetics and Politics, edited by Taylor, Ronald, 196–213. New York: Verso, 1977.Google Scholar
Jameson, Fredric. Representing Capital: A Commentary on Volume One. New York: Verso, 2011.Google Scholar
Joannou, Maroula. “Ladies, Please Don’t Smash These Windows”: Women’s Writing, Feminist Consciousness and Social Change 1918–38. Providence, RI: Berg Publishers, 1995.Google Scholar
Johnson, Claudia L. Jane Austen: Women, Politics and the Novel. Chicago: University of Chicago Press, 1988.Google Scholar
Jones, Wendy S. Consensual Fictions: Women, Liberalism, and the English Novel. Toronto: University of Toronto Press, 2005.Google Scholar
Joyce, James. A Portrait of the Artist as a Young Man. New York: Viking Press, 1964. 1916.Google Scholar
Kaplan, Cora. “‘What We Have Again to Say’: Williams, Feminism, and the 1840s.” In Cultural Materialism: On Raymond Williams, edited by Prendergast, Christopher, 211–236. Minneapolis: University of Minnesota Press, 1995.Google Scholar
Kennedy, Seán, “Does Beckett Studies Require a Subject? Mourning Ireland in the Texts for Nothing.” In Samuel Beckett: History, Memory, Archive, edited by Kennedy, Seán and Weiss, Katherine, 11–29. New York: Palgrave Macmillan, 2009.Google Scholar
Kennedy, Seán, “‘Humanity in Ruins’: Beckett and History.” In The New Cambridge Companion to Samuel Beckett, edited by Van Hulle, Dirk, 185–199. Cambridge: Cambridge University Press, 2015.Google Scholar
Kennedy, Seán, “Introduction: Ireland/Europe … Beckett/Beckett.” In Beckett and Ireland, edited by Kennedy, Seán, 1–15. Cambridge: Cambridge University Press, 2010.Google Scholar
Kennedy, Seán, and Weiss, Katherine, eds. Samuel Beckett: History, Memory, Archive. New York: Palgrave Macmillan, 2009.Google Scholar
Kenner, Hugh. A Reader’s Guide to Samuel Beckett. New York: Farrar, Strauss and Giroux, 1973.Google Scholar
Kern, Stephen. The Modernist Novel: A Critical Introduction. Cambridge: Cambridge University Press, 2011.Google Scholar
Kiberd, Declan. “Molloy, Malone Dies, and The Unnamable.” In The Novel: Volume 2, Forms and Themes, edited by Moretti, Franco, 912–916. Princeton: Princeton University Press, 2006.Google Scholar
King, Mary C. “Hermeneutics of Suspicion: Nativism, Nationalism, and the Language Question in ‘Oxen of the Sun.’” James Joyce Quarterly 35, no. 2–3 (Winter and Spring 1998): 349–372.Google Scholar
Knowlson, James. Damned to Fame: The Life of Samuel Beckett. New York: Simon & Schuster, 1996.Google Scholar
Kontje, Todd. “Mann’s Modernism.” In A History of the Modernist Novel, edited by Castle, Gregory, 311–326. Cambridge: Cambridge University Press, 2015.Google Scholar
Kornbluh, Anna. The Order of Forms: Realism, Formalism, and Social Space. Chicago: University of Chicago Press, 2019.Google Scholar
Kramnick, Jonathan, and Nersessian, Anahid. “Form and Explanation.” Critical Inquiry 43, no. 3 (2017): 650–669.Google Scholar
Langan, Celeste. Romantic Vagrancy: Wordsworth and the Simulation of Freedom. Cambridge: Cambridge University Press, 1995.Google Scholar
Larsen, Neil, Nilges, Matthias, Robinson, Josh, and Brown, Nicholas, eds. Marxism and the Critique of Value. Chicago: MCM Publishing, 2014.Google Scholar
Leaska, Mitchell A. The Novels of Virginia Woolf: From Beginning to End. New York: The John Jay Press, 1977.Google Scholar
Lesjak, Carolyn. Working Fictions: A Genealogy of the Victorian Novel. Durham: Duke University Press, 2006.Google Scholar
Levin, Harry. “What Was Modernism?” The Massachusetts Review 1, no. 4 (1960): 609–630.Google Scholar
Levine, Caroline. “Critical Response I: Still Polemicizing after All These Years.” Critical Inquiry 44, no. 1 (2017): 129–136.Google Scholar
Levine, Caroline. Forms: Whole, Rhythm, Hierarchy, Network. Princeton: Princeton University Press, 2015.Google Scholar
Levy, Eric P. “Malone Dies and the Beckettian Mimesis of Inexistence.” Studies in 20th Century Literature 27, no. 2 (2003): 329–350.Google Scholar
Lewis, Cara L. Dynamic Form: How Intermediality Made Modernism. Ithaca: Cornell University Press, 2020.Google Scholar
Light, Alison. Forever England: Femininity, Literature and Conservatism between the Wars. London: Routledge, 1991.Google Scholar
Lilley, James D. Common Things: Romance and the Aesthetics of Belonging in Atlantic Modernity. New York: Fordham University Press, 2014.Google Scholar
Lloyd, David. Anomalous States: Irish Writing and the Post-Colonial Moment. Durham: Duke University Press, 1993.Google Scholar
Lloyd, David. “Frames of Referrance: Samuel Beckett as an Irish Question.” In Beckett and Ireland, edited by Kennedy, Seán, 31–55. Cambridge: Cambridge University Press, 2010.Google Scholar
Lloyd, David. Irish Culture and Colonial Modernity: 1800–2000. Cambridge: Cambridge University Press, 2011.Google Scholar
Lohoff, Ernst. “Off Limits, Out of Control: Commodity Society and Resistance in the Age of Deregulation and Denationalization.” In Marxism and the Critique of Value, edited by Larsen, Neil, Nilges, Matthias, Robinson, Josh and Brown, Nicholas, 151–186. Chicago: MCM Publishing, 2014.Google Scholar
Lukács, Georg. The Historical Novel. Translated by Mitchell, Hannah and Mitchell, Stanley. Harmondsworth: Penguin Books, 1961.Google Scholar
Lukács, Georg. History and Class Consciousness: Studies in Marxist Dialectic. Translated by Livingstone, Rodney. Cambridge, MA: MIT Press, 1971. 1923.Google Scholar
Lukács, Georg. “The Ideology of Modernism.” Translated by Mander, John and Mander, Necke. In The Meaning of Contemporary Realism. London: Merlin Press, 1963.Google Scholar
Lukács, Georg. The Theory of the Novel. Translated by Bostock, Anna. Cambridge, MA: MIT Press, 1971.Google Scholar
Luxemburg, Rosa. The Accumulation of Capital. Translated by Schwarzschild, Agnes. New York: Routledge, 2003. 1913.Google Scholar
Lye, Colleen. America’s Asia: Racial Form and American Literature, 1893–1945. Princeton: Princeton University Press, 2005.Google Scholar
Lyne, William. “The Signifying Modernist: Ralph Ellison and the Limits of the Double Consciousness.” PMLA 107, no. 2 (1992): 318–330.Google Scholar
Mackenzie, Manfred. “Ironic Melodrama in The Portrait of a Lady.” Modern Fiction Studies 12, no. 1 (1966): 7–23.Google Scholar
Mao, Douglas. “Arcadian Ithaca.” In Joyce, Benjamin and Magical Urbanism, edited by Boscagli, Maurizia and Duffy, Enda, 30–58. Amsterdam: Rodopi, 2011.Google Scholar
Mao, Douglas, and Walkowitz, Rebecca L.. “The New Modernist Studies.” PMLA 123, no. 3 (May 2009): 737–748.Google Scholar
Marx, Karl. Capital, Volume I. Translated by Fowkes, Ben. New York: Penguin Books, 1990.Google Scholar
Marx, Karl. Grundrisse. Translated by Nicolaus, Martin. New York: Penguin Books, 1973.Google Scholar
Marx, Karl. “On the Jewish Question.” Translated by Livingstone, Rodney and Benton, Gregor. In Early Writings, 211–242. New York: Vintage Books, 1978.Google Scholar
Mays, J. C. C. “Young Beckett’s Irish Roots.” Irish University Review 4, no. 1 (1984): 18–33.Google Scholar
McKeon, Michael. The Origins of the English Novel 1600–1740. Baltimore: Johns Hopkins University Press, 2002.Google Scholar
Meeuwis, Michael. “Living the Dream: Benjamin’s Arcades Project and The Golden Bowl.” The Henry James Review 27, no. 1 (Winter 2006 2006): 61–74.Google Scholar
Meissner, Collin. “‘What Ghosts Will Be Left to Walk’: Mercantile Culture and the Language of Art.” Henry James Review 21, no. 3 (2000): 242–252.Google Scholar
Meltzer, Françoise “Theories of Desire: Antigone Again.” Critical Inquiry 37, no. 2 (2011): 169–186.Google Scholar
Merish, Lori. Sentimental Materialism: Gender, Commodity Culture, and Nineteenth-Century American Literature. Durham: Duke University Press, 2000.Google Scholar
Michaels, Walter Benn. The Beauty of a Social Problem. Chicago: University of Chicago Press, 2015.Google Scholar
Miller, D. A. Jane Austen, or The Secret of Style. Princeton: Princeton University Press, 2005.Google Scholar
Miller, D. A. The Novel and the Police. Berkeley: University of California Press, 1988.Google Scholar
Moi, Toril. Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy. Oxford: Oxford University Press, 2008.Google Scholar
Moi, Toril. “Rethinking Character.” In Character: Three Inquiries in Literary Studies, 27–75. Chicago: University of Chicago Press, 2019.Google Scholar
Morel, Lucas E. “Recovering the Political Artistry of Invisible Man.” In Ralph Ellison and the Raft of Hope: A Political Companion to Invisible Man, edited by Morel, Lucas E., 1–21. Lexington: University Press of Kentucky, 2004.Google Scholar
Moretti, Franco. The Way of the World: The Bildungsroman in European Culture. Translated by Sbragia, Albert. New York: Verso, 1987.Google Scholar
Morris, Pam. Jane Austen, Virginia Woolf and Worldly Realism. Edinburgh: Edinburgh University Press, 2017.Google Scholar
Morris, Pam. “Woolf and Realism.” In Virginia Woolf in Context, edited by Randall, Bryony and Goldman, Jane, 40–51. Cambridge: Cambridge University Press, 2012.Google Scholar
Moses, Omri. Out of Character: Modernism, Vitalism, Psychic Life. Stanford: Stanford University Press, 2014.Google Scholar
Moshenberg, Daniel. “What Shouts in the Street: 1904, 1922, 1990.” James Joyce Quarterly 28, no. 4 (1991): 809–818.Google Scholar
Murphet, Julian. “Aesthetic Perception and ‘the Flaw’: Towards a Jamesonian Account of Late James.” Henry James Review 36, no. 3 (2015): 226–233.Google Scholar
Neighbors, Jim. “Plunging (Outside of) History: Naming and Self-Possession in Invisible Man.” African American Review 36, no. 2 (2002): 227–242.Google Scholar
Nersessian, Anahid. The Calamity Form: On Poetry and Social Life. Chicago: University of Chicago Press, 2020.Google Scholar
Ngai, Sianne. Theory of the Gimmick: Aesthetic Judgment and Capitalist Form. Cambridge, MA: The Belknap Press of Harvard University Press, 2020.Google Scholar
Nietzsche, Friedrich. “On Truth and Lies in a Nonmoral Sense.” Translated by Breazeale, Daniel. In Philosophy and Truth: Selections from Nietzsche’s Notebooks of the Early 1870’s, edited by Breazeale, Daniel, 79–100. New Jersey: Humanities Press, 1995.Google Scholar
Nixon, Mark. “Beckett and Romanticism in the 1930s.” Samuel Beckett Today / Aujourd’hui 18 (2007): 61–76.Google Scholar
Okin, Susan Moller. “Women and the Making of the Sentimental Family.” Philosophy and Public Affairs 11, no. 1 (1981): 65–88.Google Scholar
Oldfield, Sybil. “Virginia Woolf and Antigone – Thinking against the Current.” The South Carolina Review 29, no. 1 (1996): 45–57.Google Scholar
Ortega y Gasset, José. “The Dehumanization of Art.” In Literary Modernism, edited by Howe, Irving, 83–96. Greenwich, CT: Fawcett Publications, Inc., 1967.Google Scholar
Parks, Tim. “Beckett: Still Stirring.” New York Review of Books 53, no. July 13 (2006).Google Scholar
Parrish, Timothy. “Ralph Ellison’s Three Days: The Aesthetics of Political Change.” In The New Territory: Ralph Ellison and the Twenty-First Century, edited by Conner, Marc C. and Morel, Lucas E., 194–217. Jackson: University Press of Mississippi, 2016.Google Scholar
Pearson, Nels. Irish Cosmopolitanism: Location and Dislocation in James Joyce, Elizabeth Bowen, and Samuel Beckett. Gainesville: University of Florida Press, 2015.Google Scholar
Pilling, John. “Changed Modalities in Malone Dies: Putting Sapo in His Place.” In Revisiting Molloy, Malone Meurt / Malone Dies, and L’innomable / The Unnamable, edited by Tucker, David, Nixon, Mark and Van Hulle, Dirk, 121–135. New York: Rodopi, 2014.Google Scholar
Postone, Moishe. Time, Labor and Social Domination: A Reinterpretation of Marx’s Critical Theory. Cambridge: Cambridge University Press, 1996.Google Scholar
Pound, Ezra. Literary Essays of Ezra Pound, edited by Eliot, T. S New York: New Directions, 1968.Google Scholar
Pound, Ezra. Selected Prose: 1909–1965, edited by Cookson, William New York: New Directions, 1973.Google Scholar
Quigley, Mark. Empire’s Wake: Postcolonial Irish Writing and the Politics of Modern Literary Form. New York: Fordham University Press, 2013.Google Scholar
Reber, Dierdra. “Headless Capitalism: Affect as Free-Market Episteme.” differences 23, no. 1 (2012): 62–101.Google Scholar
Reed Jr., Adolph “The ‘Color Line’ Then and Now: The Souls of Black Folk and the Changing Context of Black American Politics.” In Renewing Black Intellectual History: The Ideological and Material Foundations of African American Thought, edited by Reed Jr, Adolph. and Warren, Kenneth W., 252–303. Boulder: Paradigm Publishing, 2010.Google Scholar
Richardson, Dorothy M. Pilgrimage I: Pointed Roofs, Backwater, Honeycomb. Chicago: University of Illinois Press, 1979.Google Scholar
Robinson, Dean E. “Black Power Nationalism as Ethnic Pluralism: Postwar Liberalism’s Ethnic Paradigm in Black Radicalism.” In Renewing Black Intellectual History: The Ideological and Material Foundations of African American Thought, edited by Reed Jr, Adolph. and Warren, Kenneth W., 184–214. Boulder: Paradigm Publishing, 2010.Google Scholar
Rowe, John Carlos. “Our Invisible Man: The Aesthetic Genealogy of U.S. Diversity.” In A Companion to the American Novel, edited by Bendixen, Alfred, 537–553. Chichester: Blackwell Publishing, 2012.Google Scholar
Saariluoma, Lisa. “Virginia Woolf’s The Years: Identity and Time in an Anti-Family Novel.” Orbit Litterarum 54, no. 4 (1999): 276–300.Google Scholar
Samson, Alexander. “Lazarillo de Tormes and the Dream of a World without Poverty.” In The Picaresque Novel in Western Literature: From the Sixteenth Century to the Neopicaresque, edited by Garrido Ardila, J. A, 24–39. Cambridge: Cambridge University Press, 2015.Google Scholar
Schaub, Melissa. “Sympathy and Discipline in Mary Barton.” Victorian Newsletter, no. 106, (2004): 15–20.Google Scholar
Schiller, Emily. “Melodrama Redeemed; or, the Death of Milly and Morality in The Wings of the Dove.” Studies in American Fiction 24, no. 2 (Autumn 1996 1996): 193–214.Google Scholar
Scholes, Robert. “Exploring the Great Divide: High and Low, Left and Right.” Narrative 11, no. 2 (2003): 245–269.Google Scholar
Scholz, Roswitha. “Patriarchy and Commodity Society: Gender without the Body.” In Marxism and the Critique of Value, edited by Larsen, Neil, Nilges, Matthias, Robinson, Josh and Brown, Nicholas, 123–142. Chicago: MCM Publishing, 2014.Google Scholar
Schwarz, Roberto. “Objective Form: Reflections on the Dialectic of Roguery.” In Two Girls and Other Essays, 10–32. New York: Verso, 2012.Google Scholar
Scott, Jr., Nathan A. “Ellison’s Vision of Communitas.” In Ralph Ellison’s Invisible Man: A Casebook, edited by Callahan, John F, 109–124. Oxford: Oxford University Press, 2004.Google Scholar
Sedgwick, Eve Kosofsky. Epistemology of the Closet. Berkeley: University of California Press, 2008.Google Scholar
Senn, Fritz. “Arguing About Law: Cyclopean Language.” James Joyce Quarterly 37, no. 3-4 (2000): 425–446.Google Scholar
Simpson, David. Wordsworth, Commodification and Social Concern: The Poetics of Modernity. Cambridge: Cambridge University Press, 2009.Google Scholar
Smith, II, Preston, H. “The Chicago School of Human Ecology and the Ideology of Black Civic Elites.” In Renewing Black Intellectual History: The Ideological and Material Foundations of African American Thought, edited by Jr, Adolph Reed. and Warren, Kenneth W., 126–157. Boulder: Paradigm Publishing, 2010.Google Scholar
Smith, Valerie. “The Meaning of Narration in Invisible Man.” In Ralph Ellison’s Invisible Man: A Casebook, edited by Callahan, John F., 189–220. Oxford: Oxford University Press, 2004.Google Scholar
Snaith, Anna. “The Years and Contradictory Time.” In A Companion to Virginia Woolf, edited by Berman, Jessica. Hoboken, NJ: John Wiley & Sons, 2016.Google Scholar
Sodano, Joel P. “Semblances of Affect in the Early English Novel: Narrating Intensity.” In Affect Theory and Literary Critical Practice: A Feel for the Text, edited by Ahern, Stephen, 65–82. New York: Palgrave Macmillan, 2019.Google Scholar
Söderbäck, Fanny. “Introduction: Why Antigone Today?” In Feminist Readings of Antigone, edited by Söderbäck, Fanny, 1–13. Albany: SUNY Press, 2010.Google Scholar
Sophocles, . The Complete Plays of Sophocles. Translated by Claverhouse Jebb., Sir Richard New York: Bantam Classics, 2006.Google Scholar
Stasi, Paul. “Inexplicable Goodness: Raymond Williams, Charles Dickens and Arundhati Roy’s The Ministry of Utmost Happiness.” In Raymond Williams at 100, edited by Stasi, Paul. New York: Rowman & Littlefield, forthcoming.Google Scholar
Stasi, Paul. Modernism, Imperialism and the Historical Sense. Cambridge: Cambridge University Press, 2012.Google Scholar
Stone, Lawrence. The Family, Sex and Marriage in England 1500–1800. New York: Harper and Row, 1977.Google Scholar
Suh, Judy. Fascism and Anti-Fascism in Twentieth-Century British Fiction. New York: Palgrave Macmillan, 2009.Google Scholar
Swanson, Diana L. “An Antigone Complex? The Political Psychology of The Years and Three Guineas.” Woolf Studies Annual 3 (1997): 28–44.Google Scholar
Tate, Claudia. “Notes on the Invisible Women in Ralph Ellison’s Invisible Man.” In Ralph Ellison’s Invisible Man: A Casebook, edited by Callahan, John F., 253–266. Oxford: Oxford University Press, 2004.Google Scholar
Teal, Laurie. “Batlike Souls and Penile Temptresses: Gender Inversions in ‘A Portrait of the Artist as a Young Man.’” Novel: A Forum on Fiction 29, no. 1 (1995): 63–78.Google Scholar
Tompkins, Jane. Sensational Designs: The Cultural Work of American Fiction 1790–1860. New York: Oxford University Press, 1985.Google Scholar
Traub, Lindsey. “‘I Trust You Will Detect My Intention’: The Strange Case of Watch and Ward.” Journal of American Studies 29, no. 3 (1995).Google Scholar
Tsang, Philip. The Obsolete Empire: Untimely Belonging in Twentieth-Century British Literature. Baltimore: Johns Hopkins University Press, 2021.Google Scholar
Tucker, David. “Introduction: ‘No One Wanders Unpunished’: Revisiting Molloy, Malone Meurt / Malone Dies, and L’innomable / The Unnamable.” In Revisiting Molloy, Malone Meurt / Malone Dies, and L’innomable / the Unnamable, edited by Tucker, David, Nixon, Mark and Van Hulle, Dirk, 11–24. New York: Rodopi, 2014.Google Scholar
Tucker-Abramson, Myka. Novel Shocks: Urban Renewal and the Origins of Neoliberalism. New York: Fordham University Press, 2018.Google Scholar
Uhlmann, Anthony. Beckett and Poststructuralism. Cambridge: Cambridge University Press, 1999.Google Scholar
Unekeless, Elaine. “Bats and Sanguivorous Bugaboos.” James Joyce Quarterly 15 (1978): 128–133.Google Scholar
Wallace, Jeff. “Modernists on the Art of Fiction.” In The Cambridge Companion to the Modernist Novel, edited by Shiach, Morag, 15–31. Cambridge: Cambridge University Press, 2007.Google Scholar
Warren, Kenneth W. Black and White Strangers: Race and American Literary Realism. Chicago: University of Chicago Press, 1993.Google Scholar
Warren, Kenneth W. “Ralph Ellison and the Problem of Cultural Authority: The Lessons of Little Rock.” In Ralph Ellison and the Raft of Hope: A Political Companion to Invisible Man, edited by Morel, Lucas E., 142–157. Lexington: University Press of Kentucky, 2004.Google Scholar
Warren, Kenneth W. So Black and Blue: Ralph Ellision and the Occasion of Criticism. Chicago: University of Chicago Press, 2003.Google Scholar
Warren, Kenneth W. What Was African American Literature? Cambridge, MA: Harvard University Press, 2011.Google Scholar
Warwick Research Collective. Combined and Uneven Development: Towards a New Theory of World-Literature. Liverpool: Liverpool University Press, 2015.Google Scholar
Webb, Alfred. A Compendium of Irish Biography: Comprising Sketches of Distinguished Irishmen, and of Eminent Persons Connected with Ireland by Office or by Their Writings. Dublin: M. H. Gill & Son, 1878.Google Scholar
Weinstein, Philip. Unknowing: The Work of Modernist Fiction. Ithaca: Cornell University Press, 2005.Google Scholar
Weisberg, David. Chronicles of Disorder: Samuel Beckett and the Cultural Politics of the Modern Novel. Albany: SUNY Press, 2000.Google Scholar
Whittier-Ferguson, John. “Repetition, Remembering, Repetition: Virginia Woolf’s Late Fiction and the Return of War.” MFS 57, no. 2 (2011): 230–253.Google Scholar
Williams, Raymond. Culture and Society: 1780–1950. New York: Columbia University Press, 1983.Google Scholar
Williams, Raymond. The English Novel from Dickens to Lawrence. London: Chatto & Windus, 1973.Google Scholar
Williams, Raymond. Politics and Letters: Interviews with New Left Review. London: Verso, 1981.Google Scholar
Wilson, Edmund. Axel’s Castle: A Study in the Imaginative Literature of 1870–1930. New York: Charles Scribner’s Sons, 1950.Google Scholar
Woloch, Alex. The One vs. The Many: Minor Characters and the Space of the Protagonist in the Novel. Princeton: Princeton University Press, 2003.Google Scholar
Woolf, Virginia. The Essays of Virginia Woolf: Volume Three: 1919–1924, edited by McNeillie, Andrew. New York: HBJ, 1988.Google Scholar
Woolf, Virginia. The Essays of Virginia Woolf: Volume Four: 1925–1928. edited by McNeillie, Andrew. New York: HBJ, 1994.Google Scholar
Woolf, Virginia. The Pargiters, edited by Leaska, Mitchell A. New York: Harvest/HBJ, 1977.Google Scholar
Woolf, Virginia. “Professions for Women.” In The Essays of Virginia Woolf: Volume Six: 1933–41, edited by Clarke, Stuart N, 479–484. London: Hogarth Press, 2011.Google Scholar
Woolf, Virginia. Three Guineas. New York: Harcourt Brace Jovanovich Publishers, 1966. 1938.Google Scholar
Woolf, Virginia. “Women and Fiction.” In The Essays of Virginia Woolf: Volume Five: 1929–1932, edited by Clarke, Stuart N, 28–36. New York: HBJ, 2009.Google Scholar
Wordsworth, William. The Oxford Authors: William Wordsworth. New York: Oxford University Press, 1984.Google Scholar
Wright, John S. “The Conscious Hero and the Rites of Man: Ellison’s War.” In Ralph Ellison’s Invisible Man: A Casebook, edited by Callahan, John F, 221–252. Oxford: Oxford University Press, 2004.Google Scholar