Book contents
- The Performance Reception of Greek Tragedy in Ancient Theatres
- The Performance Reception of Greek Tragedy in Ancient Theatres
- Copyright page
- Contents
- Figures
- Note on Spelling, Conventions and Abbreviations
- Acknowledgement
- Introduction: Reconstructing the Performance Reception of Greek Tragedy in Antiquity
- 1 Athens, Attica and the Beginning of the Performance Reception
- 2 Poets and Plays: Performing Tragedies from Fourth-Century Athens to Republican Rome
- 3 Actors, Festivals and Tragedies from the Hellenistic to the Roman Period
- 4 Selecting Tragedies for Audiences and Readers
- Epilogue: Performing Classics
- Book part
- References
- Index
Introduction: Reconstructing the Performance Reception of Greek Tragedy in Antiquity
Published online by Cambridge University Press: 20 March 2025
- The Performance Reception of Greek Tragedy in Ancient Theatres
- The Performance Reception of Greek Tragedy in Ancient Theatres
- Copyright page
- Contents
- Figures
- Note on Spelling, Conventions and Abbreviations
- Acknowledgement
- Introduction: Reconstructing the Performance Reception of Greek Tragedy in Antiquity
- 1 Athens, Attica and the Beginning of the Performance Reception
- 2 Poets and Plays: Performing Tragedies from Fourth-Century Athens to Republican Rome
- 3 Actors, Festivals and Tragedies from the Hellenistic to the Roman Period
- 4 Selecting Tragedies for Audiences and Readers
- Epilogue: Performing Classics
- Book part
- References
- Index
Summary
The introduction serves three main purposes. First, I present the topic of the book and its main goal: to identify the Greek tragedies that ancient actors continued to stage from the fourth century BC to the third century AD. In addition to surveying the relevant scholarly literature, I also introduce the terminology used in the book. Second, I describe the four types of ancient sources that allow us to reconstruct the repertoire of ancient actors: inscriptions, literary records, tragedy-related vases and Roman tragedies. I discuss each category of records separately, presenting previous studies and addressing their contribution to my own work. Third, I summarise the four chapters making up the book and I describe how I have arranged the two Appendices collecting ancient sources, one related to identifiable Greek tragedies (Appendix I) and the other to their unidentifiable counterparts (Appendix II).
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- Information
- Publisher: Cambridge University PressPrint publication year: 2025