Book contents
- The Performance Reception of Greek Tragedy in Ancient Theatres
- The Performance Reception of Greek Tragedy in Ancient Theatres
- Copyright page
- Contents
- Figures
- Note on Spelling, Conventions and Abbreviations
- Acknowledgement
- Introduction: Reconstructing the Performance Reception of Greek Tragedy in Antiquity
- 1 Athens, Attica and the Beginning of the Performance Reception
- 2 Poets and Plays: Performing Tragedies from Fourth-Century Athens to Republican Rome
- 3 Actors, Festivals and Tragedies from the Hellenistic to the Roman Period
- 4 Selecting Tragedies for Audiences and Readers
- Epilogue: Performing Classics
- Book part
- References
- Index
- References
Book contents
- The Performance Reception of Greek Tragedy in Ancient Theatres
- The Performance Reception of Greek Tragedy in Ancient Theatres
- Copyright page
- Contents
- Figures
- Note on Spelling, Conventions and Abbreviations
- Acknowledgement
- Introduction: Reconstructing the Performance Reception of Greek Tragedy in Antiquity
- 1 Athens, Attica and the Beginning of the Performance Reception
- 2 Poets and Plays: Performing Tragedies from Fourth-Century Athens to Republican Rome
- 3 Actors, Festivals and Tragedies from the Hellenistic to the Roman Period
- 4 Selecting Tragedies for Audiences and Readers
- Epilogue: Performing Classics
- Book part
- References
- Index
- References
- Type
- Chapter
- Information
- The Performance Reception of Greek Tragedy in Ancient Theatres , pp. 376 - 416Publisher: Cambridge University PressPrint publication year: 2025
References
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