Book contents
- Performing Early Christian Literature
- Performing Early Christian Literature
- Copyright page
- Dedication
- Contents
- Preface
- 1 Introduction
- 2 Foundations of Audience Experience
- 3 Aspects of Audience Engagement
- 4 Aspects of Audience Engagement
- 5 Aspects of Audience Engagement
- 6 Conclusion
- Bibliography
- Ancient Index
- Author Index
3 - Aspects of Audience Engagement
The Emotional Experience
Published online by Cambridge University Press: 24 September 2021
- Performing Early Christian Literature
- Performing Early Christian Literature
- Copyright page
- Dedication
- Contents
- Preface
- 1 Introduction
- 2 Foundations of Audience Experience
- 3 Aspects of Audience Engagement
- 4 Aspects of Audience Engagement
- 5 Aspects of Audience Engagement
- 6 Conclusion
- Bibliography
- Ancient Index
- Author Index
Summary
Few issues have been more neglected in the field of biblical studies than the role of emotions. Though the literary approach has led to profitable insights, the danger in studying the text as a chirographic artifact is that one may neglect to consider the emotional consequences that arise from the performative event. This chapter reflects on the importance of emotions, how they function in a performative context, and their interpretive impact in the study of the gospels (e.g., spotlighting attention, transferal of spiritual memes).
- Type
- Chapter
- Information
- Performing Early Christian LiteratureAudience Experience and Interpretation of the Gospels, pp. 53 - 92Publisher: Cambridge University PressPrint publication year: 2021