Book contents
- Percy Shelley in Context
- Percy Shelley in Context
- Copyright page
- Contents
- Figures
- Contributors
- Preface
- Acknowledgements
- Abbreviations
- Part I Life and Death
- Part II Intellectual, Cultural, and Political Contexts
- Chapter 7 Ancient Philosophy
- Chapter 8 Ancient Poetry
- Chapter 9 English Literature to 1792
- Chapter 10 European Literature, Dante to Rousseau
- Chapter 11 The Visual and Plastic Arts
- Chapter 12 The Radical Press
- Chapter 13 Shelley and the Lake Poets
- Chapter 14 Mary Shelley
- Chapter 15 Thomas Love Peacock
- Chapter 16 Byron and Shelley
- Chapter 17 Keats and Shelley
- Chapter 18 Revolution and Reform
- Chapter 19 Political Economy
- Chapter 20 Empire
- Chapter 21 Shelley’s Sexless Sexuality
- Chapter 22 The British Empiricists
- Chapter 23 The Sciences
- Chapter 24 Religion
- Part III Writings
- Part IV Afterlives
- Further Reading
- Index
Chapter 8 - Ancient Poetry
from Part II - Intellectual, Cultural, and Political Contexts
Published online by Cambridge University Press: 17 April 2025
- Percy Shelley in Context
- Percy Shelley in Context
- Copyright page
- Contents
- Figures
- Contributors
- Preface
- Acknowledgements
- Abbreviations
- Part I Life and Death
- Part II Intellectual, Cultural, and Political Contexts
- Chapter 7 Ancient Philosophy
- Chapter 8 Ancient Poetry
- Chapter 9 English Literature to 1792
- Chapter 10 European Literature, Dante to Rousseau
- Chapter 11 The Visual and Plastic Arts
- Chapter 12 The Radical Press
- Chapter 13 Shelley and the Lake Poets
- Chapter 14 Mary Shelley
- Chapter 15 Thomas Love Peacock
- Chapter 16 Byron and Shelley
- Chapter 17 Keats and Shelley
- Chapter 18 Revolution and Reform
- Chapter 19 Political Economy
- Chapter 20 Empire
- Chapter 21 Shelley’s Sexless Sexuality
- Chapter 22 The British Empiricists
- Chapter 23 The Sciences
- Chapter 24 Religion
- Part III Writings
- Part IV Afterlives
- Further Reading
- Index
Summary
This chapter considers Percy Shelley’s concern with ancient Greek literature through a close reading of ‘With a Guitar. To Jane’. The second half of the poem unfolds a description of the guitar modelled on the representation of the lyre in the Homeric Hymn to Hermes. In the course of this account, Shelley presents an instrument which is akin to its ancient counterpart in its bewitching power, but which derives qualities from its environment in a manner quite different from anything envisaged in the hymn. When refashioned through Shelley’s imagination, the guitar acts as a figure both for poetry’s capacity to animate as well as to reflect perception, and for the power of creative appropriations to change the terms on which we relate to ancient literature.
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- Percy Shelley in Context , pp. 59 - 66Publisher: Cambridge University PressPrint publication year: 2025